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It's often in the world where I live, in the world of architecture, that an idea jells really fast. And the concept of the World Trade Center came together with enormous rapidity. Sure, after we got started on it, it got taller and there were changes, of course. Constantly evolving. But the fundamental of it was born almost immediately. And it was born, in my view, more as a sculptural form than as an architectural one. And indeed later on, when the architectural world kind of turned away from the project -- although it later returned, but it turned away for many years -- it still remained in the heart and minds of sculptors as a beautiful place in New York City.
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