{"version":"1.0","provider_name":"Great Performances","provider_url":"https:\/\/www.pbs.org\/wnet\/gperf","author_name":"Julia Corbett","author_url":"https:\/\/www.pbs.org\/wnet\/gperf\/author\/corbettj\/","title":"Behind the Scenes of \"Black Lucy and the Bard\" | Great Performances | PBS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"d1fyA4h0nE\"><a href=\"https:\/\/www.pbs.org\/wnet\/gperf\/behind-scenes-black-lucy-and-bard-lgckqv\/13968\/\">Behind the Scenes of &#8220;Black Lucy and the Bard&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pbs.org\/wnet\/gperf\/behind-scenes-black-lucy-and-bard-lgckqv\/13968\/embed\/#?secret=d1fyA4h0nE\" width=\"600\" height=\"338\" title=\"&#8220;Behind the Scenes of &#8220;Black Lucy and the Bard&#8221;&#8221; &#8212; Great Performances\" data-secret=\"d1fyA4h0nE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pbs.org\/wnet\/gperf\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.pbs.org\/wnet\/gperf\/files\/2022\/08\/gt6pHJj-asset-mezzanine-16x9-PZxoPFS.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"Go behind the scenes of Nashville Ballet's production of \"Black Lucy and the Bard\" and hear from the creative team who made it including author and performer Caroline Randall Williams choreographer and director Paul Vasterling and composer Rhiannon Giddens."}