Leave your feedback Share Copy URL https://www.pbs.org/newshour/arts/weekly-poem-how-to-make-fatherhood-lyrical Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Weekly Poem: ‘How to Make Fatherhood Lyrical’ Arts Aug 6, 2012 12:59 PM EDT By Gibson Fay-LeBlanc I could describe the arc of piss as sanctifying the changing table or argue that his wailing resembles a certain style of opera — one develops a taste for its peaks as evidence of proper training, the cultivation of a gift. I might tell you that when the dog tugs the leash in one direction and the stroller rolls in the other it’s similar to the push and pull of family and vocation, and each in turn alters its course. Surely I’d do some research and touch on why gerbils eat their young and moose will charge if you dare step between a mother and her calf. But none of this is the basic truth I tell myself or don’t, depending on the morning: it’s not a set of lyrics, it’s prose — as in pedestrian, a man on foot, not some freak stallion, not a Clydesdale, not even a draft — and every day I have to choose whether to write myself in Gibson Fay-LeBlanc is a writer and teacher. His first collection of poems, “Death of a Ventriloquist,” won the Vassar Miller Prize and was published by the University of North Texas Press in 2012. He lives in Portland, Maine, with his family and is working on a novel. We're not going anywhere. Stand up for truly independent, trusted news that you can count on! Donate now
By Gibson Fay-LeBlanc I could describe the arc of piss as sanctifying the changing table or argue that his wailing resembles a certain style of opera — one develops a taste for its peaks as evidence of proper training, the cultivation of a gift. I might tell you that when the dog tugs the leash in one direction and the stroller rolls in the other it’s similar to the push and pull of family and vocation, and each in turn alters its course. Surely I’d do some research and touch on why gerbils eat their young and moose will charge if you dare step between a mother and her calf. But none of this is the basic truth I tell myself or don’t, depending on the morning: it’s not a set of lyrics, it’s prose — as in pedestrian, a man on foot, not some freak stallion, not a Clydesdale, not even a draft — and every day I have to choose whether to write myself in Gibson Fay-LeBlanc is a writer and teacher. His first collection of poems, “Death of a Ventriloquist,” won the Vassar Miller Prize and was published by the University of North Texas Press in 2012. He lives in Portland, Maine, with his family and is working on a novel. We're not going anywhere. Stand up for truly independent, trusted news that you can count on! Donate now