Vik, who grew up under harsh political regimes in Brazil, learned early on that the safest way to communicate was through coded language. As a child he became fascinated with image and perception, and the role of the magician. His work embodies the notion that appearances may be deceiving. Using everyday objects and materials, he constructs works of art that fool the eye: sculptures of wire that look like line drawings of flowers; paintings made of thread that resemble charcoal drawings. Other favorite materials include chocolate syrup (Vik waxes poetic about Bosco, his favorite brand with which to paint). In creating works of a particularly serious nature, he uses sugar on black paper to create haunting portraits of the faces of Caribbean children whose parents work on plantations harvesting sugar cane.

In recent years, his one-man show at the Whitney Museum of American Art and his photography book, Seeing Is Believing (which made both The New York Times and the Village Voice’s Top Ten lists of 1999), have further solidified his reputation as one of the most original and talented artists to emerge in the last decade. WORST POSSIBLE ILLUSION takes us beyond the celebrated works into the mind of an artist, capturing the thrill of creation, the mechanics of invention and the power of familiar images that Vik taps to create his groundbreaking illusions.