Frontline World

BELIZE - The Exile's Song, January 2004


Related Features THE STORY
Synopsis of "The Exile's Song"

LET THE RHYTHM MOVE YOU
Music of the Garifuna

REPORTER'S SCRAPBOOK
Follow the beat

FACTS & STATS
Land, People, Economy

LINKS & RESOURCES
Background, the Garifuna Diaspora, Punta Rock

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Reporter's Scrapbook: Follow the Beat

Kids with palms and bananas

These high school kids were up early preparing for the next day's Settlement Day, which commemorates the 1832 Garifuna arrival in Belize from Honduras. People re-enact the landing in rowboats, and everything's festooned with vines and palm fronds. I was still groggy, but the kids were having a blast.
Boats arrive at dawn

On Settlement Day, three boats arrive at dawn from the Caribbean, full of men and women who've been out drumming and celebrating all night. Everyone's wild and drunk and exhausted.
A boat takes off down the river

I thought about getting on the boat with my cameraman, but the whole re-enactment is about escaping the British, so why should they let two white guys on board?
Inside a Catholic church

The music at the Catholic church for the Settlement Day mass was a strange, mellow mix of Garifuna rhythms and psalms. Sort of Christian rock, Garifuna style. Worshippers made offerings of bananas and grapefruit.
Martinez plays the guitar

Aurelio Martinez is a sweet Garifuna guy in his 30s, from Honduras. He is one of the youngest Paranda players and has definite star quality. He's performed in Central America and Europe, but this was his first concert in Belize -- which he thought of as the mothership of the Garifuna people.

 

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