On August 29th, 2005, a catastrophic hurricane named Katrina made landfall on the Gulf Coast of the United States. When the skies finally cleared, the survival of a major American city hung in the balance. For more than two hundred years, that city had been an iconic feature on the national landscape -- a vital port; a cosmopolitan mecca; a sensual, mysterious refuge. Now, the storm had laid it waste, raising a stark and previously unthinkable question: What exactly would America be without New Orleans?
From director Stephen Ives and writer Michelle Ferrari comes New Orleans, a fascinating portrait of one of America's most distinctive and beloved cities: a small French settlement surrounded by water that ultimately would become the home of America's biggest party, Mardi Gras, and its most original art form, jazz; the site of explosive struggles with both integration and segregation, and a proving ground for national ideas about race, class and equality; a mirror that refl ects both the best and the worst in America. An Insignia Films production for American Experience, New Orleans premieres February 12, 2007 on PBS. Jeffrey Wright narrates.
Over the course of two compelling hours, the film tells the story of this remarkable city through revealing first-hand interviews with New Orleans natives and scholars, as well as through rich archival photographic material and footage that was miraculously spared from the devastation wrought by Katrina. Bringing the film vividly up to the current moment are verité-style portraits of people now living in or returning to New Orleans, including restaurateur Leah Chase, "The Queen of Creole Cuisine," stonemason Teddy Pierre, and the members of the irreverent Krewe D'Vieux, which was the first Mardi Gras organization to parade after Katrina. Also featured, both on camera and on the film's soundtrack, is New Orleans' cultural ambassador, renowned jazz musician Irvin Mayfield.
"New Orleans has always been a laboratory for the American experiment," says Ives, "and the astonishing mingling of peoples there has created the most original urban culture in this country." From the very beginning, New Orleans has been, as an observer once called it, "a world in miniature." French-speaking Catholics and English-speaking Protestants, slaves and free people of color, Africans and people of mixed race, Albanians, Swedes, Germans, Irish and Italians -- by the middle of the nineteenth century, all of them called New Orleans home. Some one hundred thousand people were crowded together on the narrow ribbon of high ground that shadows the Mississippi. "Rich, poor, white, non-white, people all live on top of each other. It's not a matter of choice, it's necessity," says historian Ari Kelman in the film. "That leads to a really unusual cultural mixing in New Orleans." Out of that mixing, Ives notes, "came not only a distinctive style of architecture and a vibrant cuisine, but also the eclectic musical foundations that gave rise to jazz -- one of America's greatest cultural contributions to the world."
New Orleans' stunning cultural complexity would also spawn some of the most contentious and explosive struggles in the nation's history. In the aftermath of the Civil War, New Orleans was at once the most integrated city in the country and the site of some of the most vicious white supremacist violence. Later, the city fostered the struggle against segregation that eventually culminated in the infamous 1896 Supreme Court decision Plessy v. Ferguson, which declared "separate but equal" constitutional and ushered in six decades of racial segregation in the United States. The overturning of that decision in 1954, and the court-ordered integration of public schools across the country a year later, likewise signaled national trends, fueling a mass exodus of New Orleans' white population into the newly completed suburbs and sparking the downward spiral into urban blight that was tragically revealed by Katrina.
But even in the midst of conflict, the city has embraced creativity, the marriage of cultures, and a diversity of opinions -- and has served as home and inspiration for some of America's most famous creative forces, from Tennessee Williams to Louis Armstrong. "Without New Orleans, our American culture would look and feel much different," says American Experience executive producer Mark Samels. "What would our music sound like? Would we have a different understanding of race? With New Orleans at a crossroads, this is the perfect time to train our lens on this city and explore those questions."
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