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Old Settler
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TimelineIn-Depth InterviewsKey ScenesProduction RolesAbout the Show
Overview
Working With the Director
The Look
The Job of Lighting
Hi-Def Video
The Shoot

 DP Role & Bio

The Director In-Depth

The Production Designer In-Depth

Printable Version
 
 

John Simmons: The Director of Photography In-Depth

 

The Look

Creating a Mood


John Simmons 
"The whole feeling of warmth I can't take responsibility for. That's something Gordon Willis started when he made The Godfather and made everything sort of amber and warm. That set the tone for every period picture from then on. That's what people expect when you say period now."

"Debbie and I discussed dramatic tone and mood.

What's wonderful about the approach she takes is we wanted not only a period look but a period feel like the '50s where the camera doesn't cut.

People walk into their close-ups. So we do a lot of coverage without the cut."

 


Living room set
 
The living room set shows the warm tones of a period piece

Capturing the Period


Set props
 
1940's props add convincing detail


John Simmons 
"Harlem in the '40s is a period that I'm familiar with. I've done a number of period films. I didn't have to do any research because I love the photographs of the period.

I like looking at the '40s, the clothes people wear and things like that.

I have lots of books with pictures in them from that time, and I've watched a lot of stock footage."

 

 

Working With the Director   |   The Look   |   The Job of Lighting

 

 

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