Videos from this film
Films based on similar topics
Three young men bond together to escape volatile families in their Rust Belt hometown.
A portrait of Beatrice Vio, a Paralympic fencing champion.
Wood follows the journey of timber from the forest through the sawmill and presents a portrait of the working men we find along the way.
From a snowy town in northern Michigan to the mountains of Afghanistan, follow the four-year journey of childhood friends who join the National Guard.
Whiteness Project is a multi-platform investigation into how Americans who identify as "white" experience their ethnicity. The latest installment, "Intersection of I," examines a cross-section of…
An unflinching look at the Ferguson uprising, told by the activists leading the movement.
What is it like to be torn from your Chinese foster family, put on a plane with strangers and wake up in a new country, family and culture?
The camera moves through a Minnesota corn field and finds a photograph of a suburban tract clothes-pinned to a cornstalk. Layered with visual and emotional paradoxes, Turn Here Sweet Corn searches for…
Nearing completion, China's massive Three Gorges Dam is altering the landscape and the lives of people living along the fabled Yangtze River. Countless ancient villages and historic locales will be…
Up Heartbreak Hill follows two Native teens torn between the lure of opportunities outside their remote reservation community and the cultural ties that bind them to home.
Engage with the issues —
POV believes in the power of film to engage communities in dialogue around the most pressing social issues of our time. Use one of the film’s accompanying resources to learn about the issues and get involved. Visit the POV Community Network to browse films available for screenings.Host a screening in your community
Film Credits —
- Laura Nix
About the Film —
Critical Acclaim —
“By the end, as you dry your eyes, it’s their futures you want them to win — as scientists, optimists and change agents — not just a science fair prize.”— Robert Abele, The Los Angeles Times