September 19th, 2007
José Clemente Orozco
Career Timeline

1883
José Clemente Orozco is born on November 23 in Zapotlan el Grande, Mexico, to Ireneo Orozco, a businessman, and Maria Rosa, a homemaker and amateur singer. A few years later, the family moves to Mexico City, where he takes night classes at the famed San Carlos Academy of Art.

1898
Parents send him to the countryside to become an agricultural engineer. Contracts rheumatic fever and returns home with a heart condition. Studies architecture at the National Preparatory School.

1903
Father dies suddenly of typhus. Orozco quits school and begins a series of odd jobs to support his mother and two siblings. Works as an architectural draftsman, as well as hand-tinting postmortem portraits.

1904
Mixing chemicals to make fireworks to sell on Mexican Independence Day, Orozco accidentally sets off an explosion. His left hand and eye are injured, but due to the holiday, he is not attended at a hospital for a few days. Gangrene sets in and his hand and wrist must be amputated to save his life.

1910
Mexico celebrates 100 years of independence from Spain with lavish festivities, including an official exhibition of Spanish art. The irony is not lost on young Mexican artists, who set up a counter exhibition like the French Salon des Refusés years earlier. It is an unexpected success with the public.

1911
Constitutionalists force dictator Porfirio Diaz out of office. Francisco Madero is elected president, but Victoriano Huerta stages a coup and murders him. A bloody struggle amongst political factions will last for a decade. Due to his disability, Orozco escapes conscription and works as a caricaturist for various opposition newspapers.

1916
First solo exhibition opens, “The House of Tears,” featuring paintings of Mexico City’s red light district. Most critics ignore or attack the exhibit.

1917-19
Travels to the U.S. in search of better opportunities. At the Texas border, customs officials destroy two thirds of his early work because of their “immoral” character. He lives in San Francisco and New York City and makes a living painting cinema posters and plastic Kewpie dolls.

1923
Mexico’s new revolutionary government begins an ambitious literacy campaign that includes mural painting in public buildings. Hired to paint walls at the National Preparatory School, but is forced out after students deface his murals. Later completes the 3-story mural cycle to wide acclaim.

1927
Leaves his wife and children and returns to New York City where he witnesses the “Crash” of 1929. Paints the economic and social devastation of the Great Depression. American journalist Alma Reed becomes his agent and Orozco exhibits widely.

1930
Commissioned by Pomona College in Claremont, California to paint a mural in the student cafeteria. Paints Prometheus, the first true fresco ever painted in the U.S. The following year, paints murals at the New School for Social Research.

1932-34
Hired by Dartmouth College in New Hampshire to paint murals in the campus library. Joined by his wife and three children. Creates the 24-panel The Epic of American Civilization, which evokes controversy and praise. David Alfaro Siqueiros’ mural in Los Angeles and Diego Rivera’s mural at Rockefeller Center are both destroyed by offended patrons.

1934-39
President Roosevelt establishes the WPA’s Federal Arts Projects, which hires artists to paint murals in hundreds of government buildings throughout the United States. Returns to Mexico and paints his best-known works, including murals in Guadalajara’s government palace and university and the Hospicio Cabañas. Known as the “Sistine Chapel of the Americas,” the Hospicio features Orozco’s magnum opus, the Man of Fire.

1940
Commissioned by New York City’s Museum of Modern Art to create the centerpiece for its exhibition Twenty Centuries of Mexican Art. Paints Dive Bomber and Tank, an indictment of the impending conflagration of WWII. Paints murals in the library of Jiquilpan, Mexico.

1941
Paints a daring critique of the judicial system at Mexico’s Supreme Court. Time magazine reports the outcry demanding their removal, but the murals are protected. Paintings and prints are exhibited in museums throughout the United States, including Brooklyn and Philadelphia.

1943
Meets and falls in love with Gloria Campobello, the prima ballerina of the Mexico City Ballet and designs sets, costumes and posters for the ballet. Elected as fellow to the Colegio de Mexico, an elite circle of intellectuals and artists.

1944
Listed in Who’s Who in America and begins painting The Apocalypse in Mexico City’s Church of Jesus of Nazareth. It is his most complex mural.

1946
Leaves his family and lives in New York City with Gloria Campobello. Exhibits and is reviewed in the national press, but creates few paintings. After Gloria abandons him, returns to Mexico.

1947
Illustrates John Steinbeck’s The Pearl, judges an art contest with Walt Disney, and works with UNESCO. Mexico honors him with a major retrospective.

1948
Paints his only outdoor mural, Allegory of the Nation, at Mexico’s National Teachers College, featured in Life magazine. He creates Metaphysical Landscape and other abstract works.

1949
Completes mural at Guadalajara’s Legislators Assembly. While painting a public housing mural, he dies of heart failure at the age of 65.

  • Edward Orozoc, jr

    Was wondering if he was related to the Mexican Revolutionary General Pasqual Orozco who fought with Pancho Vila & General Zapata?

  • richard dechand

    I have a painting with this artist signature it is of a lake in the fall perhaps. Any idea about it

  • robert caron

    WHat are the names of orozco’s children? Are any still alive?

  • Maria

    what are Clemente orozco father’s sibling names?????

  • Laurie Coyle

    Sorry to answer these questions so late!
    The muralist, José Clemente Orozco was not related to General Pasqual Orozco.

    Orozco had three children: Clemente, Alfredo and Lucrecia. Clemente and Lucrecia are still living; Alfredo passed away in 2006–fortunately he saw Orozco: Man of Fire before he died . I interviewed Clemente and Alfredo for the film, and Lucrecia declined the invitation to be interviewed.

    I am not familiar with Orozco’s painting of a lake. Mary Anne Martin of Mary Anne Martin Fine Arts in New York City is an art dealer with extensive knowledge of Orozco’s work. Art historians with extensive knowledge of Orozco’s paintings created in the U.S. are Diane Miliotes in Chicago and Renato Gonzalez Mello in Mexico City’s UNAM.

    Thank you for your interest. For additional info on the film please see http://www.paradigmproductions.org.

    Laurie Coyle, Producer/Director with Rick Tejada-Flores

  • Earline M. Reid

    Is Clemente, the son, still living. I am unable to contact him by phone or email.

Salinger

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