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Jameel 2011: Islamic Traditions of Craft and Design

05 Aug 2011 19:42Comments
500 Pages and Two scroll booksArtist: Hadieh Shafiephoto 1
Life LineArtist: Noor Ali Chaganiphoto 2
Fashion WeekArtist: Soody Sharifiphoto 3
Migrant 8Artist: Hayv Kahramphoto 4
The Invisible MastersArtist: Rachid Koraichiphoto 5
Farmanfarmaian Birds of ParadiseArtist: Monir Shahroudyphoto 6
Class, SubjectArtist: Aisha Khalid Namephoto 7
Felt MemoriesArtist: Bita Ghezelayaghphoto 8
Negotiating the Space forCoexistences No. 3Artist: Babak Golkarphoto 9
BridgeArtist: Hazem El Mestikawyphoto 10

[ spotlight ] The work of the ten artists and designers shortlisted for the Jameel Prize 2011, to be awarded September 12, will be showcased at London's Victoria and Albert Museum. The Jameel Prize, launched in 2009, is a £25,000 international art prize for contemporary artists and designers inspired by Islamic traditions of craft and design. Of the ten shortlisted out of nearly 200 nominees, five are from Iran or of Iranian heritage. Monir Shahroudy Farmanfarmaian's Birds of Paradise demonstrates her distinctive style of adapting and combining Iranian traditions of mirror mosaic and reverse glass painting techniques with a modern aesthetic. Bita Ghezelayagh's Felt Memories series is inspired by the Islamic tradition of talismanic coats, worn to protect the wearer from misfortune. She creates a new visual language, using metal keys,crowns, tulips (symbols of martyrdom), machine guns, and other street symbols along with printed Persian phrases to cover the surface of her pieces.

In his multidisciplinary work, Babak Golkar examines sociocultural issues experienced from living in both the Middle East and Canada. His Negotiating the Space for Possible Coexistences No.5 is part of a series that uses Persian carpet patterns as blueprints for architectural scale models. The titles of Hadieh Shafie's new 22500 Pages and 26000 Pages refer to the number of paper strips with which the respective scroll ensembles are composed. Each scroll is marked with printed and handwritten Farsi, the concentric forms of both text and material taking their inspiration from the dance of the dervishes. In the digital collages Frolicking Women in the Pool and Fashion Week, Soody Sharifi enlarges scans of traditional Persian miniature paintings and interjects them with her own photographs to create layered, evocative narratives. July 21-September 25.

Copyright © 2011

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