The :30 Second Candidate


INTERVIEW WITH
ALEX CASTELLANOS (part 2)
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Q: Tell me a little more about why good old fashion progressive, call it comparative, call it negative advertising is good for democracy.

CASTELLANOS: Politics is a lot like sex. You know, why are there male and female. Well, it turns out that, through the battle of the sexes, the eternal conflict, you get, you get one point of view and another, you get one set of genes and another, they kind of conflict and combine and bam, you know, the next thing you know life moves forward, man learns to walk upright, you know, use the spear and the credit card, all those kinds of things, that's how, it moves life forward. Then, when you take all the conflict out of it, what you've got left is the amoeba. And it's kind of a dead end path, there's no innovation, there's no choice, there's no opportunity for growth. Politics is like that. It's like a courtroom. You want, you want to make sure voter's hear at least both sides and can make a choice. You want to make sure voters are informed about it. But more than that it's the most creative part of the process.

It's what gives the most opportunity for change and growth. If you take all the negative aspects out of politics, if you take all the chaos out of politics, if you take all the divisiveness out of politics, what your left with is, is very bland, unimaginative oatmeal. And eventually it's concrete, it just sets and nothing changes. That's horrible. You know, ultimately all this messy stuff we have in politics, all this conflict, all this chaos, by another name, it's freedom. And I, I think that a country that has fought so hard to earn its freedom and keep its freedom, shouldn't give an ounce of it away.


Q: You tell a great story about the purpose of advertising and how it can work, the story about a blind man...

CASTELLANOS: We often get folks, what does a media consultant do in a campaign. There's, there's this myth now that we're spin doctors. That we're out there to take something that's true and turn it into something that isn't. And I think a better way to look at it is the story of the blind man who is sitting on the sidewalk in New York City with his dog and his cup and a little sign around his neck that said I'm blind. And of course, New York City, nobody stops and puts anything in the cup. Until the advertising guy walks by. And he sees what's going on and he pulls out his marker and he writes a couple of words on the little sign. And then he goes to the corner to watch. And all of a sudden, somebody walks buy, drops a quarter in, somebody else walks by and drops a dollar in and nothing had changed but everything had.

What had he written on his sign, and where it had only said "I am blind", he had written, "It is spring, and I am blind". And what he had done was taken something that was fundamentally true and not changed it, but just elevated it. Made it something a little more personable, it touched your life. And that's our job in a campaign. Find the truest thing you can do and elevate it, reveal it in some dramatic way. That's what I try, on the good days, that's what you feel you've done.


Q: What about the role, this year, of outside groups, be they pro-life or pro-choice, be it term limits, be it the Sierra Club, be it whoever. How does that change your business and campaigns?

CASTELLANOS: Politics has gotten a lot more complicated. It used to be like boxing. There was, your candidate was in the ring, the other candidate was in the ring, and you would sort it out. Now you have all other kinds of people and groups climbing into the ring. These advocacy groups who are raising money, spending money. So now there not, there still may be two sides but there may be four, six, eight, ten different campaigns involved. And so it's not like boxing anymore, it's a little bit like the Texas chainsaw wrestling grudge match, you know. Everybody plays. And, it's just made it a lot more complicated.

I think ultimately it takes a little more power out of the hands of the candidates. But that's the way that messy thing democracy works. You know, people actually get up there and try to have their own impact on the process. Don't you just hate it when that happens.


Q: So it's that pesky first amendment?

CASTELLANOS: Gosh almighty, you know, here Americans trying to run their own country. Who'd ever thought of such a thing, it's ugly, it's messy. It's freedom. And, you know, you, in my experience you can never fix too little freedom with less freedom. And that's the problem with a lot of these campaign finance laws.

There, you have candidates out there who are chained to the parking meter. They have to go out there and raise money a quarter at a time, a dollar at a time, a hundred bucks at a time, so guess what, they spend their entire lives raising money. And every reform that restricts their ability to raise money makes money more important not less. I think the answer to that is let them raise whatever they want.

Disclose it, let the press tell America about it, let their opponents tell America about it. But you could free candidates from the constraints of this fundraising with more freedom, not less.


Q: Still, you're rolling up your sleeves with your chum Bob Squier to try to do something a bit different. Why do you want to do that given the degree to which you believe in the kind of rough and tumble, roll up your sleeves and go at 'em part of politics?

CASTELLANOS: I agreed to be a part of this effort with no apologies about what I do or about doing negative commercials. I think in many ways they're the solution not the problem. I do think that in a lot of ways politics has gotten a bad name because the product, government, has done such a lousy job. And, so I think we have an opportunity to remind voters that politics is actually how we govern our governors, that politics is freedom. It's our freedom to choose who governs us. That there's a lot of good stuff and that it is important to be involved somehow. That, you know, ultimately there's no 'them.' It's us. So I do think that the, I don't think we necessarily need to go out there and say hey, politics is terrible, it's broken, let's fix politics. No I think there's a lot of great stuff in politics that is important.


Q: Bringing back in what you said before about what you try to do in a political spot, how does that apply to this project that you are doing with Bob Squier? In other words, what's the dramatic moment, that little kernel about this country that you'd like to be able to reveal?

CASTELLANOS: I think the truest thing about, about this is that it's freedom. And it's how big and free you can be as an American.

We can make politics small. We can give it away to someone else to social mercenaries to hire, to solve all our problems for us. But I think ultimately if we look at politics, we can say that it's ugly, it's chaotic at times, it's divisive, it's a mess, and ain't that great. You know, that's how we move forward. And look at all the good it can do. And ultimately, it's in, totally in your hands. Unlike a lot of places in this world.

So that's, I think, the biggest message of all. That any, there's an effort out there now, I think, to run down politics as a step to getting Americans to surrender more of their freedom and more of their control of the political process to "people who know better". People who will do it a little more neatly. People who know what's good for you. It's a disaster. That's against everything this country can be. You know, who, who would trade whatever we can be.

Here's one of the things that bothers me is this is such an exciting time. The world is reinventing itself right now in front of us. You know, we look ahead and we see the changes we're seeing right now in this country and imagine the world we're living in, the country we're living in twenty years from now. It's fabulous. It's scary that it's so promising right now. That at a time like this, Americans would give up any power over their future to people who know better, people who know what's good for you, people who say eat your political oatmeal. You know, that's what's really healthy, not that messy stuff you like. I think is a crime.


Q: How much of that for you is personal and part of who you are, Alex Castellanos, and in your own family heritage and that part of the story?

CASTELLANOS: I think the reason I got into this whole mess to start with is my parents. We came over here from Havana, Cuba. My parents came over here with, my parents came over here with $11 and one suitcase, two kids. They didn't speak the language. They left everything behind so that my sister and me could have a chance to be whatever we wanted to be. So for me, it's all about that. How I could give away or watch anyone give away a little bit of the freedom that they gave up everything so I could have. You know, you can't do that, ever. It's all about freedom.

I've got some friends who write, who write for Hollywood. And they tell me about writing movies. And we were talking one evening and they were telling me that there's only one story. And it's the oldest one there is. And it's always the story of man's journey from slavery to freedom, one way or the other. Because that's the only ennobling thing, that's the only thing that makes you bigger. But for me, yeah, it's, you know, they say it's dad, it's mom, it's...You try to, I can't think of anything more important to do.


Q: Walk me through, then, how that experience and your story, if it does indeed tie to the spot, one of the spots you're the most famous for, which is the Jesse Helms, 'hands,' affirmative-action story.

CASTELLANOS: Well that spot sure did cause a lot of trouble didn't it. I'm very proud of it. I believe every bit of it. You know, my name is Castellanos. My son is named Castellanos. It may be, you know, one day he could get a job or he could get some deal because he is of a some ethnic minority and all of that. I hope he never does. I think that lessens you when you do that.

The message in that spot's very clear and that is nobody should get a job, or be denied a job because of the color of their skin. The vast majority of Americans believe that. And if it's wrong for us to discriminate that way it's wrong for our government to discriminate that way. Again, it's freedom. Now it wasn't very politically correct to say at the time but there's this, you know, you always get the assault logged against you that there's something, you know, when a conservative Republican says the same words that Martin Luther King says, somehow he's racist. And I just don't buy that. I think you're proscribed from talking about quotas and things like that because you're a, you're a white guy.


Q: It's not playing the race card?

CASTELLANOS: Again, if I can't, I don't, I don't give a damn if I'm white, black, or whatever, if I can't say that, that giving somebody a job or denying them a job because of the color of their skin, if I can't say that's wrong, this is not America. I believe that.


Q: Tell me a little about the technique in that ad. The way in which you used hands, the color of the shirt, the ring on the finger, those sorts of things.

CASTELLANOS: I'd like to think we have an incredible amount of foresight and planning on this stuff but actually with ten days to go this campaign was nine or ten points down. And this was an issue that cut on a survey. And so what, wrote that spot Saturday night. Produced it Sunday. Shipped it back to North Carolina in a car Sunday night and had it on the air Monday noon. And the, the guy in the checked shirt actually was the cameraman just because he happened to be dressed right. I was running the camera. And we just flipped the camera over to his ring side so we could see his wedding ring and again let everybody know that there's a family depending on this. The piece of paper he's taking out of his, unfolding is a piece we happened to find in a desk drawer in one of the props, they had a prop desk so we just kind of threw it together. What makes that ad is not technique, it's truth. It says something big and true that Americans believe and that is you shouldn't get a job or be denied a job because of the color of your skin. Tell me you don't believe that.


Q: How did that ad change things, or did it change things for you?

CASTELLANOS: For me? I don't know. I've never worried too much about, you know trying to be successful or not. I just figured if you do good work and if you, you know, that part of things will take care, take care of itself. So, for a long time, being involved in Jesse Helms' race and doing Jesse Helms' races, you know, limited you. There are a lot of folks that, you know, thought you were some three-eyed snake handler trying to, in politics, you know, an extreme Republican. You know, now a lot of those extreme Republican's ideas like balancing the budget and changing welfare, are kind of mainstream. So, I think the country has kind of grown into a lot of those ideas.


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