Iconic writer, director, actor, comedian, and musician Woody Allen allowed his life and creative process to be documented on-camera for the first time. With this unprecedented access, Emmy®-winning, Oscar®-nominated filmmaker Robert Weide followed the notoriously private film legend over a year and a half to create the ultimate film biography. Woody Allen: A Documentary premieres nationally Sunday, November 20 from 9-11 p.m. (ET/PT) and Monday, November 21 from 9-10:30 p.m. (ET/PT) on PBS (check local listings) as part of the 25th anniversary season of American Masters.
Watch a preview:
“This is the Woody doc everybody has been waiting for, and I am delighted that this creative giant is finally assuming his rightful place in the American Masters library,” says Susan Lacy, series creator and executive producer of American Masters, an eight-time winner of the Emmy® Award for Outstanding Primetime Non-Fiction Series. The series is a production of THIRTEEN for WNET, the parent company of THIRTEEN and WLIW21, New York’s public television stations, and operator of NJTV. For nearly 50 years, WNET has been producing and broadcasting national and local documentaries and other programs to the New York community.
“Woody Allen was always the big ‘get’ for me,” says Robert Weide, best known for his long-term directing/producing stint on Curb Your Enthusiasm, which earned him Emmy® and Golden Globe® Awards. “The prolific nature of Woody’s output has provided me with an embarrassment of riches. In fact, Woody will have made three features just in the time it’s taken me to make this one documentary.”
Beginning with Allen’s childhood and his first professional gigs as a teen — furnishing jokes for comics and publicists — American Masters – Woody Allen: A Documentary chronicles the trajectory and longevity of Allen’s career: from his work in the 1950s-60s as a TV scribe for Sid Caesar, standup comedian and frequent TV talk show guest, to a writer-director averaging one film-per-year for more than 40 years. Weide covers Allen’s earliest film work in Take the Money and Run, Bananas, Sleeper, and Love and Death; frequent Oscar® favorites such as Annie Hall, Manhattan, Zelig, Broadway Danny Rose, Purple Rose of Cairo, Crimes and Misdemeanors, Husbands & Wives, Bullets Over Broadway, and Mighty Aphrodite; and his recent globetrotting phase with Match Point, Vicky Christina Barcelona, and this year’s commercial success Midnight in Paris.
Exploring the ultimate “independent filmmaker’s” writing habits, casting, directing, and relationship with his actors, Weide traveled with Allen from the London set of You Will Meet a Tall Dark Stranger — a major coup “considering Woody has never allowed so much as an EPK [Electronic Press Kit] crew on his sets,” claims Weide — to the Cannes premiere of Midnight in Paris this May. He also filmed Allen at home, in the editing room and touring his childhood haunts in the Midwood section of Brooklyn. New interviews provide insight and backstory: actors Antonio Banderas, Josh Brolin, Penelope Cruz, John Cusack, Larry David, Seth Green, Mariel Hemingway, Scarlett Johansson, Julie Kavner, Diane Keaton, Martin Landau, Louise Lasser, Sean Penn, Tony Roberts, Chris Rock, Mira Sorvino, Naomi Watts, Dianne Wiest, and Owen Wilson; writing collaborators Marshall Brickman, Mickey Rose and Doug McGrath; cinematographers Gordon Willis and Vilmos Zsigmond; Allen’s sister and producing partner Letty Aronson; producers Robert Greenhut and Stephen Tenenbaum; longtime managers Jack Rollins and Charles H. Joffe; casting director Juliet Taylor; pal Dick Cavett; and Martin Scorsese; among many others.
American Masters – Woody Allen: A Documentary also touches on Allen’s contributions as a writer for the theater and his casual pieces for The New Yorker, as well as his frequent moonlighting gig as a clarinet player with a New Orleans-style jazz band. “He never refused a request and he never declined to answer a question,” says Weide.
Woody Allen: A Documentary is a Whyaduck Productions, Rat Entertainment, Mike’s Movies, and Insurgent Media production in association with THIRTEEN’s American Masters for WNET. Robert Weide is director, writer, producer, and co-editor. Michael Peyser, Brett Ratner, Erik Gordon, Fisher Stevens, and Andrew Karsch are executive producers. Susan Lacy is the series creator and executive producer of American Masters.
American Masters is made possible by the support of the National Endowment for the Arts and by the Corporation for Public Broadcasting. Additional funding for American Masters is provided by Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Cheryl and Philip Milstein Family, Jack Rudin, Jody and John Arnhold, Vital Projects Fund, The André and Elizabeth Kertész Foundation, Michael & Helen Schaffer Foundation, and public television viewers. Funding for this program is provided by Miriam and Sam Blatt.
There is a Facebook page for “Woody Allen: A Documentary” that has links for DVD purchase, iTunes download and Amazon VOD. So go to Facebook, enter a search under the film’s title, and you’ll have 3 different options for viewing. There will also be updates posted on availability in other countries. I also found a Twitter account @WoodyAllenDoc that provides updates about the film.
I bit the bullet and watched both parts via iTunes and I have to say this is a wonderful, wonderful documentary. I love Woody even more, as the film confirmed a lot, in his own words, that I had already gleaned through an appreciation of his work. I admire him a lot and am glad to have gotten the chance to hear him speak directly about the themes that inspire and haunt him. It’s great to get a glimpse into the psychology of an artist of the highest caliber with real wisdom and insight into the human condition. He’s humble and self-effacing, and perfectionist to a fault. A remarkable human being. I look forward to many more years of his film making. Here’s to hoping he lives long life and continues to make at least a film a year, and continues to make them according to his vision.
I would just like to say….. WHAT….
The Critics, of the Critics Choice Awards, actually saw MIDNIGHT IN PARIS and were still able to come to the conclusion that BRIDESMAIDS (with respect to all involved) was critically a better film.
Okay then, If I were dead I’d be spinning.
I loved Woody Allen films when I was growing up and in my younger adult years — I was also from the midwest, and Woody Allen was indeed a breath of fresh air. But I have been so troubled by the allegations against Mr. Allen. I don’t think the situation with Soon-Yi necessarily qualifies as pedophilia, but has everyone forgotten the allegations regarding Mr. Allen’s younger adopted daughter, Dylan?
http://www.vanityfair.com/magazine/archive/1992/11/farrow199211
Hi~ I’m Korean. I’m learning English and a Huge fan of Woody. Can I get the script of Woody Allen’s episode?
I realy loved this post. live streaming TV online is a way of life.Thanks, i will sure come back in the future.