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Pyrotechnically Speaking
Everyone loves fireworks, but it's safe to say that few love
them as much as does Dr. John Conkling. An adjunct professor
of chemistry at Washington College in Chestertown, Maryland,
and a past executive director of the American Pyrotechnics
Association, Conkling has made fireworks his life. With
eight patents in energetics under his belt, he has mixed and
matched chemicals in both military and civilian applications
for over three decades. As he makes clear in this interview,
even after all these years his enthusiasm remains as
bursting as a 12-inch peony shell.
NOVA: You've been in this field for three decades.
How have fireworks changed over that time?
Conkling: The colors have definitely gotten brighter;
new chemical mixtures have brightened shows considerably.
Also, we shoot shows much faster today than we did 30 years
ago. A fireworks display back then may have lasted an hour;
today, if it lasts 20 minutes it's a long fireworks show.
The public has come to want all its entertainment fast and
furious, and the industry has had to keep up with it.
Unlike in the old days, today fireworks are set off
electronically in rapid-fire, computer-controlled,
highly choreographed productions.
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NOVA: So what's the next big thing in fireworks?
Conkling: Well, even better choreography—the
ability to time fireworks with music so you can match notes
of music with fireworks effects. Electronic firing has let
us do this, as has better quality control in the fusing of
the fireworks themselves.
Again, this goes along with the public's demand for really
precise, spectacular entertainment. The old way of maybe
playing a musical selection and shooting some fireworks
doesn't cut it anymore. When the "Star-Spangled Banner" is
playing and you hear "rockets red glare," at that precise
moment the public likes to see the sky explode in red. You
do it five seconds before or five seconds after and they
wonder "What was that for?" So you really have to match
well, and we're getting really good at that.
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Would-be wordsmiths: Pyrotechnicians count among
current pressing challenges the ability to spell
words in the sky.
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NOVA: What about spelling out letters in the sky?
Conkling: The pattern shell is another recent area of
innovation—the ability to have aerial fireworks burst
and form a perfect heart or a five-pointed star or a smiling
happy face. The next logical progression of that will be the
ability to create a letter with aerial shell
bursts—the pellets come out in the shape of a letter.
Obviously, if you can make one letter, there's the potential
to string a few letters together and spell out "NOVA" or
some other word. We're not there yet. We're still a ways
from it, but there's interest in being able to do that.
NOVA: How about fireworks used indoors, so-called
"cold" fireworks?
Conkling: In recent years there has indeed been an
increased use of entertainment pyrotechnics, that is, the
indoor application of pyrotechnics. They can't produce the
smoke that a lot of outdoor fireworks produce, and they
can't be as hot. But pyrotechnic mixtures that are
considerably lower in temperature are of great interest, and
there's been some real progress. Some people call them
"cold" fireworks, but they're still pretty warm.
Fireworks makers are moving behind the standard
color palette and into the realm of the specialty
hue.
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NOVA: Does the chemistry become increasingly complex
as you come up with new colors?
Conkling: Color mixing is advancing. We can usually
make a pretty deep red, a nice green, a reasonable blue.
Now, if you start to combine the red and the blue, you get
violet, lilac, purple. There's interest in being able to
make lime-green, a beautiful orange, and so on. That takes a
real careful mixing of color technology. We keep getting
better and better. As research continues, we're still making
advancements.
NOVA: What new colors should we expect down the pike?
Chartreuse? Aquamarine? Hot pink?
Conkling: I think the whole palette! I see no reason
why there should be much limitation on the colors we see.
It's just a question of R&D effort as well as demand.
It's usually driven from the entertainment side. A theme
park may want a very specific effect for a show they're
doing, and they'll say "Give me lime-green." Once a company
starts to develop a lime-green, they start thinking, well,
we have this new color, let's find some other customers who
would like to have it as well.
NOVA: I've heard that some of the greatest
innovations in fireworks are made by amateurs. Is that
true?
Conkling: Absolutely. There is a
several-thousand-member group called the Pyrotechnic Guild.
They are private citizens who love fireworks; they love
setting them off. A number of them have small laboratories
in their basements or sheds, where they do a little
experimentation. They have the interest, time, and patience
to do test after test after test, trying to create the
perfect color, the perfect spark. So they are not a group to
be dismissed lightly. They have as members some highly
intelligent people with a strong interest in enhancing the
science and the art of fireworks.
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All in a day's work: Pyro Boy, aka the
Seattle-based performance artist Wally Glenn, truly
sparkles on stage.
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NOVA: Speaking of amateurs, what do you think of Pyro
Boy? He's the guy who loads himself up with fireworks and
dances on stage as the fireworks go off.
Conkling: Well, he is flirting on the edge with that
act. He's totally relying on the manufacturer of the devices
to have an extremely high degree of quality control. I
certainly hope he wears protective armor, because if one of
those devices were to malfunction, he certainly has the
potential to injure himself.
NOVA: Is your work dangerous? Ever had any serious
injuries from working with these chemicals?
Conkling: No, I tend to be very careful. I work with
very limited quantities of material, certainly until I am
well aware of all a new material's properties—its
sensitivity, its output. People have to be extremely
cautious if they're working or even dabbling in this field,
as there is the potential for injury. You should know your
science well before you ever attempt to do any of this at
home.
Continue: Greatest concerns regarding firework
safety
Photo credits
Name That Shell
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Anatomy of a Firework
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Pyrotechnically Speaking
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On Fire
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| Updated January 2002
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