Look Back 2009 Roundtable

 

BOB ABERNETHY, anchor: This is our annual look back at the major stories in religion and ethics during the year now coming to an end. We do this with the help of Kevin Eckstrom, the editor of Religion News Service; with E. J. Dionne of the Brookings Institution, the Washington Post, and Georgetown University; and with Kim Lawton, managing editor of this program. We begin with Kim’s reminder of the top news of 2009.

Click here to view Kim Lawton’s review of the top religion stories of 2009.

ABERNETHY: There was an enormous number of enormous issues, all at once confronting this country and especially President Obama.

KIM LAWTON, managing editor, Religion & Ethics Newsweekly: Exactly. I think he took office amid this great optimism and reality set in pretty quickly of the many complex things that need to be done.

ABERNETHY: E.J., at Oslo, when he received the Nobel Prize and spoke about going to war…

E.J. DIONNE, Brookings Institution: In fact, Obama could have evaded the paradox of a president who has just sent 30,000 troops into Afghanistan and getting the Nobel Peace Prize. Instead, he embraced that paradox, and he gave what I think is one of the most powerful arguments for a just war approach to foreign policy that we have heard from a president in a long time, perhaps ever. You could hear the echoes of Reinhold Niebuhr’s Christian realism. A lot of us have talked about how Obama is a Niebuhrian. I think you saw it very clearly there. He also, in a way, was bringing us really back to a kind of Truman-Roosevelt sort of liberalism out of the late 1940s, where there were echoes of the Four Freedoms in that talk. I think it’s rare that you get a president sort of laying out the moral assumptions behind his choices, but that’s what Obama did in that speech.

ABERNETHY: Christian realism—how do you define that?

DIONNE: Christian realism is sort of based on the idea that it’s the obligation of human beings to try to bring justice to a sinful world. It acknowledges human failure. It acknowledges the utopias cannot be built on this earth, but it asserts that human beings have the capacity to make things better, and that human beings have to make choices — some of them very, very difficult.

ABERNETHY: And that human beings have the capacity to make things worse, too.

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E. J. Dionne

DIONNE: Quite. I think there was a kind of moral humility in that speech, where Obama was not celebrating the need to go to war. He was talking about it as a tragic necessity. That is, again, not something you often hear from a president of the United States, who often has to call men and women to war.

LAWTON: I find it interesting that while, as E.J. said, there is this philosophical, and some would say theological, underpinning in that speech, it really disappointed a lot of religious liberals who did not want to see a build-up in Afghanistan and were concerned about the president using some of these concepts to, in fact, bolster a war effort.

DIONNE: But I think that’s really an old argument between just war liberals and pacifists. Pacifists have a consistent ethic on war, but it’s not the same as the one held by just war theorists. What was interesting was that Obama said, “Look, I am in a different position than Gandhi or Martin Luther King, because I am the leader of a nation.” I thought that was a very interesting moral distinction he chose to make.

LAWTON: Again, the realism.

KEVIN ECKSTROM, Editor, Religion News Service: I think one of the interesting things that the Oslo speech pointed out was the comfort in the ability that this president has in speaking in religious terminology. You saw that when he was in Cairo speaking to the Muslims he invoked the Koran and the Prophet Muhammad. And when he was at Notre Dame speaking to the Catholics he talked about Catholic social teaching. And when he is accepting the Nobel Peace Prize, he is talking about war and peace and sin and human frailty. So this is a president who is very comfortable using religious language.

ABERNETHY: And you don’t get the impression—at least I don’t—that there is anything forced about this. It seems to come naturally.

ECKSTROM: That’s right. Part of the reason why he was able to speak, I think, so clearly to the Muslim world is because he has Muslims in his own family. So there is a naturalness and an authenticity there that I don’t think you see very often in very many politicians.

ABERNETHY: But in the Muslim world outside this country, how do we stand? After Cairo there was such enthusiasm for what Obama said, and then there was this escalation in Afghanistan.

ECKSTROM: It’s a little bit of a mixed bag, because I think American Muslims here at home felt very gratified by the things that he was saying. It’s important to note, I think, that in Cairo he was not just speaking to the Muslim world. He was not just speaking to Saudi Arabia and Egypt, but he was talking to the folks here at home, Muslims who have pretty much had to go underground for a good part of this decade, and now they are sort of re-emerging in political life I think he was speaking to them. But as we saw with Fort Hood, in the shootings there, they have some serious problems of their own that they’re going to have to deal with in terms of home-grown extremism.

DIONNE: By the way, it is intriguing that President Bush came under a lot of criticism for using religious language. In fact, in some ways, a more liberal or progressive president may be invoking religious language even more than Bush did, albeit in a very particular way. But on the Cairo speech, it got an enormously positive response from the Muslim world, and then the president ran head-on into the difficulties resolving the Israeli-Palestinian dispute. I think that was one of the real failures of the year for the president. Maybe it wasn’t something he could succeed at, but I think he had sort of expected the Israelis to do certain things It was probably unrealistic to expect that. Having done that and made some effective promises to the Palestinian leaders, they felt let down. So he really is, if not back to square one, awfully close. I think it’s going to be one of his real challenges in the coming year, to try to restart some process.

ABERNETHY: After the shootings at Fort Hood and after the five Muslim young men from northern Virginia ended up in Pakistan, apparently wanting to join the Al Qaeda, has there been some increase, Kim, in the concern that most people in this country have about Muslims in this country?

LAWTON: That’s the concern the Islamic community has. They’re very worried about how they’re being perceived outside, as well as being worried about what’s happening within their midst and among their own young people So I am hearing a lot of Muslim leaders, U.S. Muslim leaders, saying we need to do a better job of combating some of the hate speech that is out there. Especially online, they need to do a better job of talking about their view of Islam, which they think is being distorted by a lot of extremists. So they are very worried about how all of this is affecting not only the outward stuff, but their own internal problems as well.

DIONNE: When Fort Hood happened, I got an e-mail from this fine officer I’ve gotten to know, where he said, “This was a terrible, tragic problem” because, on the one side, clearly some folks, somewhere along the line, had fallen down on the job in protecting the troops from this shooter. On the other hand, he said, “I have troops under me who are Muslim, who are very loyal Americans, and we have to keep a balance here of preserving security for our troops without sort of throwing into one pot all of these Muslim American soldiers who are very loyal to the country.”

ABERNETHY: Let me turn your attention to some of the social issues of the year, especially abortion coming back with such strength, and that debate as part of the health care debate, and the issues around gay marriage, homosexuality. Talk about that, Kim.

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Kim Lawton

LAWTON: There’s a lot to talk about. There was a lot of activity on both of those issues. Certainly, the issue of abortion, we saw that moving to the center, especially in the health care debate. Of course, some of the tensions were already heightened. You had the murder of Dr. Tiller in his church, a doctor who performed abortions. Then you had an abortion opponent who was murdered while holding anti-abortion signs. So some of the rhetoric and the tensions had already been heightened. I think in the health care debate you saw that issue really putting a big challenge on people that wanted to have health care reform, even the U.S. Catholic Bishops, who said, “We want to see health care reform , but not if in any way it includes funding for coverage of abortions.”

ECKSTROM: Abortion has always been one of those issues that’s been kind of a litmus test for politicians: How do you stand on that one issue? And that sort of translates into how people view your larger profile. But I think what was interesting this year was that it became a litmus test, if you’re a politician, for your respect for people of religious faith who don’t support abortion. So if you supported health care that included some sort of abortion provision, then all of a sudden you obviously didn’t respect people of faith who are opposed to it. So it became, I think, even more of a litmus test this year.

DIONNE: Especially about the health care fight, in a broad sense, both sides had agreed ahead of time that they weren’t going to fight about abortion, and then they had a fight about abortion. The agreement was neither side would use the health care debate to push beyond existing law, the Hyde Amendment, which essentially prohibits government funding for abortion except for a case of rape, incest, and where a mother’s life is at stake. But then they couldn’t agree on what it meant to preserve the status quo. The House passed the Stupak Amendment, which essentially said any insurance policy sold on the exchange that might get government subsidies, none of them could cover abortion. Then the Senate came up with another compromise which essentially said if you get coverage in your policy, you’re going to have to pay for it separately — a tiny amount of money. What’s amazing is they finally did seem to settle it. We’ll see this play out at the beginning of the year, but it shows how persistent this fight is when you can’t even agree on the definition of the status quo.

LAWTON: This has been a challenge for President Obama, who in his big speech at Notre Dame, for example, said we’re going to find common ground on abortion. Everybody was expecting a big statement or some kind of thing on common ground on abortion. I think the end of the year showed that it’s tough to find common ground there.

ECKSTROM: Even within your own party.

LAWTON: Exactly.

ABERNETHY: What about the gay issues, especially in the churches?

LAWTON: Looking at it in the religious denominations, it proved to be a huge challenge. Generally speaking, as more states legalized gay marriage, that put a challenge for religious clergy: Do you perform a same-sex wedding if your national denomination doesn’t approve of that? And so there were a lot of tensions at the local level for clergy. I think, on a denominational-institutional level, we saw the Evangelical Lutheran Church in America, a mainline denomination, lifting its ban on clergy who are in relationship. They only had allowed celibate gay clergy in the past. And, of course, the Episcopalians and the Anglicans are still fighting about this issue. This summer the US Episcopalians said gays and lesbians are eligible to be bishops. This is something the international Anglican Communion that the US church is part of said we don’t want to see you move forward on this. And the U.S. church said we’re moving forward anyway. Indeed, Los Angeles has elected a lesbian bishop. Her election must be still confirmed, but it has put enormous new tensions on the worldwide Anglican Communion.

ECKSTROM: The fights within the churches are really a proxy for a larger fight within society over this issue. We saw that this year over gay marriage. It’s hard to remember that this year saw the birth of gay marriage in Iowa, Vermont, New Hampshire, and Connecticut, and also the District of Columbia. So it’s not just that the churches are fighting about this, but they are fighting a version of a national fight.

ABERNETHY: In all this, what’s going on internationally? What’s going on with these social issues? It’s happening against the background of a recession that’s having profound effects on the churches, denominations, as well as on everybody else.

DIONNE: What’s striking about this year is that there was an occasion where we might have had a very large moral argument about the nature of capitalism, about what kind of capitalism do we want to have, what are the responsibilities of people in the finance sector. We had some of that debate. Pope Benedict came out with a very strong encyclical that, in some ways, put him to the left of President Obama. But I think we didn’t have the larger debate that you might have expected, partly, I think, because we were numb, numb from the economic troubles, desperate to make sure that we didn’t fall off the precipice into something much deeper. But I don’t think this is over yet. I think we are destined to have a larger moral debate about the nature of capitalism and how we want it to work.

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Kevin Eckstrom

ABERNETHY: I’ve been astonished that there wasn’t more visible, and perhaps even violent, protest about the bailout of the big financial institutions at a time when, at the Main Street level, everyone was suffering so much. It seemed to me if it had been the days of the civil rights movement, or the anti-Vietnam War movement, there would have been people in the streets. That didn’t happen. Well, it did happen on the right, didn’t it?

DIONNE: I think you’ve got an essentially progressive president in power. There’s been some grumbling on the progressive side that President Obama hasn’t been tough enough on Wall Street. I think that grumbling will continue, and I think he’s going to respond to it. But given that you have a progressive president in power, it’s not surprising that this populism has taken a sort of conservative or right-wing form and is directed less against Wall Street than the government bailing out Wall Street. That just may be a natural result of where politics are at the moment.

ABERNETHY: Kevin, there’s some Vatican news, pope news.

ECKSTROM: There is. This was sort of, I think, a watershed year for the pope in that you saw the real contours of his papacy emerge. He is sort of doing things on his own timetable, for his own reasons, regardless of what people are going to say. So he’s going to welcome back traditionalists, even if one of them turns out to be a Holocaust-denying bishop. He’s going to find shelter for the Anglicans, even if it’s going to upset interfaith or ecumenical relations. And, as we ended the year, he’s going to move Pope Pius XII, the World War II pope who is accused of not doing enough to save Jews, he’s going to move him one step closer to sainthood. So it’s almost like either the pope doesn’t care what people are going to say, or he doesn’t know. But he sort of is doing things on his own timetable.

DIONNE: I think he’d make this a lot more palatable to a lot of people if he were also moving to canonize Pope John XXIII — one of the great heroes to progressive Catholics. I think one of the things it says about the organization of the Vatican, some of these things seem to happen when one part of the Vatican acted without another part of the Vatican knowing that it had acted. This was particularly the case with the Saint Pius XII Society, where there were parts of the Vatican that didn’t really realize they were moving this quickly. Some folks in the Vatican said we could have told him about the problem that he was going to have with this Holocaust-denying bishop, if someone had just told us that this was going on.

ECKSTROM: The Christian Unity Office really didn’t know about his outreach to the Anglicans to offer them shelter. So it’s almost like the left hand doesn’t quite always know what the right hand is doing.

LAWTON: That’s been a problem with the Vatican for a long time now. That’s not unique to this papacy. I think one of the differences is the personality. You see the differences between John Paul II and the great love and just positive feelings that he generated. Benedict doesn’t have that same kind of charisma, so I think he gets criticized for some of the same things that happened under the John Paul II papacy.

ABERNETHY: Let me ask you all a question. Did you see any signs in this year past that tell you something about how the whole religious enterprise is doing? Is it getting stronger? Is it getting weaker? Is it just kind of rolling along? Sixteen percent of people in the polls say they are unaffiliated. What do you see? Is there anything that can tell you about the health of religion in the United States?

DIONNE: Sometimes I think only God knows what the health of religion is in any given any country. I think what you’re seeing is that the old story is still true: that compared to other wealthy, industrialized countries we are still an exceptionally religious nation. But I think you’re also seeing, in some of the surveys, particularly among young people, perhaps the rise of a certain amount of secularism, or perhaps just disaffiliation from religious traditions. Young people are often less engaged in religious activity than older people, but this seems to be a change over time. I think that’s going to be something to watch, because you may have among young people a kind of sorting out that had not happened among older people. You do have a very significant number of highly religious young people, but some other young people who might in the past have been believing doubters or doubting believers, but still engaged in religious institutions, are now pulling back altogether. At least that’s a hypothesis that I think we’re going to follow for a while.

LAWTON: The old categories don’t fit as strongly as they used to. People are moving around a lot more. That doesn’t necessarily they’re becoming less religious. Even the unaffiliated very often are deeply spiritual or even deeply religious; just not within a particular box that the old categories used to put them in.

ABERNETHY: As you look back, let me ask you whether you see some things from your perspective now that didn’t seem to get the attention when they were happening that they deserve, they were underreported.

ECKSTROM: There are two very interesting cases in Oregon and in Wisconsin about faith-healing deaths, where children who were denied medical care died and their parents were put on trial. In Wisconsin, the parents were sentenced to probation; in Oregon, the parents basically got off. And there is a third case coming up in 2010 in Oregon. But there is a really interesting clash between personal beliefs and public responsibility, and it’s not going away, so there’ll be more to watch on that.

DIONNE: I think the activities of President Obama’s faith-based office, how he’s changed and hasn’t changed what President Bush did in this area, is probably an underreported story, but it is underreported because I think this is exactly the way the administration wants it. I think that they have been very determined, in the first year, not to make waves in this area, to be reassuring to people, and so the underreporting of this story is probably a victory for the administration.

LAWTON: I really watched a growing religious coalition, a very diverse coalition, on nuclear nonproliferation. It’s not something people really paid a lot of attention to, but there are evangelicals who are taking this on as an issue, sort of like they did on the environment. I am seeing the same thing, mainline denominations, even the Catholic Church and evangelicals coming together saying we are really worried about this issue.

ABERNETHY: Thanks to Kim Lawton and to Kevin Eckstrom and E. J. Dionne. A wonderful discussion. Thanks very much. Happy New Year to you and to our viewers.

Festival of Lessons and Carols

 

KIM LAWTON, correspondent: It’s one of the best loved church services during the Christmas season. With Scripture and song, the Festival of Lessons and Carols retells the Christmas story, and for many it’s a moving spiritual experience.

CANON VICTORIA SIROTA (Cathedral Church of Saint John the Divine, New York City): Lessons and Carols is not a concert. It’s not where you’re going to applaud after everything. You’re going to allow yourself to meditate at a much deeper place.

LAWTON: The service intersperses prayers, carols, and Bible readings, traditionally nine passages called “lessons.”

Reading from the Book of Genesis at Service of Lessons and Carols: Then the Lord God said to the woman, what is this that you have done? The woman said, the serpent tricked me and I ate.

post06LAWTON: The readings start at the beginning with the Book of Genesis and the story of Adam and Eve sinning in the Garden of Eden and damaging their relationship with God. The lessons move on through the Old Testament prophets who foretell the coming of a Savior who will restore the relationship with God.

Reading at service: The Virgin shall be with child and bear a son and shall name him Emmanuel…

LAWTON: And then to the Gospels, which describe the coming of Jesus.

Reading at service: And of his kingdom there shall be no end…

SIROTA: From a theological standpoint, and actually from a visual standpoint, it is getting that wide-angle lens and moving back and seeing the whole story, seeing the panorama of God’s plan for salvation for humankind and why that was even necessary.

LAWTON: Canon Sirota wrote a book called “Preaching to the Choir.” She says the songs after each reading help amplify the message.

SIROTA: In a sense, the hymns and carols, most of them are based on biblical sources, so they are interpreting for us. The music really tells you how to feel about the text.

LAWTON: The Festival of Nine Lessons and Carols has its roots in ancient Christian vigils. But the service in its current format was first held in 1918 at King’s College in Cambridge, England. It was adapted by Reverend Eric Milner-White, dean of King’s College and a former army chaplain. Milner-White was preparing a Christmas Eve service just after the end of World War I. The war had taken a heavy toll on his flock. About half of King’s undergraduates had gone off to war, and a third of them never came back. Milner-White wanted to do something special.

WILLIAM EDWARDS (Editor and Author, “The Festival of Nine Lessons and Carols”): You have to visualize December 1918 in Cambridge. You’ve got a congregation which is probably largely made up of widows, girlfriends—in those days they’d have been called fiancées—children there to somehow deal with this horror that they’d just been through. I think he wanted to deliver some level of comfort, that all this pain and suffering and death had some meaning.

LAWTON: Bill Edwards is author of a book called “The Festival of Nine Lessons and Carols.” He says the service that Milner-White put together caught on.

post07EDWARDS: Throughout the early 1920s, more and more people would attend the service, and by 1928 it was well known enough that the BBC, which was then in its infancy—I mean we’re talking radio 1928—picked it up to broadcast throughout the British Isles, and then two years later throughout the world.

LAWTON: Minnesota Public Radio began broadcasting the King’s service across the US in 1979. The service in King’s College’s magnificent 16th-century chapel is not televised. People line up outside for days before Christmas Eve, hoping to get one of the best seats. Edwards describes himself as a lapsed Congregationalist, but says attending the service in person was like being on a religious pilgrimage.

EDWARDS: My favorite is I think probably everybody’s favorite, and I can’t even talk about it without getting choked up because it’s so emotional, and that’s hearing those first few bars of “Once in Royal David’s City.” It’s just magic. Magic.

Reading at service: The spirit of the Lord shall rest upon him…

LAWTON: Local churches began copying the King’s service and then adapting it. People in the pews loved the format, and pastors appreciated it because they didn’t have to come up with a sermon. Protestants and Catholics alike do Lessons and Carols services. The Catholic version usually includes some rendition of Ave Maria. While many services stick with the familiar carol favorites, others incorporate more contemporary songs, or songs from a variety of cultures.

EDWARDS: It’s wonderful that a concept that’s almost 100 years old has the power, and has been helped by technology, i.e. worldwide radio, to say something to ministers, priests, whatever you will—hey, I can do something with this that’s meaningful in my church.

REV. JAMES KOWALSKI (Dean, Cathedral Church of Saint John the Divine, New York City, speaking to congregation at Advent Procession): As we await the great festival of Christmas, let us prepare ourselves so that we may be shown its true meaning.

post05LAWTON: Some churches don’t actually sing carols until right before Christmas, so their congregations have developed Advent Lessons and Carols services for early December using Advent hymns instead of carols. At New York’s Cathedral Church of Saint John the Divine, they turned their entire Advent Lessons and Carols service into a processional, with the choir moving to every corner of the church. Advent lessons and carols tend to be more reflective, while the Christmas versions take on a more joyous mood. Sirota says the music reflects that.

SIROTA: The amazing thing about Christmas is that it allows us to celebrate a really profound joy, the joy of being re-found by God, of opening our hearts to that love in a new way and of receiving this light that will transform us and reconcile us not only with God, but with each other.

LAWTON: Every Christmas Eve, Bill Edwards and his wife have friends over to listen to the King’s College service live on the radio or the Internet. He downloads the bulletin or order of service so they can all follow along.

EDWARDS: Many of our friends are Jewish. They enjoy it just as much. A bunch of my friends don’t believe in anything, and they enjoy it just as much. Everybody prays along with the prayers, which kind of surprised me, but they do. It’s about finding, I think, some sort of spiritual component in life that people are missing.

SIROTA (reading at Advent Procession): A reading from the Gospel of Luke…

LAWTON: Sirota believes that’s the power of the Festival of Lessons and Carols and of the message that it celebrates.

SIROTA: The gift of Lessons and Carols is that it takes time. You let the music, the carols, the texts, the prayers wash over you, and the light will break through. Some text, some image, some musical phrase will change you, and that’ll be the gift you get.

I’m Kim Lawton reporting.

Victoria Sirota Extended Interview

Read more of Kim Lawton’s December 6, 2009 interview in New York City with the Rev. Canon Victoria Sirota, pastor and vicar of the congregation at the Cathedral Church of St. John the Divine and the author of Preaching to the Choir: Claiming the Role of Sacred Musician (Church Publishing, 2006):

Talk a bit about the service of Nine Lessons and Carols and what it means.

victoria-sirota-3The Festival of Lessons and Carols, in a sense, is a vigil. How do you spend time waiting for something to happen that hasn’t quite happened yet? What do you do if you’re with friends waiting for something? Well, you tell stories, you pray, you sing songs, and that’s exactly what Lessons and Carols does. From a theological standpoint, and actually from a visual standpoint, it is getting that wide-angle lens and moving back and seeing the whole story, seeing the panorama of God’s plan for salvation for humankind and why that was even necessary, so we have to start at the beginning. We start with Genesis.

Tell us more. Why start with Genesis at Christmas?

Well, the story of Adam and Eve is evocative of profound truths about humanity and our relationship to God, and what you get from that story is this vision of Adam and Eve walking in the evening with God when the cooler breezes are blowing—from having a relationship with the divine, being able to walk with God in the Garden of Eden, which is Paradise, and then disobeying God, feeling shame about it, blaming each other, and then Eve blames the serpent. So they’re always blaming “other”—“‘it’s not my fault, it’s because so and so told me to; it’s not my fault it’s because…,” which immediately sets up a block into your relationship with the Holy One, so they can’t walk in the garden anymore. That’s the saddest thing about that story—that they have lost that ability to be present with the Holy in Paradise, and that story still speaks to us today. We understand that, and I think we long as human beings to get back to a place of Paradise, to get back to a place where things are right and just and beautiful, where there is not anger and fear and evil, and where we are at one with God.

In the service several Old Testament passages are read. Talk more generally about how that leads to Christmas.

In the readings in the Hebrew Bible, in Isaiah especially, we have some beautiful passages about the people of Israel being in exile and longing for Messiah to come, longing for a Savior, longing to return to the city of Jerusalem, longing for that reconnection that is proof that their relationship to God has been reconciled, and so we have promises of the Shoot of Jesse, promises of the House of David, promise that a Messiah will come, and Christianity has taken all of those beautiful promises, and we use them as showing that Jesus was foretold. Probably the most powerful place that that happened for us happened musically, and that’s when George Fredrick Handel decided to choose all those beautiful Isaiah passages and to set them to music in “Messiah,” and we hear that all the time now. Christians—actually everyone in the world is aware of those particularly wonderful passages because they have been set to music so wonderfully, and we do of course sing them a lot at this time of year.

Why is it important and meaningful to weave the scripture readings with the carols and the music?

The Scripture is the basis for our understanding how God operates. We are leaning on the experiences of souls of light before us who have felt connected to the divine, and those are the people that—we really stand on their shoulders. We look to them, the great prophets, Moses, Isaiah, Jeremiah, Elijah—we ponder their stories, their struggles with God, and from that we glean how to have a relationship with God. So those stories are showing us more profound truths. In a sense, the hymns and carols—most of them are based on biblical sources, so they are interpreting for us, and it’s interesting with carols and hymns you have two different things happening at least: You have someone who wrote the text. You possibly have a translator—some of the texts were in Latin or other languages. And then you have a musician, a composer who either wrote the music for that carol or wrote it for something else, and it gets turned into a carol. So it’s very interesting how that process works and how people who sing actually make the decision what it going to end up in that song.

The Scripture and the music build on each other, interpret each other. How does that work?

The music really tells you how to feel about the text. It’s not a small thing. For example, “Joy to the World”: As soon as you start singing it it’s on a high note, you have to support your breath, you’re joyful even singing it. “Silent Night” is more of a lullaby, and it makes you think more of a little baby coming into the world at night time. It settles you into a different place. “O Come All Ye Faithful” is a procession. You can see people lining up and walking. That first verse—seven times the words “O come” are in there, “O come let us adore him, O come let us adore him, Christ the Lord”—so it’s inviting people to join this procession of faithful people across the ages. I think most churches will use it as the opening procession, because it’s a march tempo.

Let’s talk about the difference between Advent and Christmas.

Advent is the church’s preparation for the second coming and also for that first coming again, so we prepare for Christmas, but we also are preparing for the eschaton, for the final things, the second coming, the end of the world. Like Christians always say in Advent, “the end is near,” and we don’t like to talk about that, and the secular world pretty much jumps to Christmas. That’s a much safer place to be than talking about the final judgment and what will happen then. But for Christians it’s important to be thinking every year—it’s like cleaning house, it’s sweeping out, it’s preparing and trying to remember what it is that is really important in our lives and getting back to that, so it’s letting go of our need to try to be in control and remembering to let God be in control so that there is a place to invite God into our hearts.

And how is that reflected in the music?

The music of Advent—a lot of it has to do with John the Baptist, who was the prophet who came before Jesus just a little bit, enough for him to be baptizing people in the River Jordan when Jesus showed up and was calling people to repent and saying the kingdom of God is at hand, make yourself ready, and that’s the message of Advent. The message of Advent is this time is coming. I think the Advent hymns and carols tend to be more eschatological. They’re talking, again, about larger issues other than just a baby Jesus being born. They’re talking about opening our hearts to what heaven is really about. When we then move closer to Christmas and we talk about the Angel Gabriel coming to Mary, then it gets much more specific in preparing for Christmas. We tend to be more comfortable with that. A little baby Jesus is coming, and that’s great, and we know we are all loved by God. But when we get this bigger John the Baptist yelling in our ear from the desert “you should repent,” you should figure out what’s important and follow the truth, follow God, work toward authenticity—that’s a little harder to take.

Christians talk during this time of year about the Incarnation, and a lot of the music of Christmas speaks to that.

Yes. Incarnation means coming into the flesh, literally, so it’s becoming human. What’s wonderful about Incarnation is God actually lowering God’s self to become human and in doing so reminding us of how awesome it is to be human. That original sin with Adam and Eve and that break between divine and human which was so huge—the whole thing changes when God becomes Jesus as a little baby, and now we are reminded that our humanity is not something to be thrown away or discarded. That God would use the Virgin Mary, would use a human mother, that a mother could be the mother of God changes how we think about ourselves, and I would just say in our own lives that often God comes to us in the form of someone else always, and it’s always a human being, and if I go back in my own story about my own conversion as an adult, re-conversion, I can tell you the people who have touched me, where I saw God in them, I saw Christ in them, I saw a love beyond what I could understand and imagine. So, in a sense, God Incarnate is coming to know love in a very personal, very real, and very human way.

You have talked about the God who is far away and the God who is close. Can you talk about that concept and relate it to Christmas?

The transcendent God is God who is the skies, above us, so far away that we often don’t feel any connection whatsoever, or we’re so fearful of God that we can’t imagine approaching God in that form. “Imminent” means that God is right here with us, God’s presence is here now, and that’s the gift of Jesus coming into the world, of being born as a child. In the Christian world, one of the great, great gifts we have been given is the gift of Communion, of Eucharist, of being able to break bread with each other and drink wine, and in that simple act of sharing these very basic things, bread and wine, we believe that Christ is present again with us and becomes incarnate anew, so that every time that we join together in a service of Holy Communion we are reenacting this Incarnation, and God comes in us.

We also spoke about a tie between Christmas and Easter. How are they related, and how does the music show us this?

Well, the interesting thing about Christmas music is that we love best the ones that just tell the story clearly about Jesus being born, about shepherds coming, about angels singing, about wise men coming. We sort of like to leave it there. But there are some carols that hint at what is to come. Our Advent lessons and carols [service] today is going to end with a wonderful hymn “Lo! He Comes!” that really talks about Jesus now having to go and to suffer and die for our sins and then to be resurrected. Also, it’s interesting that Bach’s “Christmas Oratorio”—the very last chorus in it is beautiful and joyful and has a wonderful trumpet solo, but the music is the same music that we sing to the chorale “O Sacred Head Now Wounded,” so Bach is speaking very theologically, knowing that, yes, this is joyous, this is the end of the Christmas festivities, but you know how the story ends.

The themes of hope and joy are really present, and the music highlights that.

“The hopes and dreams of all the years are met in thee tonight”: That’s part of “O Little Town of Bethlehem,” and in this particular carol Phillips Brooks had been in Bethlehem three years before, and he had stood on the hills where the shepherds might have been and looked down at the little, sleepy town of Bethlehem. So here he is at his job as a priest, a young man, and he’s asked to write a text, or a carol, for the Sunday school, and he thinks about looking down at this little town of Bethlehem, and then Lewis Redner, who was not only his organist but also the Sunday school supervisor, was in charge of composing a tune for it, and he couldn’t. Nothing came to him, it didn’t come, and then Christmas Eve he finally had a dream, and the tune was given to him, and it’s chromatic, it’s thorny, it’s beautiful. We know it so well as the American tune for “O Little Town of Bethlehem.” But what it does is it captures the darkness, the sadness, the fear and then also turns it to this hope and this joy in the baby Jesus being born in Bethlehem. The words have meaning, but the melody tells you what that meaning is and how to listen to it. We’re used to Redner’s version in America, but in England they’re used to a different tune, “Forest Green.” The two versions give you a very different sense of those texts. The Lewis Redner—“St. Louis” is the name of the tune—has a much more profound sense of the darkness of being in the city and hoping for something beyond ourselves and of longing that God will come to us. The “Forest Green” version sounds like it’s Christmas morning already. Everything has happened already, and we are safe in heaven with God.

Hope is deep in our communal soul. We want to be saved. We understand that we as human beings somehow let our pride, our egos, take over and when we do that it tends to alienate us from other people. We tend to cut ourselves off. The people who really are the happiest are not the people necessarily with the most things. It’s often people who have a community that they care about, a family where there is love that prevails even in the times of darkness. Almost anything that we face as human beings—if we can face it with other people of faith, other people who share love with us, they can be endured, and I’ve seen this again and again watching couples who have been so in love with each other, and one partner dies and being honored to be able to step into this holy place and to witness this extraordinary love that finally transcends the grave. It’s absolutely clear to me that there is something beyond, and there is a part of us that wants to be part of God, that wants God to dwell within us. I believe we’re happiest when we give. I think we are happiest when we are able to love. This season with the beautiful carols, many of them sentimental, many of them more lullabies, many of them helping us deal with the darkness—they are reminders to us that we are loved and that we are loveable, and in getting to that place it actually allows us not only to give gifts, but to receive love in a way we didn’t think was possible.

The amazing thing about Christmas is that it allows us to celebrate a really profound joy, the joy of being re-found by God, of opening our hearts to that love in a new way and of receiving this light that will transform us and reconcile us not only with God, but with each other.

And the themes of darkness and light?

Advent really is dealing with the fact that our days are getting shorter and that we are losing light, that we feel a sense of darkness encroaching and that the true light of the world now will come in the form of this baby, and if you think of a dark room and just one small, tiny candle, that will indeed make a difference. You will see that. So we’re reminded that even when things seem the darkest, seem the most impossible, seem absolutely like we have lost our way that we look to that light of Christ, and we invite that light within us.

Candles and the verses about darkness and light are important: “The people who walked in darkness have seen a great light.”

Absolutely, and I believe those lights, the Christmas lights, the lights in the store, the shiny baubles that get reflected light—I think that’s our society’s way of trying to be mystical, and I think it works.

What about the meaning that “O Come, O Come Emanuel” transmits?

“O Come, O Come Emanuel” is one of the hymns that is based on Latin chant and is at least nine centuries old or more, and there were “O” antiphons that were written for every day before Christmas, for the eight days before Christmas, and each one had a different word for who was coming, a different word for God: O Come, O Come Emanuel; O Come O Wisdom; O Come O Root of Jesse. But it’s inviting God in, and that’s what Christmas is all about. It’s asking, pleading with God—this yearning, this desire to be reconciled, to get it right once more. Hymns such as “O Come, O Come Emanuel,” which has been chanted through the ages by monks and nuns in processions of faithful Christians—you have this sense of a timeless melody, and you join all these fellow souls of light and the communion of saints when you sing it.

“Hark! The Herald Angels Sing” is very typical in the lessons and carols service.

Charles Wesley, one of the great hymn writers of all time, wrote “Hark! The Herald Angels Sing” and the story goes that he was very moved by the sound of the bells ringing on Christmas morning and that inspired him to write that song. The other interesting fact about it is that Felix Mendelssohn’s music was actually from another secular work that he had composed, and Mendelssohn didn’t think it was appropriate at all, but we have so taken over that tune, and we so accept that as wedded to that particular text that, for us, that is the angels at Christmastime.

What do people feel when they sing that?

This is where heaven and earth meet. In our society I don’t think we’re ever going to get rid of Halloween. We have horror movies at Halloween that remind us that evil is present in the world, and I don’t think in our secular society we’re ever going get rid of Christmas, because we need those angels. We need that image of something outside ourselves, and somehow we know that. Often I talk to people who say they’re atheists, they don’t believe in God, struggle with that, there’s nothing out there, but I have to say that when people who proclaim that to me are then in some grave difficulty, health problems or someone they love is dying, that my conversation is always very different to them, and I don’t need to talk anyone into believing in God. But I have to say in my own experience with life and death and with being with people who are dying and have died that there are mystical things that happen that I cannot explain in any rational way. I’m aware that if we live in a place of hope and faith that opens the door to beautiful things happening, wonderful coincidences that we can’t explain that change our mood from one of darkness and despair to one of joy. Christina Rossetti’s wonderful text “In the Bleak Midwinter” makes this point very well about this moment between heaven and earth coming together in the second verse: “Our God, Heaven cannot hold Him / Nor earth sustain; / Heaven and earth shall flee away / When He comes to reign: / In the bleak midwinter / A stable-place sufficed / The Lord God Incarnate / Jesus Christ.” So that brings together the sense of Advent, when we’re looking towards the end time, and then focusing it finally on this little baby who saves the world.

Is it the words, is it the melody? Is it both?

It is always a combination of the words and melody, as far as I’m concerned. When we sing “Gloria” in “Angels We Have Heard on High” we’re singing this long melisma, all of these notes on one word that allows us to get into a place where we’re actually going beyond the verbal. The music is going to tell you how to feel about it, and oftentimes it will flip you into a nonverbal place of ecstasy. Many, many notes to the same syllable is a way of trying to express the ineffable. We are trying to express what cannot be expressed. We are trying to get to a place of ecstasy that is beyond our normal experience.

How does sitting in a service of lessons and carols take us through all of this?

The gift of lessons and carols is that it takes time, and that you sit there and at the beginning you’re thinking about all those things you should be doing, and hopefully you just take out a piece of paper, write them down, and let them go. And then you let the music, the carols, the texts, the prayers wash over you, and if you do it well you will open your heart into a place of deeper and more profound meditation, and the light will break through. Some text, some image, some musical phrase will change you, and that’ll be the gift you get.

Many different kinds of churches and congregations have taken the traditional lessons and carols service but have changed it, adapted it. What does that say?

The idea of lessons and carols probably comes from the oldest service we have, which is the Easter vigil, and that was very early Christianity, so it’s the idea of waiting around for something to come. What are you going to do? Well, you’re going to sing, you’re going to read scriptures, etc. So for us to keep changing the order of what is read and what carol is sung is absolutely appropriate. It is good and right for us to keep recreating something so that it speaks to us now.

Some people coming to a lessons and carols service may expecting that it’s going to be all the old carols that they know so well, but there may be some carols they are not as familiar with. How does that work into their experience of it?

Lessons and Carols is not a concert. It’s not where you’re going to applaud after everything. You’re going to allow yourself to meditate at a much deeper place. It can be very annoying if you’re expecting to sing carols that you know and are confronted with hymns you’ve never heard before, that go into different places. But my best suggestion is rather than being annoyed at it, talk to God about it, and say, okay, why are you telling this to me now? And then if you open your hearts you’ll find that all of the anthems, all of the carols are going to show you a different side of what you know in the familiar carols , but they’ll help you to attach it to your life now, in the present. Sometimes when we sing carols, we forget the text altogether, and we are at our grandmother’s knee, or whoever first taught that to us. But the gift of new carols is that God is working among us today, even now, inspiring us anew with the Holy Spirit breaking through in new ways, and often the Spirit is talking to you right now, and it could be that that most annoying new anthem or carol is just for you.

William Edwards Extended Interview

Read more of Kim Lawton’s December 6, 2009 interview in New York City with William Edwards, author of The Festival of Nine Lessons and Carols (Rizzoli, 2004):

bill-edwards_postTell us how this service got started.

The service as we know it started in 1918 in King’s College Chapel, and it was started by the chaplain, Eric Milner-White. He had taken a concept that had been used in 1880 in Truro by Ezra Benson, who later became the Archbishop of Canterbury, so it wasn’t a new idea, but he made it what it is today. You have to visualize December 1918 in Cambridge. This is a university where somewhere in the area of half of all of the undergraduates had gone off to war, and a third of them never came back. On December 24, 1918, six weeks after the end of the war that was going to end all wars, you’ve got a congregation which is probably largely made up of widows, girlfriends—in those days they would’ve been called fiancées—children there to somehow deal with this horror that they’d just been through. Most Americans, because we weren’t as deeply involved in the First World War, don’t understand the impact that war had on Europe. I grew up, we all grew up, really, being talked to about appeasement and how we gave Hitler too much and blaming [Prime Minister Neville] Chamberlain, but in fact if you look at what the British had gone through less than twenty years before you can understand. I mean, 900,000 Britons were killed in that war compared with only 300,000 in the Second World War, even with the Blitz and everything else. The war had taken the best and the brightest, and [Eric Milner-White] put together a service of what he called Nine Lessons and Carols, and the nine lessons were things from the Scriptures in, at that point, of course, the King James Bible. There were four from the Old Testament foretelling the birth of Christ, four from the New Testament telling the Nativity story, and one from the Book of John, “In the beginning was the Word,” and so on, and he interspersed them with carols.

What do you think he wanted to do? How would this Christmas service have had an impact on those who had suffered so much?

I think he wanted to deliver some level of comfort, that all this pain and suffering and death had some meaning. There was so much rationalization about the war. We’ve heard the term “the war to end all wars.” They wanted to believe it made sense. We now know from the perspective of the rest of the century that the war proved nothing. It killed millions of people, and it only led to the Second World War, which killed many millions more, and from our perspective it seems insane sending men out of the trenches to be mowed down by machine guns. But, in any case, he also wanted to restore more of a sense of a traditional liturgy in the chapel, and this was relatively High Church Episcopal at the time. He was appointed the chaplain earlier that year, and this was really his first meaningful effort, and it turns out, of course, here we are almost 100 years later, and the service is unchanged from what it was then. The only change he made, and it was a very important change in the service in 1919, he inaugurated the use of “Once in Royal David’s City” as the processional hymn at the beginning of the service, and to most people who think of the service they think of that single boy soprano singing the first verse of “Once in Royal David’s City” as the choir begins to come into the church. Most—not all, but most churches that have picked up in some way the Nine Lessons and Carols use that carol at the beginning of the service.

At King’s College I know they have a special tradition about the boy who sings that.

In the process of doing my book, I interviewed Stephen Cleobury, who has been the director of music there since 1982, and he said that it used to be that they would tell the boy who was going to be the chosen boy a week or two before so he could tell his family, and what happened was the boy, in several cases, got so nervous that he didn’t perform well. And so what they now do is a system where there are three boys, and they say, “It’s going to be one of you,” and then at the very beginning, just before they begin the procession, they tap the one boy on the shoulder and say, “You’re it,” and that boy starts. Now I will say this. The year I was working on the book, and I went over there and interviewed everybody, they had me interview two choristers, and one was this big, husky boy who was obviously a soccer player and just a delightful working-class kid who was in this boy’s choir at school. It was clear that he was expected to be the chosen boy, and indeed he was. I have a feeling that somehow or other, through body language or something, he had picked up the message before the beginning of the service, but he had so much self-confidence it wasn’t going to be an issue for him. But normally there are three boys, and each one does not know if he’s going to be the boy.

Talk about from that first service in 1918, how it was received, and how it kept getting more and more popular, not only in England but around the world.

I don’t know, and there isn’t much documentation as to how—because it was primarily word of mouth how people learned from year to year. But what did happen throughout the early 1920s, more and more people would attend the service, and by 1928 it was well-known enough that the BBC, which was then in its infancy, I mean we’re talking radio 1928, picked it up to broadcast throughout the British Isles, and then two years later throughout the world, so obviously there was a lot of word of mouth. I have not been able to find much of anything in ephemera, magazines, newspapers, anything like that of that period that says “this is a wonderful service, come to it,” but the word got around very quickly so that by the 1930s everybody, and once it was on the radio everybody in Britain knew what it was and, you know, you’ll ask anybody British, and they’ll say, “Well, that’s when Christmas begins.”

What about beyond Britain? How did it spread around the world?

I think you have to start with the BBC World Service, which was broadcasting the service on short-wave starting in the 1930s, and I’ve always loved the idea of people, particularly in the beginning of the war, and we think of December 7, 1941 as when the United States got into the war, but it’s also when the British were first attacked in the Far East. In fact, the fall of Singapore was, to Churchill, one of the great shames of the British efforts in the war. He was outraged that Singapore had fallen. But during December of 1941 Singapore was under siege, and nobody knew what the Japanese could do. The British also, of course, controlled Hong Kong and obviously were closely tied to Australia, and there were a lot of British people there, and nobody knew how big this was going to be, whether ultimately the Japanese were going to take all of the Pacific, and they did of course conquer Singapore, and it must have been a great comfort to turn on the radio and hear this sound of home in December of ’41 and throughout the war. During the war, they took all of the glass out of the—because of the English Reformation, much of the glass from churches that existed before that was lost, but because the chapel was on a university campus, it was protected from the worst outrages of the Reformation, the destruction of the monasteries, and so forth, and the glass is some of the best late medieval glass you can find anywhere, and what they did, they took the glass out of the chapel throughout the war for fear the Germans would bomb Cambridge, and when they went on the radio they would talk about how this was a service being conducted in a church in England, and they didn’t identify it. But of course everybody knew. Presumably the Germans didn’t know or chose to ignore it.

Talk about today and how it’s grown.

It’s grown such that people start lining up four or five days before the service, and it’s kind of fun to see, you know. It’s a tradition. People come every year, and they know, they have friends, and they wait on line. Most of the people—and I was there like on midnight the night before the service, and at that time I imagine there were probably 75 people waiting on line for a service that wasn’t going to start until 3:00 the next afternoon. Fortunately, it wasn’t cold, and it wasn’t raining, but they’re prepared for that too, and they trade off places in line—hold my place in line so I can go get some sleep, whatever.

Are they waiting for tickets or a good seat?

They’re waiting for a good seat. The best seats are behind the choir screen where the choir is, and there’s a relatively limited number of those, and a bunch of them go to VIPs from the university, so only a handful go to the general public. But basically the church fills up, and if you go at 8:00 in the morning you will see hundreds of people on line. They come from all over the British Isles to stand on line, and the service was really almost unknown in this country until Minnesota Public Radio brought it in. I first learned about it in the late ’60s because I had a Fulbright, and I was living in London, and it was part of the atmosphere, but it wasn’t until 1978 that Minnesota Public Radio, under the leadership of Nick Nash, brought the service to the United States, and Minnesota Public Radio is still the producer of the show which now is heard on every public radio station.

You were there in person at King’s College. What was it about the service that touched you so much?

First of all, it’s a little bit like a pilgrimage. You know, you’ve wanted to do this for years and years. I mean, in my case, I had wanted to go see that service in Cambridge for the better part of forty years, so to finally be there and see it was really quite a wonderful experience, and I guess I’ve always been something of an Anglophile. I’ve lived there, and the research for my unfinished PhD thesis was all done there, and my daughter was born there. There is something—even though I am myself a lapsed Congregationalist, there is something about the organized liturgy of the Anglican Church that is very appealing and very friendly and open.

Why, for you, has this become part of Christmas?

Well, for years even before the service came over the air on Minnesota Public Radio I had whatever recordings I could get of the King’s College Choir singing Christmas hymns, and those we played at Christmas at great length because it’s a unique sound, the King’s sound, and anyone who has heard it will see it as just as unique as hearing Pavarotti or Caruso, one of those unique voices. Once the service was in this country, I started going to various local churches to hear how it had been interpreted and performed by, in my case, Protestant churches running the gamut from Episcopalian to Congregational to Methodist to Lutheran, because so many churches in this country have some version of Nine Lessons and Carols, and what Eric Milner White felt and I think everybody at King’s has felt all along is that, yes, you listen for the music, but the important part is the so-called lessons, which are these simple readings from Scripture that are the same every year.

You’re very familiar with the gold standard, the King’s service. What do you make of local churches doing it in different ways?

Well, I may be a traditionalist, but I think it’s wonderful. I think it’s wonderful that a concept that’s almost 100 years old has the power and has been helped by technology, i.e. worldwide radio, to say something to ministers, priests, whatever you will—hey, I can do something with this that’s meaningful in my church. And yes, of course, King’s is unique. I mean, you have got the boy’s choir, you’ve got the men’s undergraduates, so the sound—and you’ve got the building, which is an extraordinary building, but it’s still about the service. It’s still about the combination of music and the Nativity story and how it was predicted in the Old Testament and how it transpired in the New Testament, so I think it’s great.

Tell us about the tradition you and your wife have here.

This will be the sixth year that we do it, and what we do is we invite a bunch of friends, and it’s gotten to be an unwieldy number, but what the heck, it’s Christmas. We’ll have about fifty people show up at our house, and we’ll tell them they have to be there at 9:45 in the morning, and a few days before the service I go to the King’s website, and I download the order of service for this year, and I go to Staples, and I have copies run off so they actually have the program for this year, and then I’ve got either the radio or I’ve got my computer tuned into BBC, and so I play it and we sing along with the people 3,000 miles away, and the service—what’s fascinating to me is that many of our friends are Jewish. They enjoy it just as much. A bunch of my friends don’t believe in anything, and they enjoy it just as much, and everyone prays along with the prayers, which kind of surprised me, but they do. At the end of the service we serve everybody a big lunch, a buffet lunch and lots of North Fork wines. I live on the North Fork of Long Island, and it’s a wonderful way to spend a day where you’d probably otherwise be running out to the Wal-Mart to get something that you forgot to buy that ultimately life will go on if you don’t have. As I said before, in England they say this is the start of Christmas. Well, that’s the way it feels to us.

What does that say about the enduring power of the service?

Well, I think even if we were not in this economic catastrophe we’re in, we’ve lived through a materialistic age which has not yielded most people what they hope they’d gotten. So it’s not surprising that more and more people are going to some version of Nine Lessons and Carols every year. It’s not surprising that over 100,000 people, growing at ten percent every year, are walking the Camino de Santiago in northern Spain every year from all over the world—did it myself this spring. It’s about finding, I think, some kind of spiritual component in life that people are missing. You asked about the relationship of the lessons to the music, and I think anyone who listens to the service from Cambridge, and particularly it’s helpful if you’ve downloaded the program from the King’s website.  You’ll see the relationship. Each carol is intended to illustrate the lesson that went before. That’s why in “The Fall of Man,” which is the first lesson, where they have a chorister talk about how Eve got Adam to eat of the apple and wasn’t that a terrible thing, they always follow it with the only carol I know that is related to the apple, and that is “Adam Lay Ybounden” which is a medieval or Renaissance, I guess technically, carol about why Adam took the apple, and blessed be the apple, and so on. But if you listen through the nine lessons, each carol that is sung is illustrative of the lesson that preceded it.

What’s your favorite part of the service?

My favorite is, I think, probably everybody’s favorite, and I can’t even talk about it without getting choked up because it’s so emotional, and that’s hearing those first few bars of “Once in Royal David’s City.” It’s just magic. Magic.

The House

LUCKY SEVERSON, correspondent: Halftime show at the homecoming for Anacostia High School, a big time for any high school kid. But something was missing here: parents. The school has more than 900 students, but only a few of the mothers showed up, and there was hardly a father to be seen. Listen to the personal resumes of some of the students and former students.

JACOB JOHNSON: When I was eight years old I joined a gang, and I’ve been in a gang ever since, and I‘ve done things that have threatened my life and other’s lives, you know what I’m saying?

SEVERSON: What kind of trouble were you getting into?

PAUL SPIRES: Fights. Drugs.

SEVERSON: Gangs?

SPIRES: Gangs. Girls left and right.

AYANA SMITH: All the females in my family got pregnant really young. Thirteen, fourteen, twelve.

post02SEVERSON: In fact, one girl in nine will get pregnant while attending Anacostia High School. Less than half the freshman class will graduate. Drugs and violence. Broken families.

LA WONDA HARRIS (President, The House): It’s amazing that they even go to school. It’s amazing that they even have some of the successes that they have. They’re real heroes, because they go through so much, and they keep trying. They keep trying to make things happen.

SEVERSON: La Wonda Harris knows. She spends most of her working days in the neighborhood.

HARRIS: When you have young people, and you say, you know, what do you want to be when you grow up? Some of them just look at you like why would you ask me that question? Why would I dream when I’m either probably going to end up dying or I could end up in jail?

SEVERSON: But in this neighborhood something different has been happening. Ten years ago Steve Fitzhugh and Rickey Bolden, both of whom played in the National Football League, helped raise enough money to buy this former crack house at 17th and Q Streets.

STEVE FITZHUGH: When we began The House we needed The House to be a place that was a refuge. It was a safe place, a safe haven for students to come after school.

SEVERSON: During the drug wars in Washington in the late eighties, bodies were dumped along this railroad track a block away, so many bodies the police called it Murder Row. That crack house, now known simply as The House, has expanded. This building next door was donated and is now the youth center. The doors open as soon as school lets out. For lots of teenagers from any neighborhood music is the center of their lives. Here, they can make music and record it in this state-of-the-art studio.

FITZHUGH: So many of our students have what I call pain on top of pain. They don’t have a chance to unpack that pain, and we give them a chance to do that through the recording studio. Now they’re writing a song. They’re writing poetry. They’re singing about it. And then their heart becomes fertile ground for us to begin to get to the core of some of their hurts.

13SEVERSON: Jacob Johnson, who’s been a gang member most of his life, now wants a career in music. He’s looking for a way to get out of Anacostia.

JACOB JOHNSON: You’ve got to look at your surroundings, you know what I’m saying? Everybody that’s in the neighborhood basically focuses on doing neighborhood things. Everybody wants to follow the crowd. You can’t do too much of anything if you’re just being like everybody else. You know, being out on the street smoking, drinking, robbing people. That’s what differentiates certain Anacostia students. But me, I got plans.

SEVERSON: The annual budget for the house is about $700,000. Most of it comes from private donations, nothing from the federal government. The House has 90 kids this year. It provides them with things to do that they can’t do anywhere else in Anacostia.

HARRIS: These kids come in here and we have games and we just start hanging out, we start playing video games with them, we play pool with them, we hang out with them in the studio, and we build a relationship, and they start to trust us.

SEVERSON: It’s more than a place where kids can go after school. It’s more than a place where they can find adult role models. The House offers a faith-based message that says you’re life matters, and we care. The staff and volunteers are required to be born-again Christians. But they are very careful not to force religion on the kids, many of whom have a skeptical view of God and church.

FITZHUGH: There are a lot of students who would love to live a righteous lifestyle. But they don’t necessarily want to be like the church people they understand religious people to be, and a lot of these students have been victims, have become victims of adult failure in their lives, so we try as a staff, as a team not to beat them over the head with the Bible.

LIFE SESSION LEADER: Let’s present a little scenario real fast…

16SEVERSON: One afternoon a week the kids are given what’s called a Life Session. It’s a religious, moral message delivered in their language.

LIFE SESSION LEADER: Calvin sees Jada, and Jada sees Calvin one day. Jada says Calvin looking real good…

SEVERSON: Today it’s about responsible sexual behavior.

LIFE LESSON LEADER: So Jada is interested in Calvin, and she wants to, you know, do the do with him…

SEVERSON: But the broader idea is not to follow the crowd, to see the difference between right and wrong.

LIFE SESSION LEADER: How do you know the difference when all you see around you is a bunch of people coming up doing the same stuff? How do you know the difference when you see your Mom’s having a hard day at work, and she come home and she crack and crush a whole six-pack by herself? How do you see a different way when you see your cousin and all he’s talking about is how he’s a bigger man because he smashed off another one? But this is what Jesus said. Jesus said I am the way, he said, and the truth and the life.

FITZHUGH: There was one student, and the first time I saw him was the first time ever I said, oh God, don’t let this guy come to The House. I just didn’t want this guy to come to The House. Fast forwards three years. The same guy graduates last year with a 3.6 grade point average, and he was one of our baptism candidates, he was one of our students, he even played Jesus at the Easter play.

SEVERSON: The kids aren’t required to attend these Life Sessions, but if they do they get points, and points lead to field trips which are important, because the world for most of these kids does not extend far beyond the few square miles of Anacostia.

JADA WALKER: When I first came here I thought it would be just like a little rec center, everybody just come here and play games, stuff like that. But when they started doing the Life Sessions, and the retreats we go on, I been thinking like, well, dang, maybe I should change my life.

SEVERSON: The House doesn’t provide an academic program, but it’s a place for kids to do their homework, and La Wonda Harris says The House’s faith message gives them a purpose, a reason to stay in school.

post03HARRIS: When I believe that there’s something greater and there’s a reason why I’m here, and there’s a purpose for my life, you know, that’s where faith comes in. When I start to believe that God is real, and there’s a plan, now I want to know, well, what is that plan?

SPIRES: All my life, the only person that was there that genuinely cared was my mother and my brothers, you know, I didn’t—I never felt like anybody else cared ’til I came to The House.

WALKER: They helped me out and stuff, for right now I could’ve been dropped out of school, pregnant, or something like that. But coming to The House really made me like a better person.

SPIRES: I want the people that were in the same or similar situations as mine to look at me and hear the things that I say and realize that I was right there in their shoes, and there’s hope in the unseen.

SEVERSON: The House recently celebrated its tenth anniversary, and it had something to celebrate.

STUDENTS FROM THE HOUSE (speaking at anniversary event): My name is Tanika Smith. I am a freshman at St. Paul’s College. My name is Paul Spires. I’m a freshman at Prince George’s Community College.

SEVERSON: Of the fifteen high school seniors who participated at The House last year, nine have gone on to college. The year before, there were ten.

FITZHUGH (speaking at anniversary event): I don’t normally get this kind of emotional, but I had a flood of hundreds and hundreds of young faces that have come through The House, and if it had not been for 17th and Q, a number of those young people never would have made it.

My time with [the] Denver [Broncos] was pretty limited. I tell people all the time the NFL stands for Not For Long. But it was a great experience. But nothing can compare to a young man or a young woman who has a new lease on life. I told someone that’s my Super Bowl.

SEVERSON: And every Thursday afternoon at The House, a message of hope for the kids of Anacostia, this dangerous corner of Washington known as Southeast.

LIFE SESSION LEADERS: I promise you, I promise you, if you commit to taking your walk to another level, I promise you your lifestyle, the life you live will get better. We can live a better life. God has blessed me, man, but guess what? God said, one, that’s not enough. I want you to go to Southeast, and I want you to help somebody else the way I helped you. Then they’re going to live life to the full. Their parents will, their children will, their grandchildren will, too, and Southeast’s going to look a lot better, not because Southeast has changed, but because you have changed. So let’s bow our heads…

SEVERSON: The House closes its doors each night at 7:30. After that, the kids will be back on the streets at risk. But over the years, hundreds of kids have gone through this place better prepared to beat the odds.

For Religion & Ethics NewsWeekly, I’m Lucky Severson in Washington.

December 18, 2009: Noah’s Ark on the National Mall

As global leaders met in Denmark to discuss a deal that would help contain and reverse climate change, young activists came together on the National Mall to build a 60-foot replica of Noah’s Ark. Called “Climate Change Plan B,” the ark was meant to call attention to the implications of not following through on Plan A, a comprehensive and legally binding treaty on climate change. Once the ark was completed, a candlelight vigil was held in partnership with local faith groups to try to press world leaders to take strong action. Watch Julie Erickson and Morgan Goodwin talk about the ark and what they hoped to see coming out of Copenhagen.

John Danforth: Religion, Politics, and the Heart of America

This week (December 16) former Missouri senator John Danforth (R), an ordained Episcopal priest and author of a book titled “Faith and Politics,” announced the creation of a new academic center at Washington University in St. Louis that will focus on the intersection of religion and politics. Watch excerpts from Religion & Ethics NewsWeekly correspondent Kim Lawton’s 2006 interview with Danforth on religion and American politics.

Father Richard Curry, S.J.: The Perfection of Eloquence

by Christa Coronado

Father Richard J. Curry, S.J., is no stranger to the world of acting. The 66-year-old Jesuit, who was born without a right forearm, earned a PhD in theater from New York University, and he’s even played a psychiatrist on the television detective series “Monk.” But he is perhaps best known as the founder and artistic director of the National Theatre Workshop of the Handicapped, a 32-year-old nonprofit theater arts training institution for persons with physical disabilities, currently based in New York City and Belfast, Maine.

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Photo by Michael Soukup

Six years ago, Curry reached out to disabled combat veterans, especially amputees, and began the Writers’ Program for Wounded Warriors, holding workshops for soldiers to tell their stories in dramatic monologues and in the process to begin to heal the psychological, emotional, and spiritual wounds of war.

“A dramatic monologue is not just journalism,” says Curry, “not just retelling their story. In fact, it is telling their story for a very specific purpose, a very specific response that they want from the particular audience.” It is an act of the imagination, he explains, and feeling the audience’s response, says Curry, can be a source of great healing. “It opens up a validation that probably would not have been there before,” he explains. The wounded warrior realizes that he is “part of a larger universe of love,” says Curry, “and once you get the wounded warrior in touch with that, then you can see that the healing can begin.”

Because of his own physical disability Curry says he had to seek special permission from Rome this year before he could be ordained a priest after more than 40 years as a Jesuit brother (he joined the Jesuits in 1961 at the age of 19). When veterans “started coming to me and asking me to be, in fact, responsive to them as a priest, it profoundly affected me,” he recalls. He realized, he says, that “they’re asking for a disabled priest.” This fall, as a new chaplain-in-residence at Georgetown University, Curry launched an Academy for Veterans to minister “in a sacramental way” to those who have lost limbs and are suffering from post-traumatic stress disorder.

Curry hopes to work with disabled veterans from military bases and hospitals in the greater Washington area and to expand his writers’ program. He is incorporating the Georgetown University community into his plans and has set up both a mentoring program with Georgetown undergraduates and a program for law and business students to help disabled veterans with legal and financial matters.

His mission, says Curry, is to let wounded veterans know there is life and joy after disability, and he acknowledges that he brings to his work the particular values of St. Ignatius of Loyola, who founded the Jesuit order in 1534. “Eloquentia perfecta, the perfection of eloquence, is the end result of Jesuit education,” Curry says. “The student can stand on his or her own two feet and defend what he or she believes. This is what I wanted to do for the disabled, who have been ignored for so long. People never asked them what they thought or how they felt, so once you have empowered a disabled person artistically, you have in fact empowered a disabled person.”

Christa Coronado, a junior at Georgetown University, was an intern at Religion & Ethics NewsWeekly.