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DOUBLE DARE

Stuntwomen then and now

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The Film

On a film set: A woman, wearing a loose, billowy dress, is set on fire by a man holding a lit pole. Another man holds a fire extinguisher. Two people stand atop a long, tall ladder while another dives off the top, surrounded by nothing but blue sky. One woman with curly blonde hair applies makeup to the face of another woman, with short blonde hair.

View Trailer (2:20)

As the stuntwomen for Wonder Woman and Xena: Warrior Princess, Jeannie Epper and Zoë Bell are Hollywood’s anonymous heroes, taking the hits that make actors into stars. DOUBLE DARE explores the lives of Epper and Bell as they face the challenges of a dangerous and male-dominated profession. The real women behind these two world-famous icons are at drastically different crossroads in their lives: Epper, a grandmother, struggles with the aging process and Hollywood’s dearth of older female roles as Bell, a young woman, is unaware of the feminist history that has preceded her in the notoriously macho stunt industry.

A younger blonde woman and an older blonde woman laughing in the back of a limo, wearing formal dresses.
Jeannie and Zoë en route to the
Taurus World Stunt Awards ceremony

Two women dressed identically as Wonder Woman, with long wavy brown hair, blue shorts with stars, red and gold bustiers, and gold headbands, stand and smile together.
Lynda Carter and her former stunt double Jeannie Epper as Wonder Woman.
Photo courtesy Jeannie Epper

Two women dressed identically as Xena, with long dark brown hair with bangs and leather arm cuffs and bustiers stand and smile together.
Lucy Lawless and her former stunt double Zoë Bell as Xena
Photo courtesy Amanda Micheli

Hollywood remains one of America’s oldest boy’s clubs. Today, women direct only four percent of major Hollywood releases, while actresses over the age of 30 are considered “over the hill” and must maintain supermodel-type bodies in order to stay competitive for roles. The stunt community is perhaps the most macho of all the Hollywood industries, with the highest unemployment rate to boot. Director Amanda Micheli was inspired to make DOUBLE DARE after meeting several stuntwomen and hearing about their challenges in working in the stunt industry: having to prove themselves to directors, struggling with near-impossible beauty standards and fighting to be promoted to the higher position of stunt coordinator.

In Hollywood’s early days, stuntmen in wigs and dresses commonly doubled for female stars. But before they could vote, a few pioneering stuntwomen walked the wings of mid-flight airplanes and rode the plains of early Westerns. Contrary to the cliché of the damsel in distress on the railroad tracks, the heroines of early action serials were not helpless. The Perils of Pauline and The Hazards of Helen showcased female protagonists in constant action, and—while men did much of the doubling—this is how the first stuntwomen got their start.

When Epper becomes a mentor for Bell, these two women from opposite sides of the world and opposite ends of their careers find a way to survive in the industry together. DOUBLE DARE is a portrait of these doubles for Wonder Woman and Xena, doubles for each other, and doubles for the average American woman struggling against the race of time.

Jeannie mentors Zoë's first high fall.
View video (1:17)

Update

Filmmaker Amanda Micheli shot DOUBLE DARE between 1997 and 2002. In May 2005, she reported:

Jeannie is still working, although it is still very hard for her to get stunt coordinating jobs. She recently worked on I Heart Huckabees, Steven Spielberg’s War of the Worlds and actually had a speaking part as the preacher’s wife in Kill Bill Vol. 2.

Zoë has permanently relocated to Los Angeles, and just got her green card, which was a huge victory. After Kill Bill, she doubled Sharon Stone on Catwoman.

Both Jeannie and Zoë are currently working on the remake of The Poseidon Adventure.

Meet Jeannie and Zoë >>

Learn more about stuntwomen in Hollywood >>

Read the filmmaker Q&A >>

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