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Awed in Japan

It is the incomprehensible scale of the tragedy that silences you. There's the physical scale: A car perched on the roof of a three-story building in Minami Sanriku, or the 200-ton tug Kazumaru No. 1, swept 1,500 feet inland in the port of Ofunato, smashing every house in its path to splintered pulp.

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The Kazumaru No. 1 tugboat, where the March 11 tsunami left it. Image courtesy WGBH.

But there's also the scale of the human tragedy. Rikuzentakata must once have been a stunningly beautiful coastal town. If you stand in the bay and look up at the mountains, the view is lovely, the mountains still and peaceful. But lower your eyes and the scene is of awful devastation. Where once there was a town of over 20,000, now there is a blasted mudflat.

I followed a group of perhaps 50 soldiers from the Japanese Self-Defense Forces, armed with bamboo canes, onto the mud. They formed a long line, waiting for the order, then set off on a careful yard-by-yard search.

Callum Macrae

Callum Macrae, producer of Japan's Killer Quake, is a journalist and filmmaker who has worked in Iraq, Haiti, Senegal, and many other countries. He has reported, filmed and directed award-winning television documentaries for PBS, the BBC, and Al Jazeera English, among other broadcasters. Callum has also written extensively for newspapers and journals, including the Observer and the Guardian. Before becoming a journalist, he was an Edinburgh dustman for two years, an art teacher for eight years, and a political cartoonist. He grew up in Nigeria and lives in England with his family.

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