Only 100 years ago, the universe
is assumed to be no larger than the Milky Way; the Earth, Moon, Sun, and
planets have their place in the firmament; stars are fixed in the heavens; time
is steady, extending from creation to eternity; and atoms -- for those who
believe they exist -- obey the rules of classical Newtonian physics. We feel at
home in the center of a world we are confident we understand.
Within decades, these certainties are dashed. The edifice of classical thought
built over twenty centuries begins to tremble as remarkable new paradigms are
forged. "Mysteries of the Universe" (premieres Monday, January 12, 1998, 8pm ET), the
second installment of PBS's epic five-part A Science Odyssey, reveals the
stories of the men and women who have struggled to make and understand the
twentieth century's most astonishing discoveries in physics and astronomy.
These breakthroughs are the foundation for the ways we now understand time,
space, matter, and energy; they have also led to a continuing reexamination of
our place in a universe unimaginably vast and old, composed of tiny and
unpredictable subatomic particles.
"Mysteries" launches its intergalactic journey at the turn of the century when
George Ellery Hale, obsessed with building the world's largest telescope,
devotes almost a decade -- at enormous personal and financial risk -- to the
construction of a 100-inch marvel so powerful it can detect the flicker of a
candle 5,000 miles away. His aim is to retrieve more precise information about
the visible stars. Unexpectedly, his device -- housed in the extraordinary
650-ton dome of the Mount Wilson Observatory in the hills above Pasadena -
leads to observations that change the way we understand the universe.
Edwin Hubble, an eccentric and driven young astronomer, uses Hale's telescope
to make one of the century's most fundamental discoveries. In plotting the
movement of distant galaxies, Hubble realizes that they are zooming away from
us at astonishing speeds. And, the farther the galaxy, the faster its flight,
as its rate of speed is proportional to its distance away from Earth. The only
possible explanation is that the universe is expanding. Hubble's discovery
gives rise to an even more profoundly disturbing possibility: if the universe
is expanding, it may have had a beginning -- and it may, someday, have an end.
Discoveries in physics are just as unsettling. Albert Einstein finds that time
and distance are relative; time slows down and distances contract as a moving
object approaches the speed of light. Ernest Rutherford learns that atoms are
mostly empty space; our perception of the objects around us as homogeneous
solids is an illusion. Niels Bohr must reject classical theory when he surmises
that the electrons orbiting around the nucleus of the atom "leap" from one
allowed orbit to another; how can matter move from place to place without
"existing" in between? Werner Heisenberg's Uncertainty Principle states that we
can know either the position or the momentum of an electron, but never both at
the same time. Even more surprising is Erwin Schrodinger's vision of matter,
composed not of particles, but of waves. And, collectively, these new theories
lead to the revolutionary discipline of quantum mechanics -- replete with
anti-matter and virtual particles -- perhaps the most powerful and bizarre
product of all of twentieth-century science.
Physics and astronomy begin to converge in the second half of the twentieth
century as the exploration of the subatomic realm and the exploration of the
cosmos make it clear that there is a curious connection between the world of
the very small and the vast universe around us.
Not only do the personalities of twentieth-century physicists and astronomers
propel the trajectory of discovery, so do the dynamics of heated controversies,
competition between very determined individuals -- and chance.
"Mysteries of the Universe" follows the work of astronomer Jocelyn Bell who,
tracking the output of an enormous radio telescope in Cambridge, England,
notices what she calls "a funny, scruffy, messy, unclassifiable signal from the
sky."
The signal is a string of pulses exactly one and a third seconds apart. Never
before has a telescope of any kind delivered something like this. Heavenly
bodies just don't pulse on and off. Bell's discovery of pulsars is dramatic
confirmation of objects that only twentieth-century physics could have
imagined.
"Mysteries" also explores the increasing complexity of the portrait of the
subatomic world. Murray Gell-Mann, for example, proposes that all atomic
particles are made up of something smaller even than a proton; he calls them
quarks (a name taken from James Joyce's modernist classic, Finnegans Wake).
Although to this day no one has ever seen an individual quark, the weight of
indirect evidence is so strong, quarks are now accepted as the building-blocks
of atomic particles. Other theorists explore the possibility that matter is
composed of even smaller entities -- two-dimensional strings that exist in a
ten-dimensional reality, a concept impossible to grasp, but demonstrable with
mathematical models. Still others are confronting the possibility that perhaps
ninety-nine percent of the universe is made up not of neutrons, protons, and
electrons, but of "dark matter," a mysterious substance invisible to even the
telescopic eye.
Throughout, "Mysteries of the Universe" demonstrates again and again that the
odyssey of science, however unpredictable, is profoundly spellbinding. This is
an adventure of discovery for everyone who wonders about the nature of galaxies
and atoms, light and time -- a survey of celestial and subatomic wonders that
dramatically illustrates the most profound mysteries of creation.