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Outside of El Chapo's Brooklyn trial, his mythology appears in media spectacles, sidewalk conversations and selfies.
This animated short recounts the Velvet Underground's first gig in 1965: in front of a crowd of shocked kids at a suburban New Jersey high school.
Through the deeply personal truths of three local residents, Edgecombe examines the ways trauma repeats and reinvents itself in rural black communities.
Judge Olly Neal grew up in Arkansas during the ’50s and didn’t care much for high school. One day he wandered into the library, where he came across a book by African-American author Frank Yerby.…
Working within a broken criminal justice system, a team of rebel heroines work to change the way women arrested for prostitution are prosecuted. With intimate camerawork that lingers on details and…
In the Florida Panhandle lies the provincial town of Marianna, Florida, where one native resident runs a particular marathon in hopes of lifting the veil of racial terror caused by the town’s buried…
Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as the…
Camaran Henson grew up thinking his grandfather possessed super powers. Now that his grandfather is gone, Camaran remembers large and small ways the man lived up to his legendary status.
What is it like to be torn from your Chinese foster family, put on a plane with strangers and wake up in a new country, family and culture?
On a hot summer night in Detroit, Ronald Ebens, an autoworker, killed a young Chinese-American engineer with a baseball bat. Although he confessed, he never spent a day in jail. This gripping Academy…
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Film Credits —
- Nancy Schwartzman
Critical Acclaim —
“A tough but essential watch, Roll Red Roll documents how a sexual assault in a declining Appalachian town became an international cause célèbre. Shots of near-empty streets and an abandoned steel mill provide a melancholy frame for behavior that seems horrifyingly incomprehensible.”— Jeanette Catsoulis, The New York Times