{"version":"1.0","provider_name":"Wide Angle","provider_url":"https:\/\/www.pbs.org\/wnet\/wideangle","author_name":"Wide Angle","author_url":"https:\/\/www.pbs.org\/wnet\/wideangle","title":"Brazil in Black and White: Filmmaker Notes | Wide Angle | PBS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Gf5rgayVry\"><a href=\"https:\/\/www.pbs.org\/wnet\/wideangle\/uncategorized\/brazil-in-black-and-white-filmmaker-notes\/2107\/\">Brazil in Black and White: Filmmaker Notes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pbs.org\/wnet\/wideangle\/uncategorized\/brazil-in-black-and-white-filmmaker-notes\/2107\/embed\/#?secret=Gf5rgayVry\" width=\"600\" height=\"338\" title=\"&#8220;Brazil in Black and White: Filmmaker Notes&#8221; &#8212; Wide Angle\" data-secret=\"Gf5rgayVry\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pbs.org\/wnet\/wideangle\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"By Adam Stepan Director of BRAZIL IN BLACK AND WHITE Photo credit: Billa Franzoni One of the things that strikes any foreigner who arrives in Brazil is its amazing racial mixture. Growing up in the U.S., with its often polarized racial landscape, it&#8217;s a welcome relief to arrive in a place where people of all [&hellip;]","thumbnail_url":"https:\/\/www.pbs.org\/wnet\/wideangle\/shows\/brazil2\/images\/adam_stepan.jpg"}