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Billy Strayhorn sits at the piano
BILLY STRAYHORN: Lush Life
by Robert Levi
February 6, 2007

As Duke Ellington's co-composer, arranger, and right-hand man, Billy Strayhorn wrote some of the greatest American music of the 20th century. But as a gay man in the '40s and '50s, Strayhorn had to lead a discreet existence, while Ellington played to thunderous applause on center stage. BILLY STRAYHORN: Lush Life tells the story of the unheralded man who changed jazz and popular music forever, maintaining artistic and personal integrity, while challenging prejudice along the way.

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A turn of the century photograph of an African American couple carrying their belongings
BANISHED
by Marco Williams
February 19, 2008

From the 1860s to the 1920s, dozens of towns and counties across America violently expelled entire African American communities, forcing thousands of black families to flee their homes. A century later, these towns remain mostly white. BANISHED tells the story of three of these communities and their black descendants, who return to learn shocking histories.

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Actors playing Zora Neale Hurston and Bruce Nugent in period costume
BROTHER TO BROTHER
by Rodney Evans
Co-presentation with the National Black Programming Consortium
June 14, 2005

After being rejected by his family, Perry (Anthony Mackie), a struggling young artist, befriends an elderly stranger—Bruce Nugent (Roger Robinson), the black gay writer who co-founded the revolutionary journal Fire!! Through Nugent’s memories, Perry discovers the legacies of the gay and lesbian subcultures within the Harlem Renaissance.

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The Greensboro Four in their seats at the Woolworth¹s lunch counter in 1960
FEBRUARY ONE: Greensboro Four
by Rebecca Cerese and Steven Channing
February 1, 2005

On February 1, 1960, four college students staged a sit-in at a Woolworth’s lunch counter in Greensboro, North Carolina that turned out to be a pivotal event in the Civil Rights Movement. In this intimate portrait, find out what led these four friends to protest—and how it has impacted their lives.

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GUNS AND MOTHERS
GUNS & MOTHERS
by Thom Powers
May 13, 2003

Will mothers tip the scales in the battle over gun control? GUNS & MOTHERS traces the activism of two women on opposite sides of the issue: Maria, a mother of four and spokeswoman for Second Amendment Sisters; and Frances, an advocate of gun control who lost three sons to urban bullets.

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Man with a green hat speaks strongly looking away from the camera
HIP HOP: Beyond Beats and Rhymes
by Byron Hurt
February 20, 2007

HIP-HOP: Beyond Beats and Rhymes takes an in-depth look at machismo in rap music and hip-hop culture—where creative genius, poetic beauty and mad beats collide with misogyny, violence and homophobia. Produced in association with ITVS and NPBC.

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JIMMY SCOTT: If You Only Knew
JIMMY SCOTT: If You Only Knew
by Matthew Buzzell and Brian Gerber
February 24, 2004

Jazz balladeer Jimmy Scott informs his art with lessons learned from 78 hard-lived years of failure and redemption. Through international concert footage, portraiture and intimate interviews, this oft-sidelined jazz immortal, whose soft sensuality and impossibly high voice are legendary, recounts his stranger-than-fiction odyssey through poverty and obscurity to worldwide recognition as one of the most distinctive and revered vocalists of our time.

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Two white policemen, in riot gear helmets, holding batons, are attempting to subdue a shirtless African American man; another white man is in the background
JULY '64
by Carvin Eison and Chris Christopher
Co-presentation with WXXI/Rochester and the National Black Programming Consortium
February 14, 2006

In the summer of 1964, a three-night riot erupted in two predominantly black neighborhoods in downtown Rochester, New York—the culmination of decades of poverty, joblessness and racial discrimination and a significant event in the Civil Rights era. Using archival footage and interviews with those who were present, JULY '64 explores the genesis and outcome of these three devastating nights.

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An archival photo of Milt Hinton and friend
KEEPING TIME: Milt Hinton
by David Berger and Holly Maxson
April 12, 2005

Legendary jazz bassist Milt Hinton (1910–2000) was also a skilled photographer and storyteller. Using archival footage, hundreds of photographs and interviews with Hinton and fellow musicians such as Branford Marsalis and Quincy Jones, KEEPING TIME is an insider’s view of jazz and life in 20th-century America.

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A man with a bullhorn and a Bible preaches in front of a storefront church with a large cross in the window
LET THE CHURCH SAY AMEN
by David Petersen
March 29, 2005

Easter in Washington, D.C. means children hunting for eggs on the White House lawn. But a block away is one of America’s poorest neighborhoods, where a storefront church serves as a beacon of hope. Tracing the lives of four parishioners in the months before Easter, this film shows how the holiday’s promise helps pull them through adversity.

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An African American woman and her son: she is holding him as she smiles at the camera, his head is on her chest, eyes closed looking content; he wears a bandana around his forehead, she is in a blue and white sweater
A LION IN THE HOUSE
by Julia Reichert and Steve Bognar
June 21-22, 2006

This inspiring film follows five children as they fight cancer with the help of their families, nurses and doctors. This harrowing and intimate series spans six years to chronicle how families respond to crises, how courage is found in unlikely places and how the humor and energy of youth can be powerful medicine.

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NAT TURNER: A Troublesome Property
NAT TURNER: A Troublesome Property
by Frank Christopher, Charles Burnett and
Kenneth Greenberg
Co-presented by KQED/San Francisco
February 10, 2004

A “troublesome property” for his master, Nat Turner has remained a “troublesome property” for historians, novelists, dramatists and others who have struggled to understand the leader of the famous 1831 slave rebellion. Using an innovative approach that combines documentary techniques, dramatic filmmaking and historical methodology, this program explores how the many meanings of Nat Turner remain critical to understanding the racial history of our country.

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An African American man sporting a ‘70s afro hair style stands side-by-side with an African American woman, they are both wearing white button down shirts and holding handguns pointed upward
NEGROES WITH GUNS: Rob Williams and Black Power
by Sandra Dickson, Churchill Roberts, Cara Pilson and Cindy Hill
February 2, 2006

Credited with inspiring the Black Power Movement, Robert Williams led his North Carolina hometown to defend itself against the Ku Klux Klan and challenge repressive Jim Crow laws. NEGROES WITH GUNS follows Williams's journey from southern community leader to his exile in Cuba and China—a journey that brought the issue of armed self-defense to the forefront of the Civil Rights Movement.

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Greg Smith sits in his wheelchair in front of the Capitol Building in Washington, D.C.
ON A ROLL
by Joanne Caputo
February 15, 2005

Greg Smith and his family bare all in this unflinching portrait of a 65-pound man striving for the American Dream. In 1992, fueled by discrimination, Smith created On a Roll Talk Radio from his wheelchair. The father of three travels the globe but finds his own nation’s capital inaccessible—a minor challenge compared with living independently and having safe intimate relationships.

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George Clinton of Parliament Funkadelic smiling for the camera with a head full of long, multi-colored dreadlocks.
PARLIAMENT FUNKADELIC: One Nation Under a Groove
by Yvonne Smith
Co-presentation with the National Black Programming Consortium
October 11, 2005

George Clinton: mastermind behind the band Parliament Funkadelic. Find out how he expressed the cultural alienation of young African Americans, creating an alternate universe of “aliens” who brought the redemptive power of funk to a world sorely in need of a new point of view.

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A PLACE OF OUR OWN
A PLACE OF OUR OWN
by Stanley Nelson
Co-presented by the National Black Programming Consortium
February 17, 2004

A PLACE OF OUR OWN explores the rarely seen world of the black middle class and the town of Oak Bluffs on Martha's Vineyard, where African Americans have vacationed for generations. Through intimate stories of African Americans in Oak Bluffs, director Stanley Nelson discovers a renewed appreciation for the place his father established as a summer home for the Nelson family for generations to come.

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An old drawing of a racist caricature of a black boy with large, cartoon-sized red lips, white hands and red shorts.
RACE IS THE PLACE
by Rick Tejada-Flores and Ray Telles
Co-presentation with the National Minority Consortia and KERA/Dallas
November 22, 2005

How do American artists address our nation's most pressing social issue? Using spoken, sung and chanted word, African American, Latino, Asian American, Pacific Islander and Native American authors, performance artists, poets and singers explore the pain, frustration and humor of racism in America.

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A man sits on an bench inside a prison cell
RACE TO EXECUTION
by Rachel Lyon and Jim Lopes
March 27, 2007

RACE TO EXECUTION traces the fates of two Death Row inmates—Robert Tarver in Alabama and Madison Hobley in Chicago. Through these compelling personal narratives and the often unexpected results of research on race, justice and the media, the film exposes the factors that influence who lives and who dies at the hands of the state. Co-production of ITVS and co-presentation with NBPC.

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STRANGE FRUIT
STRANGE FRUIT
by Joel Katz
April 8, 2003

Radio stations banned it, but when Billie Holiday sang "Strange Fruit" the whole world listened anyway. Drawing on courage, genius and luck, a little-known Jewish songwriter and African American icon created the song that not only altered the course of their own lives but changed America forever.

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WHY CAN'T WE BE A FAMILY AGAIN?
WHY CAN'T WE BE A FAMILY AGAIN?
by Roger Weisberg and Murray Nossel
January 27, 2004

Raised by their grandmother, young Raymond and Danny continue to hold out hope for their mother's recovery from drug addiction—even after she's given up hope herself. This Academy Award-nominated cinema verité portrait explores the strength and love that bring together two brothers who long to be reunited with their mother.

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