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What's sensational about this work is that Donald really takes no sides. You can't help but feel badly for Ruth at the end of the movie obviously. But if you are honest with yourself you will recognize a little of you in both those characters. Margulies is a very wise and adroit writer. He writes these characters with great strength but also with their weaknesses as well.
Right in the middle of this story of young and old and ambition and desire, there is the small yet equally interesting fact of what does it take to become successful in your own terms. In Ruth's terms, a writer is a writer, whatever you write -- fair argument. But in America, now in the 21st century, is a writer a writer? Can you become a really major writer unless you have written a successful novel? The movies that really touch me are the ones that deal with a battlefield of individuals. The war between people and ideas. Between young and old. That's what we can identify with. That's what we deal with in our own lives. The first film I ever made, I Never Sang For My Father, with Gene Hackman and Melvyn Douglas, had a son trying to break away from his father and now, curiously enough, 35 years later, is a young woman trying to break away from her mentor. And the mentor having to deal with what that means to her own life. Personally, emotionally, this is a significant movie for me. [ Next Page ] |
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