{"version":"1.0","provider_name":"Cinema&#039;s Exiles","provider_url":"https:\/\/www.pbs.org\/wnet\/cinemasexiles","author_name":"Christiane Wartell","author_url":"https:\/\/www.pbs.org\/wnet\/cinemasexiles\/author\/wartellc\/","title":"Filmmaker Interview: Karen Thomas | Cinema&#039;s Exiles | PBS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"VCnr7fg4B6\"><a href=\"https:\/\/www.pbs.org\/wnet\/cinemasexiles\/about\/filmmaker-interview-karen-thomas\/51\/\">Filmmaker Interview: Karen Thomas<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pbs.org\/wnet\/cinemasexiles\/about\/filmmaker-interview-karen-thomas\/51\/embed\/#?secret=VCnr7fg4B6\" width=\"600\" height=\"338\" title=\"&#8220;Filmmaker Interview: Karen Thomas&#8221; &#8212; Cinema&#039;s Exiles\" data-secret=\"VCnr7fg4B6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pbs.org\/wnet\/cinemasexiles\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Over the years, Karen Thomas has produced films on many artists including Isaac Stern, Robert Rauschenberg, Edgar Allen Poe, and as well as history features on the American Bill of Rights. Now, the award-winning director\/producer\/writer takes an in-depth look at the impact of German refugees in wartime Tinseltown. Below, she discusses the making of her [&hellip;]"}