Leave your feedback Share Copy URL https://www.pbs.org/newshour/arts/weekly-poem-elegy Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Weekly Poem: ‘Elegy’ Arts Sep 17, 2012 2:20 PM EDT By Natasha Trethewey Elegy For my father I think by now the river must be thick with salmon. Late August, I imagine it as it was that morning: drizzle needling the surface, mist at the banks like a net settling around us — everything damp and shining. That morning, awkward and heavy in our hip waders, we stalked into the current and found our places– you upstream a few yards, and out far deeper. You must remember how the river seeped in over your boots, and you grew heavy with that defeat. All day I kept turning to watch you, how first you mimed our guide’s casting, then cast your invisible line, slicing the sky between us; and later, rod in hand, how you tried — again and again — to find that perfect arc, flight of an insect skimming the river’s surface. Perhaps you recall I cast my line and reeled in two small trout we could not keep. Because I had to release them, I confess, I thought about the past — working the hooks loose, the fish writhing in my hands, each one slipping away before I could let go. I can tell you now that I tried to take it all in, record it for an elegy I’d write — one day — when the time came. Your daughter, I was that ruthless. What does it matter if I tell you I learned to be? You kept casting your line, and when it did not come back empty, it was tangled with mine. Some nights, dreaming, I step again into the small boat that carried us out and watch the bank receding — my back to where I know we are headed. Natasha Trethewey was named U.S. Poet Laureate earlier this year. She has written four collections of poetry: “Thrall,” “Domestic Work,” “Bellocq’s Ophelia” and “Native Guard,” which won the 2007 Pulitzer Prize. Art Beat will have a conversation with Trethewey later this week. A free press is a cornerstone of a healthy democracy. Support trusted journalism and civil dialogue. Donate now
By Natasha Trethewey Elegy For my father I think by now the river must be thick with salmon. Late August, I imagine it as it was that morning: drizzle needling the surface, mist at the banks like a net settling around us — everything damp and shining. That morning, awkward and heavy in our hip waders, we stalked into the current and found our places– you upstream a few yards, and out far deeper. You must remember how the river seeped in over your boots, and you grew heavy with that defeat. All day I kept turning to watch you, how first you mimed our guide’s casting, then cast your invisible line, slicing the sky between us; and later, rod in hand, how you tried — again and again — to find that perfect arc, flight of an insect skimming the river’s surface. Perhaps you recall I cast my line and reeled in two small trout we could not keep. Because I had to release them, I confess, I thought about the past — working the hooks loose, the fish writhing in my hands, each one slipping away before I could let go. I can tell you now that I tried to take it all in, record it for an elegy I’d write — one day — when the time came. Your daughter, I was that ruthless. What does it matter if I tell you I learned to be? You kept casting your line, and when it did not come back empty, it was tangled with mine. Some nights, dreaming, I step again into the small boat that carried us out and watch the bank receding — my back to where I know we are headed. Natasha Trethewey was named U.S. Poet Laureate earlier this year. She has written four collections of poetry: “Thrall,” “Domestic Work,” “Bellocq’s Ophelia” and “Native Guard,” which won the 2007 Pulitzer Prize. Art Beat will have a conversation with Trethewey later this week. A free press is a cornerstone of a healthy democracy. Support trusted journalism and civil dialogue. Donate now