{"version":"1.0","provider_name":"Wide Angle","provider_url":"https:\/\/www.pbs.org\/wnet\/wideangle","author_name":"thompsonc","author_url":"https:\/\/www.pbs.org\/wnet\/wideangle\/author\/feltzr\/","title":"Contestant No. 2: Filmmaker's Notes | Wide Angle | PBS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"P7cWyyWzbC\"><a href=\"https:\/\/www.pbs.org\/wnet\/wideangle\/uncategorized\/contestant-no-2-filmmakers-notes\/5289\/\">Contestant No. 2: Filmmaker&#8217;s Notes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pbs.org\/wnet\/wideangle\/uncategorized\/contestant-no-2-filmmakers-notes\/5289\/embed\/#?secret=P7cWyyWzbC\" width=\"600\" height=\"338\" title=\"&#8220;Contestant No. 2: Filmmaker&#8217;s Notes&#8221; &#8212; Wide Angle\" data-secret=\"P7cWyyWzbC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pbs.org\/wnet\/wideangle\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"by Ibtisam Mara&#8217;ana I embarked on this film out of curiosity about whether traditional societies and beauty pageants could mix. I chose to document the Arab beauty pageant because it attracts Arab girls of all religions \u2013 Muslim, Christian, and Druze \u2013 from towns and villages in Israel, the West Bank, and Gaza. At first, [&hellip;]","thumbnail_url":"https:\/\/www.pbs.org\/wnet\/wideangle\/files\/2009\/07\/ibtisam_maraana_festival.jpg"}