Leave your feedback Share Copy URL https://www.pbs.org/newshour/arts/weekly-poem-elegy Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Weekly Poem: ‘Elegy’ Arts Sep 17, 2012 2:20 PM EDT By Natasha Trethewey Elegy For my father I think by now the river must be thick with salmon. Late August, I imagine it as it was that morning: drizzle needling the surface, mist at the banks like a net settling around us — everything damp and shining. That morning, awkward and heavy in our hip waders, we stalked into the current and found our places– you upstream a few yards, and out far deeper. You must remember how the river seeped in over your boots, and you grew heavy with that defeat. All day I kept turning to watch you, how first you mimed our guide’s casting, then cast your invisible line, slicing the sky between us; and later, rod in hand, how you tried — again and again — to find that perfect arc, flight of an insect skimming the river’s surface. Perhaps you recall I cast my line and reeled in two small trout we could not keep. Because I had to release them, I confess, I thought about the past — working the hooks loose, the fish writhing in my hands, each one slipping away before I could let go. I can tell you now that I tried to take it all in, record it for an elegy I’d write — one day — when the time came. Your daughter, I was that ruthless. What does it matter if I tell you I learned to be? You kept casting your line, and when it did not come back empty, it was tangled with mine. Some nights, dreaming, I step again into the small boat that carried us out and watch the bank receding — my back to where I know we are headed. Natasha Trethewey was named U.S. Poet Laureate earlier this year. She has written four collections of poetry: “Thrall,” “Domestic Work,” “Bellocq’s Ophelia” and “Native Guard,” which won the 2007 Pulitzer Prize. Art Beat will have a conversation with Trethewey later this week. We're not going anywhere. Stand up for truly independent, trusted news that you can count on! Donate now
By Natasha Trethewey Elegy For my father I think by now the river must be thick with salmon. Late August, I imagine it as it was that morning: drizzle needling the surface, mist at the banks like a net settling around us — everything damp and shining. That morning, awkward and heavy in our hip waders, we stalked into the current and found our places– you upstream a few yards, and out far deeper. You must remember how the river seeped in over your boots, and you grew heavy with that defeat. All day I kept turning to watch you, how first you mimed our guide’s casting, then cast your invisible line, slicing the sky between us; and later, rod in hand, how you tried — again and again — to find that perfect arc, flight of an insect skimming the river’s surface. Perhaps you recall I cast my line and reeled in two small trout we could not keep. Because I had to release them, I confess, I thought about the past — working the hooks loose, the fish writhing in my hands, each one slipping away before I could let go. I can tell you now that I tried to take it all in, record it for an elegy I’d write — one day — when the time came. Your daughter, I was that ruthless. What does it matter if I tell you I learned to be? You kept casting your line, and when it did not come back empty, it was tangled with mine. Some nights, dreaming, I step again into the small boat that carried us out and watch the bank receding — my back to where I know we are headed. Natasha Trethewey was named U.S. Poet Laureate earlier this year. She has written four collections of poetry: “Thrall,” “Domestic Work,” “Bellocq’s Ophelia” and “Native Guard,” which won the 2007 Pulitzer Prize. Art Beat will have a conversation with Trethewey later this week. We're not going anywhere. Stand up for truly independent, trusted news that you can count on! Donate now