{"version":"1.0","provider_name":"Secrets of the Dead","provider_url":"https:\/\/www.pbs.org\/wnet\/secrets","author_name":"Benjamin Phelps","author_url":"https:\/\/www.pbs.org\/wnet\/secrets\/author\/phelpsb\/","title":"How Americans Profited Off Looted Art | Secrets of the Dead | PBS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gMD5sn76ps\"><a href=\"https:\/\/www.pbs.org\/wnet\/secrets\/how-americans-profited-off-looted-art-stcyai\/8333\/\">How Americans Profited Off Looted Art<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pbs.org\/wnet\/secrets\/how-americans-profited-off-looted-art-stcyai\/8333\/embed\/#?secret=gMD5sn76ps\" width=\"600\" height=\"338\" title=\"&#8220;How Americans Profited Off Looted Art&#8221; &#8212; Secrets of the Dead\" data-secret=\"gMD5sn76ps\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pbs.org\/wnet\/secrets\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.pbs.org\/wnet\/secrets\/files\/2025\/01\/teRevyI-asset-mezzanine-16x9-ihdOtW5.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"The explosion of new museums in post-war America increased the demand for art \u2013while, at the same time, those looking to shrink their taxable income were being given tax breaks for charitable donations. These two factors created a \u201cvery murky\u201d market, explains restitution attorney Raymond Dowd, as \u201cmuseums became filled with toxic assets. Almost no one had a motivation to look into provenance.\u201d"}