Are this year’s Oscar nominations disproportionately white and male?

On Oscar nomination day, there’s always gossip about who got lauded and who got shafted. But this year felt different to a lot of movie fans. In the hours after the early Hollywood ceremony, movie watchers and film critics took to Twitter to collectively throw up their hands.

Where were the female nominations? Women-centric stories like “Cake” and “Big Eyes” were absent from the acting categories and “Wild” missed out on the adapted screenplay nomination. After last Sunday’s Golden Globes, which had almost every major female honoree comment on the state of women in film, today’s ceremony felt astonishingly lacking.

And where were the artists of color? Critics observed that there hasn’t been a more homogeneous pool of “best” actors and actresses to choose from since 1998 (the year of “Titanic,” “Good Will Hunting,” L.A. Confidential,” and “As Good as It Gets”). And Ava DuVernay was notably absent from the best directing category, where she would have been the first black female to have been honored.

Instead of focusing on where women and artists of color fell short, the conversation turned to the Academy, with many pointing to a 2014 Los Angeles Times article that broke down its voters as:

  • 93 percent white
  • 76 percent male
  • Average age of 63
As NPR’s Gene Demby pointed out on Twitter, the premiere film organization hardly reflects the group that is more likely than any other ethnic group to attend movies in America: Latinos. Meanwhile, white moviegoers made up less than half of the movie-going audience in 2013.

Thus, #OscarsSoWhite was born. It’s mostly jokes but the common theme is “cluelessness among the academy.”

One artist seemed to be okay with his snub: Philip Lord, producer and writer of his fan favorite “The Lego Movie.”

Now, if he could just produce those statues en masse…

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