Leave a comment 0comments Share Copy URL https://www.pbs.org/newshour/show/why-photos-taken-with-simple-antique-cameras-can-still-surprise-us Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Transcript Audio Photography has made mind-boggling advances over the last century. But an artist in Wisconsin sees magic in photographic techniques from the mid-1800s. Milwaukee PBS reports. Read the Full Transcript Notice: Transcripts are machine and human generated and lightly edited for accuracy. They may contain errors. Amna Nawaz: Photography has made mind-boggling advances over the last century-and-a-half. So many of us now have a camera in our smartphones.But in a story that comes to us by PBS station Milwaukee PBS, one woman in Wisconsin has rediscovered the art of taking photographs and developing film using techniques from the mid-1800s. Margaret Muza: I use a lot of old cameras, old lenses. The one I use the most is an 8×10 camera from 1903 with an old portrait lens.These machines are really simple. Really, it's kind of just a box with a lens on it, so it's not a complicated machine at all. That's what's amazing about them.Even though they're so old, you know, I'm using them over 100 years later. And I love that about them, because most of our modern technology doesn't work after two or three years.The first time I saw a tintype appearing in the fixer, I felt like I had seen a ghost. I got goose bumps, and I was just — my eyes watered because it was so spooky and so beautiful.And I thought, how did that happen? How can this image be before my eyes? Which is something we don't think about when we're looking at images on a screen.So there's complete magic there, and I still feel that way every time I take a picture. I'm always surprised by what I see. It always turns out differently than imagined.The wet-plate process is an old photographic method that uses wet chemistry to make an image, instead of, say, film or negatives. I use aluminum plates and glass plates.So, then I use a collodion, which is a liquid emulsion that I pour onto that plate which becomes light-sensitive through a series of chemical steps. It sits in a bath of silver nitrate, where it becomes light-sensitive in the darkroom.And then I use developer that I make myself, and an old varnish recipe that's a Civil War era recipe.This process really attracted me because it's a little bit unpolished. So, the image is kind of messy. There's lots of artifacts that show up, little schmears, fingerprints. And I like the look of that.I really like photographing people. Someone by themselves is really, like, my ideal subject. I really like to be able to focus on every aspect of someone's face, lighting them perfectly, and then developing them perfectly.This process is fulfilling because it still really challenges me, I think, because I have so much to learn yet, I'm still really hooked, and it hasn't let me go, you know, because I really am challenged by it constantly. And I want to master it. Listen to this Segment Watch Watch the Full Episode PBS NewsHour from May 11, 2018