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Astronaut Eugene Cernan
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Last Man on the Moon
Everyone knows the name of the first man on the moon, but
what about the last? Eugene Cernan left the final bootprint
that may ever appear on the surface of our dusty satellite.
Yet Cernan has been heralded for far more than this
milestone. He is not only one of the most accomplished of
the astronauts—he journeyed into space three times, on
Gemini 9, Apollo 10, and Apollo 17—but one of the most
eloquent in describing his otherworldly experiences. Below,
join him as he lifts off, walks in space, lands and walks on
the moon, and reenters Earth's atmosphere. From the book
The Last Man on the Moon. Copyright 1999 by Eugene
Cernan and Don Davis. Reprinted with permission of St.
Martin's Press, LLC, New York, NY
Gemini 9 blasts off from Cape Kennedy on June 3,
1966.
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Takeoff (Gemini 9)
The countdown reached ten seconds and I could almost hear an
invisible crescendo of stirring background music.
Anchors aweigh! Five, four, three, two, one . . . and
we had ignition!
To this day, I don't really know what I expected. My training
told me it might be like a catapult launch on a carrier, swift
and violent, but Tom [Stafford, commander of Gemini 9]
and others who had flown said it would be, well, different,
although they couldn't explain how. Just . . .
different.
On television, everyone saw clouds of flame and smoke boil
from the bottom of the Titan, but inside the spacecraft, the
instrument panel had come alive. Dials were jumping, lights
shone brightly, the computers spat out strings of numbers, and
ground controllers spoke rapidly. There was a noticeable
shudder as the Titan's fuel spewed into the tanks and ignited,
then I felt a faraway bump as the bolts holding the rocket to
the pad blew away, and something amazing happened ten stories
under my back at 6:38 on a sunny Florida morning.
I sensed movement, a feeling of slow pulsation, and then heard
a low, grinding rumble as that big rocket ship started to lift
away from Earth in agonizingly slow motion. The Titan, once a
silent, sleeping giant, was now fully awake and flexing its
muscles, ready to romp toward an incredible 430,000 pounds of
thrust and haul ass out of there like a favorite leaving the
gate at the Kentucky Derby. The initial slow ascent turned
into a sudden vault of speed, and we were away.
The sides of the rocket were washed by a glistening sun as the
Titan pushed off, gaining altitude and speed by the instant.
In Mission Control, Flight Director Gene Kranz listened
carefully as his controllers reported, station by station.
"Good. Excellent. Everything is green and go!" By then, the
rocket was galloping out across the Atlantic and the forces of
gravity stacked like bricks on my chest. My heart was beating
a mile a minute and I gritted my teeth. A glance showed that
Tom was gritting his, too.
"We're on our way." At least Tom could speak. On the other
side of the spacecraft, his rookie pilot could say nothing at
all. As I worked at my assigned tasks, I simultaneously felt
and saw things I had never imagined.
God, if only I were a poet.
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An astronaut's-eye view of Africa's Lake Chad, taken
from the Gemini 9 spacecraft.
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Spacewalk (Gemini 9)
When the hatch stood open, I barely pushed against the floor
of the spacecraft and my suit unfolded from the seated
position. I grabbed the edges of the hatch and climbed out of
my hole until I stood on my seat. Half my body stuck out of
Gemini 9, and I rode along like a sightseeing bum on a
boxcar, waiting for the sun to come up over California.
And, oh, my God, what a sight. Nothing had prepared me for the
immense sensual overload. I had poked my head inside a
kaleidoscope, where shapes and colors shifted a thousand times
a second.
"Hallelujah!" was the best I could muster. "Boy, it sure is
beautiful out here." I did not have the words to match the
scene. No one does. Outer space was dead and empty while
simultaneously alive and vibrant.
Since we were rushing along at about 18,000 miles an hour, we
hurried the dawn. Pure darkness gave way to a ghostly
mist-gray, then a thin, pale band of fragile blue appeared
along the broad and curving horizon. It changed quickly to a
deeper hue over narrow bands of gold, and then the sun, a
brilliant disk, jumped up to ignite a sky where night had
ruled only a moment before, and its rays slowly erased the
darkness on our planet below. Blue water shimmered on both
sides of the Baja peninsula beneath California and the deserts
of our Southwest shone like polished brass. An ivory lacework
of thin, soft clouds stretched for miles. This was like
sitting on God's front porch. The heavenly canopy surrounding
me was still soot black, but stars could no longer be seen,
and the subfreezing cold of the space night yielded to new,
broiling hot temperatures. We crossed the coast of California
in the full flare of the morning sun, and in a single glance,
I could see from San Francisco to halfway across Mexico.
Shortly after touchdown, Gene Cernan (left) and Tom
Stafford congratulate each other aboard the USS Wasp.
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Reentry (Gemini 9)
As we slapped into molecules of air, the G-forces built
rapidly and my eyes were drawn to the new and unparalleled
scene forming beyond our window. A streak of orange flashed
past, a skinny lightning bolt that instantly vanished into
space. From the other side, a green streak zipped by, then,
all around us, brilliant stripes of blue, red, and purple came
faster and faster as the blunt end of Gemini 9 collided
with the thick atmosphere. Traveling at thousands of miles per
hour, the friction of the spacecraft crashing through air
created a ball of fire, and heat built inside the cabin. The
last words we heard before the radio was silenced were: "Have
a good trip home."
The computer gave us reentry readings and Tom rolled the
off-center spacecraft slightly, 50° to the left, then
38° back to the right, taking numerical aim at the
targeted landing zone some 350 miles east of Cape Kennedy,
half a world away.
That slight corkscrewing movement made the long tongues of
flame trailing along behind us like sleek wings swirl and
curve over each other, brightly fluorescent in the darkness.
Shades of oranges and yellows and glowing reds, shining blues
and greens intermingled, coiling in a colorful spiral. Our
movie camera photographed the fire streaking away from the
heat shield to join the tail of flame. Individual sparks would
land for an instant on the nose, stick and glow like playful
imps, then be swept away by the gigantic wind created by our
passing. It was goodbye to darkness and hello to a light show
that would put a rock concert to shame. Then the fire
completely enveloped us, the blaze coating the spacecraft and
spreading from the burning heat shield all the way back beyond
the nose, merging at some unseen point far behind.
The forces of gravity climbed steadily, past four Gs, past
five, and going up as we burned our way through the wall of
silence. It felt as if the Jolly Green Giant was stomping on
my chest. Radio waves could not pierce the blazing turbulence.
Fire was all I could see, and the radio would be dead for at
least four minutes while we sailed through this 3,000-degree
hell. It is claimed that there are no atheists in foxholes. I
know there are none in spacecraft plunging back to Earth in a
ball of fire, and I said a quick prayer.
Continue:
Flying to the Moon (Apollo 10)
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