OUTTAKES

Novelist Richard Russo describes how he reluctantly read To Kill a Mockingbird as a student in Catholic school. Russo explains how the relationships described in the book influenced him as a writer and provided inspiration for his own characters in his Pulitzer prize-winning novel, Empire ...

James McBride, author of the memoir The Color of Water, discusses how Harper Lee used the voice of her protagonists in To Kill a Mockingbird to bravely provide an accessible and radical point of view about racism in 1960. He describes and how today's authors ...

Lou Marini (saxophone), Steve Cropper (guitar), and Donald "Duck" Dunn (bass) tell a story about a time when Cab Calloway sang "Summertime" from Porgy and Bess while walking to their respective elevators. Cab Calloway: Sketches premieres nationally Monday, February 27 at 10 p.m. (ET) on ...

Art historian Judith Wechsler tells a story about the time Charles Eames threw out ONE OF her scriptS and taught her a valuable lesson in the process. Narrated by James Franco, Charles & Ray Eames: The Architect and the Painter premieres nationally Monday, December 19 ...

Friends recount that Ray Eames was so obsessed with the visual world around her that she couldn't keep her eyes on the road. Narrated by James Franco, Charles & Ray Eames: The Architect and the Painter premieres nationally Monday, December 19 at 10 p.m. (check ...

In archival footage from "An Eames Celebration," a film for WNET created in 1973, Charles Eames describes the city of Los Angeles as an illustration of what happens when design lacks constraints. Charles & Ray Eames: The Architect and the Painter premieres nationally Monday, December ...

Jamyl Dobson, the actor in the production, describes how he adapted to Jones's physically-demanding staging, as well as how his experience with voice helped the dancers approach their speaking roles. Bill T. Jones: A Good Man premieres nationally Friday, November 11 at 9 p.m. on ...

In this outtake from James Levine: America's Maestro, James Levine gives an explanation of his unique approach to conducting an orchestra - how he believes in being a "teacher conductor."

In this outtake from James Levine: America's Maestro, James Levine remembers growing up with a father who led a dance band that broadcast from the Beverly Wilshire Hotel and recalls his first piano lessons.

In this outtake from James Levine: America's Maestro, Levine instructs Ed Parks on how to be an Italian operatic Figaro, teaching him how to make the music his own.