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Special

Norman Teague: Love Reigns Supreme

Premiere: 7/1/2025 | 16:23 |

Follow furniture maker and conceptual artist Norman Teague as he prepares for a solo exhibition while confronting the existential crisis facing Black youth through his work and mentorship.

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About the Series

Norman Teague: Love Reigns Supreme is part of In The Making, a documentary shorts series from American Masters and Firelight Media follows emerging cultural icons on their journeys to becoming masters of their artistic disciplines.


Adewole A. Abioye’s director statement

For Norman Teague, it first starts with community. People and narrative are at the center of Teague’s work. A celebrated designer whose works – Sinmi Stool and Africana Chair – have been acquired by prestigious institutions around the world, Teague’s commitment to building community through design is his crowning hallmark. He views design as a mechanism to improve the material conditions of Black folk in urban centers. As the film team embarked on this journey to document Teague, we found him in early preparation for his most ambitious exhibition to date.

Teague’s exhibition, A Love Supreme was inspired by jazz icon John Coltrane and his seminal album of the same name. He sought to feature designers and artists of color in an exhibition space (McCormick House) designed by German architect Ludwig Mies van der Rohe. Teague’s idea for a group show had been gestating for many years and with the invitation to create a new body of work at Elmhurst Art Museum, things began to crystallize. It was important for Teague to create and exhibit alongside his colleagues and other emerging voices in this historical moment where he was in dialogue with the past.

His gift of compassion and generosity extends to his design team that he works closely with. Teague makes it a point to give back to up-and-coming designers of color through his teaching and studio practice. His core group of assistant designers were key to the creation of the Anna and Frederick Douglass Pavilion erected in Chicago’s Bronzeville neighborhood. Also known as Tetisi – Yoruba for listening – it is a space that honors two historical African American abolitionists and was formed to bring the community together to promote programmatic activities. Teague received a huge swell of support from many throughout the community who assisted on the installation of the pavilion.

They say don’t meet your heroes. I feel deeply grateful to have met one of my heroes. Having this opportunity to document Teague who I find to be an artist of the people has been a pivotal experience. Teague has a way of bringing people together through art and his design initiatives. Our film explores his process and the camaraderie among his team. I hope his story of community and design serves as inspiration to all who aspire for a deeper human experience.

More about Norman Teague

Teague is a Chicago-based designer and educator focused on projects and pedagogy that address the systematic complexity of urbanism and the culture of communities.  Specializing in custom furniture that delivers a personal touch to a specific user topped unique aesthetic detail; Teague’s past projects have included consumer products, public sculpture, performances, and specially designed retail spaces.  Working with common, locally sourced building materials and local fabricators to create objects and spaces that explore simplicity, honesty, cleverness and relates to the culture of the community.

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PRODUCTION CREDITS

Directed by Adewole A. Abioye. Produced by Aderemi Abioye. Associate Producer is Rahim Branch. Cinematography by Daniel Scotti. Edited by Adeyinka Abioye and Meg Walsh.

This program was produced by Abioye Filmworks & Media Design, LLC, which is solely responsible for its content. A production of Firelight Media in association with The WNET Group.

For IN THE MAKING, Executive Producers include Michael Kantor, Stanley Nelson, Marcia Smith, Monika Navarro and Joe Skinner. Supervising Producer is Robinder Uppal. Production Coordinator is Myrakel Baker. Audience Engagement Consultant is Chang Fuerte.

About American Masters
Now in its 39th season on PBS, American Masters illuminates the lives and creative journeys of those who have left an indelible impression on our cultural landscape—through compelling, unvarnished stories. Setting the standard for documentary film profiles, the series has earned widespread critical acclaim: 28 Emmy Awards—including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special—two News & Documentary Emmys, 14 Peabodys, three Grammys, two Producers Guild Awards, an Oscar, and many other honors. To further explore the lives and works of more than 250 masters past and present, the American Masters website offers full episodes, film outtakes, filmmaker interviews, the podcast American Masters: Creative Spark, educational resources, digital original series and more. The series is a production of The WNET Group.

American Masters is available for streaming concurrent with broadcast on all station-branded PBS platforms, including PBS.org and the PBS app, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. PBS station members can view many series, documentaries and specials via PBS Passport. For more information about PBS Passport, visit the PBS Passport FAQ website.

About The WNET Group

The WNET Group creates inspiring media content and meaningful experiences for diverse audiences nationwide. It is the community-supported home of New York’s THIRTEEN – America’s flagship PBS station – WLIW, THIRTEEN PBS KIDS, WLIW World and Create; NJ PBS, New Jersey’s statewide public television network; Long Island’s only NPR station WLIW-FM; ALL ARTS, the arts and culture media provider; newsroom NJ Spotlight News; and FAST channel PBS Nature. Through these channels and streaming platforms, The WNET Group brings arts, culture, education, news, documentary, entertainment, and DIY programming to more than five million viewers each month. The WNET Group’s award-winning productions include signature PBS series Nature, Great Performances, American Masters, and Amanpour and Company and trusted local news programs like NJ Spotlight News with Briana Vannozzi. Inspiring curiosity and nurturing dreams, The WNET Group’s award-winning Kids’ Media and Education team produces the PBS KIDS series Cyberchase, interactive Mission US history games, and resources for families, teachers and caregivers. A leading nonprofit public media producer for more than 60 years, The WNET Group presents and distributes content that fosters lifelong learning, including initiatives addressing poverty, jobs, economic opportunity, social justice, understanding, and the environment. Through Passport, station members can stream new and archival programming anytime, anywhere. The WNET Group represents the best in public media. Join us. 

UNDERWRITING

Original production funding for In the Making is provided by the Corporation for Public Broadcasting, Rosalind P. Walter Foundation, Anderson Family Charitable Fund, The Marc Haas Foundation, The Charina Endowment Fund, Ambrose Monell Foundation, Kate W. Cassidy Foundation, Sue and Edgar Wachenheim III, and Philip & Janice Levin Foundation.

Support for American Masters is provided by the Corporation for Public Broadcasting, AARP, Rosalind P. Walter Foundation, Burton P. and Judith B. Resnick Foundation, Blanche and Hayward Cirker Charitable Lead Annuity Trust, Koo and Patricia Yuen, Lillian Goldman Programming Endowment, Seton J. Melvin, Thea Petschek Iervolino Foundation, Candace King Weir, Anita and Jay Kaufman, The Philip and Janice Levin Foundation, Kate W. Cassidy Foundation, The Blanche and Irving Laurie Foundation, The Ambrose Monell Foundation, Ellen and James S. Marcus, The Charina Endowment Fund, The André and Elizabeth Kertész Foundation, The Marc Haas Foundation and public television viewers.

TRANSCRIPT

(gentle dramatic piano music) - [Norman] I don't feel like I'm working in these places alone.

Even in this, I feel like I'm not making all those decisions on my own.

And I like it.

I like knowing that I'm not alone.

There's a higher being that guides my hand and guides my life.

These beautiful things happening, and I'll chuckle or laugh knowing that I had very little to do with the outcome.

And it's nice to let go sometimes and let that higher spirit take over.

(gentle dramatic jazz music) What's up fellas?

- Hey, man, how you doing?

- Hey, how y'all doing?

That's Bonita.

- Right.

- So the cushion will sit out to here and this cushion will sit out, okay.

- Bueno.

- No, this feels good.

I like it just like this.

Gracias.

I'm a young at heart Black man from the south side of Chicago, born and raised, loves his culture, loves designing.

I'm a visual artist that work in a very intuitive way around found objects and found materials.

I've always seen the work of design as a form of improving our own life and the things around us.

(playful upbeat jazz music) As far as design goes, I feel like I'm teaching at a community level.

So I'm building a pavilion in a neighborhood that lacks pavilions.

And I think as a designer, there is a part of me that really loves to just contribute my part.

And then there's a part of me that says there are no Black people contributing parts.

I have to be that contributor.

I am constantly looking at the Black man in America, his position as a family man, his position as a soldier, his position as an artist, and his daily position in the world.

Currently preparing for this show called A Love Supreme.

It's a combination of a solo show and reimagining an iconic house designed by me Mies van der Rohe.

And I'm inviting about upwards of 35 to 40 artists to be a part of the show and sort of reappropriating the space so that we can view it through a Black lens.

We are putting together a number of new projects, new items, new objects, completely inspired by John Coltrane's "Love Supreme" song.

The show meant that I got to think deeply about an amazing artist who took jazz to another level, but also in that he told these amazing stories.

I feel the relevance and the sort of alignment that our lives had, 'cause my career, my life I've spent trying to be a designer in a world of white designers, in a educational institution of white faculty and majority white students.

Damn it, I need a room to play.

(playful upbeat jazz music) ♪ Ba ba ba ba ba ba ba ♪ This one's gorgeous.

I don't know what A Love Supreme show is gonna give off as far as energy.

I just know that I've taken a really good recipe of really great artists who love what they do and are very good at what they do and are passionate, and they're Chicago.

But I think there's a fruitfulness that comes with the agency of putting all of these people together just to see, you know, what that looks like together, what that looks like in a me Vanderbilt house.

A house that had, you know, no thought as to, you know, what Black culture meant to it.

However, it was these undertones of influence from Black folks.

But I think there's a new celebration today.

I think there's a new way in which we're looking at design and there's a certain level of inclusion which we are forced to make happen.

This is just one way we can have fun with it, and hopefully it's just one way.

Like this is just a touch of what else there is to come, so.

Looking good D, looking good.

- [Daniel] Thank you, thank you.

- Yeah, that's gonna finish up real nice.

- I'm excited about it, yeah.

Working for Norman is really rewarding and fulfilling because I know that we're telling stories that enrich a culture and illuminate a side of our culture that can only be experienced visually.

That you have to feel.

And Norman's mission to designers and to empower Black designers has already worked with me because I wouldn't have had the motivation or understood the means to pursue my career path had I not met him.

You know, I'm eternally grateful for his motivation and especially, you know, in the context of a career that is typically less Black for now.

- I love this.

Yeah, these are my jazz chairs.

I literally get to play with like chunks of random shapes and take them and make them into a thing that fits this typology of a chair, almost thrown like.

There's this sustainable side where I'm taking otherwise unwanted components, cutting them up into random pieces until I wanna stop.

I was gonna say till they make sense, but they kind of still don't necessarily make sense, but they feel really jazzy to me.

I am gonna paint it.

I'm gonna paint it.

I think I just decided I'm just gonna paint them.

(dramatic rhythmic jazz music) I identified strongly with John Coltrane's life story.

I saw a Black male artist who struggled with the life that America offers.

I was a young man growing up in the crack epidemic.

You know, it's hard to come home and tell your mom, "I think I'm hooked on drugs."

But you know, she did what she does.

She prayed.

There's just no way that I should have made it.

A lot of my friends didn't make it.

When I think back to my block, a lot of those brothers and sisters didn't make it.

It was by the grace of God that I just got right in a lot of ways and being engulfed in design was a big part of saving me from a lot of the mess that I went through.

(laughs) Woo!

Oh my God.

Oh, oh my god, wow!

- Wow.

- Wow.

- Beautiful?

Te gusta?

- Yeah, te gusta (beep).

Wow, it's hot damn.

So this is the first coat?

It's an orchestra.

You're just trying to like get everything.

Yes, that's right.

Yes, move that over there.

That's perfect.

(quirky jazz music) I am constantly touched when there's a call to action.

It did feel like a protest.

This reimagined protest of being seen, being recorded, being documented.

(gentle jazz music) If there's anything that this feels like to me, it is like the supreme love of all that I have for community, family, you know, friends, the art world, the design world, all of that sort of culminated in A Love Supreme.

(gentle jazz music) (gentle upbeat jazz music) Thinking about legacy and what that means for the people that might need a legacy to uplift them.

(distant chattering) - [Audience] We're gonna get some remarks in the... (distant chattering) - Couldn't have done this without you.

- Thank you.

- Thank you.

Good city.

A lot of great people I've worked with, I've admired.

Design is much better when you're not doing it alone.

I try and make what feels like home.

What feels like this is community and you are safe here.

Mic check, hello, hello, hello, hello, hello, real quick.

- There we go.

- I just want to say thank you to all of the artists that are a part of this show.

(gentle upbeat jazz music) The success won't stop.

The storytelling won't stop.

If we build it, they will come, yeah.

(gentle upbeat jazz music)