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Transmitting from a Fish Bucket
February 19, 1998
By Mark Hoover
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My toys are busted, pickled in salt water, and fried by a
generator that shoots blue sparks when it's running. The
tropical paradise is about 110 in the shade, and stickier than
a SlowPoke sucker after two hours of licking. A famous
scientist is right here beside me, on the pitching deck of the
Gilligan's Island boat we're trusting our lives to, and he's
leaning over the rail, making noises like an Australopithecus.
It's pitch dark, waves are slapping the boat around like the
Witches' Cauldron at Six Flags, and the captain keeps hitting
the GPS receiver against his thigh and saying something that I
swear sounds like "Aye Carumba." Get the picture?
The journey to the Heart of El Niño has turned into the
journey to the Heart of Darkness. There's one consolation; the
cockroaches downstairs must be seasick too.
If you had any idea of what stands between you, reading these
words, and me, writing them...if you could picture the path
the electrons have taken on the journey from what's left of my
computer to yours—scratch that; from what's left of my
BRAIN to yours—then you would know that we live in a
time of miracles. You see, down here in the pit with El
Niño, you learn what you can trust and what you can't.
And what I learned to trust was Krazy Glue, a broken pencil,
and a bucket I borrowed from Carlos the cook.
In case you haven't noticed, my dispatches to this site have
been a bit sparse lately. My editor has sounded a
little...strained...during our infrequent phone calls, when I
can get the satellite to work for a couple of minutes. That's
the biggest problem, by the way: in order to use the internet
to move files, you have to stay connected for more than a few
minutes, especially at 2400 baud. The problem is that you're
bouncing off a satellite in geo-stationary orbit, about 25,000
miles away. And back. With a Sara Lee pie plate for an
antenna. There's a lag time due to the speed of light and all
that, and the audio bandwidth of the phone is about one octave
and....oh, do you really care? Dang thing worked beautifully
in Michigan when I tested it. Of course, my backyard doesn't
grind and roll like an Elvis imitator at the company Christmas
party, either. Believe me, I've read the satphone manual three
times now, and can't find anything about how to make real-time
azimuth corrections to antenna alignment from the pitching
deck of a foundering boat in the heart of El Niño, a
thousand miles south-southwest of nowhere. Not one word.
That's where Carlos' bucket comes in. A light bulb flashed in
my head...not a halogen lamp mind you, but a little oven bulb,
about 5 watts.
First, I dumped out the fish guts. Then I secured the bucket
as near midships as possible, close to the axis of rocking
(less overall motion), and filled it with water. Then I
scavenged a piece of Styrofoam from a broken life vest, and
fashioned a float about two inches' less diameter than the
bucket. To this I attached the pie plate...err, antenna...and
then lined it up with my boy scout compass to 105 degrees,
where the satellite was supposed to be. If you're reading this
then you know it actually worked. Inertia keeps it close
enough on beam that I can sneak onto the net for a couple of
minutes if the waves aren't too bad.
The computer started going the second day on the boat. At
first I thought it was the heat; it would crash, wipe out the
last half-hour's work, and then reboot, as if to shrug its
shoulders like Belushi and say "sorry...." If you've ever seen
the movie Papillon, then you can picture my "office" on the
boat. It's like an Indian sweat lodge, but with cockroaches on
the floor and sea spray coming in a cracked porthole. And not
as spacious.
Let's just say I am not the world's fastest writer to start
with, so I was afraid how this was all playing back at NOVA's
home base in Boston. I finally got a voice connection with my
editor, but I couldn't tell if the long pauses between
sentences were due to satellite lag or something else. Anyway,
I told her that I'd figure something out. Besides, we were
heading to meet up with NOAA's research ship Ka'imimoana, to
film operations for the TOGA/TAO buoy array. I knew they'd
have an electronics tech and a diagnostic bench on board. My
editor, on the other hand, suggested we try dictation...and
then the connection went down.
I took the machine apart, and let everything dry overnight. I
burnished every contact with a piece of rag wrapped on a Bic
pen, cleaned my hands, and went at it. On a hunch, though, I
left the memory module out. That took me from 48 Megs of RAM
to eight, just enough to boot and display a message that there
is no memory left for anything except shutdown.
Anyway, it worked. Quickly, I pulled it apart again, put the
memory back in...and sad Mac. The memory module was fried. I
had an eight Meg computer to process digital images, run
compression and satcom software, and fire up a word processor
and writer's accessories, but at least I HAD a computer. I
switched on virtual memory, which would let me work, but that
meant the computer would run at a tenth it's normal speed.
Gulp.
I managed to get another dispatch written, and tried
downloading some digital camera images, each of which now took
about a half hour to load and display, instead of thirty
seconds. The machine would crash, the hours would pass, but it
beat the alternative.
Things got worse. Because of the tropical heat, and the load
imposed on the hard disk by virtual memory, the internal
temperature of the computer rose into the meltdown range. The
keyboard started acting strangely, and some keys stopped
working. I opened a little program that displays a tiny
keyboard next to the main window, and clicked on the keys I
was missing when I needed them. It wasn't bad when it was just
"q" and "w," but when it got to "s" and "e," I grabbed two
more Rolaids, three more Dramamines, and the toolkit.
It took a long time, but I finally found the problem. By
shining a flashlight from behind, I found a hairline fissure
in a hard plastic ribbon connector on the motherboard. A
printed metal wire passed across the crack, and was
intermittently shorting. I did not have a soldering iron, and
couldn't have soldered it anyway, because of the plastic.
Anyway, the keyboard was toast.
In the Sahara, a thirsty animal reaches a point where it
realizes there is no oasis, all is lost, and it lies down to
make its peace with the Earth. Its bones silently attest the
location at which this happens. In my mind, I pictured some
scattered circuit boards at about 0 degrees latitude and 95
degrees west longitude. A spot covered by about three miles of
water.
One of the crew of our boat is a jolly, unlikely Ecuadorian
named Fernando, with a knack for diving and a vast knowledge
of the Galapagos. He laughed when I hauled the cybergear
aboard, and soon was calling me "deegital man." "Be careful,
deegital man," he said, "the sea will eat your computer like a
filet mignon."
My troubles became an endless amusement to Fernando. I thought
he'd burst his spleen laughing when he saw me transmitting
from a fish bucket. But when he saw me typing email...with a
mouse...on a picture of a toy keyboard...on a computer wrapped
in cooling rags...well, you'd have thought I was George
Carlin. The computer was dying, flickering out like the
Titanic as it slipped beneath the waves, and my audience
couldn't have been happier.
Fernando has a high voice that would be annoying in anyone
else. "Hey deegital man," he finally said when he stopped
laughing, "what you need is a crayon." By which he meant
pencil. The oven bulb flickered on again. How right he was.
I asked Fernando if there was any glue on board. With a grin,
he disappeared, and returned with a tiny tube of SuperGlue,
anxious for my next caper. I fished around and found a broken
pencil, and peeled back the wood. Using my razor, I scraped a
pile of graphite dust off the lead. I put a big blob of glue
on a piece of foil, quickly stirred the powder into it, and
with a toothpick painted over the broken circuit trace.
Graphite is highly conductive, and with luck, this repair
would bridge the gap. I then splinted the board with a
Popsicle stick and some more tape.
I put the computer back together, and just let it lie. I drank
a coke. I scanned the sea for the Ka'imimoana, which we were
about to meet. I took nine more Dramamine. And then I turned
it on. It worked. My keyboard was still fried, but the
computer was back like Popeye after a can of spinach. In the
worst case, I could still run it from the mouse, which meant I
could at least send what I'd already written. And then the
Ka'imimoana came into view.
On board, Jim the electronics tech couldn't have been nicer. I
told him of my woes, and he shook his head and allowed that
the sea is rough on electronics. He looked over my keyboard,
hooked it up to an analyzer, and took his best guess...it was
toast. But then he said, "follow me." We went up to the front
of the ship, climbed through two hatchways, went down an
access tunnel. In a tiny room, we pulled a box out of a
storage cage. It was filled with broken computer parts...and
one extra-large Macintosh keyboard, about ten years old,
judging by its yellowing.
Okay, so you figured it out, I'm now typing on what I
guarantee was the only spare Mac keyboard in a thousand miles
of blue ocean. I've duct-taped it to what's left of my
PowerBook, and it looks like I'm playing a xylophone, not
using a computer, but it works, and that's the end of the
story. By tomorrow we should be moving out of the
inter-tropical convergence zone, which means smoother seas,
better satellite connections, and a backlog of dispatches.
El Niño, you thought you got me...guess again. You are
strong, but I am stubborn. Remember, it's not over until the
sad Mac sings.
Editor's Note: Due to the apparently random nature of
what material is successfully transmitted and what is not,
we received today only the following transmission, rather
than more substantive dispatches describing the effects of
El Niño in the equatorial Pacific. We expect to
receive and post this backlog in the next few days.
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