
Ruth is upset with
Lisa for rearranging her desk.
DONALD MARGULIES: The scene is in a sense a foreshadowing of the climax of the play. Lisa has taken it upon herself to reorganize aspects of Ruth's space and the fact that Ruth is affronted by this gives us a certain foreshadowing of her feelings of her sense of order and her defensiveness about Lisa's appropriation of certain
responsibilities. It's a scene about territory that has been
violated, not in a malicious way but in a wishful good-natured way.
Lisa is so motivated by seeking Ruth's approval that Ruth's
displeasure is the source of utter mortification.
GIL CATES: That's a wonderful scene because it's a fulcrum of the new and the old. It's what happens when a person my age is faced with new technology. How to deal with it? Do you adapt to it or not? Lisa is astonished that Ruth doesn't have an answering machine, but
Ruth doesn't see the need. Her parents are dead, she has no
children, if someone calls and she's not in, they'll call
back. So the scene at the desk is the key to establishing what will
ultimately be the substantial conflict between them.
LINDA LAVIN: Invasion of privacy is endemic to the
piece. Ultimately the invasion of Ruth's privacy is much more
profound and blatant than the original one of fixing up the desk. If
you've ever lived alone -- and I have -- you've given
lots of attention to your things, your space, even if they look
horrible to someone else. Metaphorically, to have somebody rearrange
your stuff is a judgment on how you do things.
SAMANTHA MATHIS: That scene is a perfect example of when Lisa crossed Ruth's boundaries. She's only trying to do right by her, to
help her organize her life because it's such a mess -- she has
the best intentions. Ruth's reaction is so harsh; she simply
doesn't want anyone in her space. Lisa only wants to please
her -- she's like a puppy dog that just wants to be loved and
petted. And so it hurts her deeply when Ruth yells at her as she does
in that scene.
[ Go to Scene 36 ]
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