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S36E5

Brian Wilson: Long Promised Road

Premiere: 6/14/2022 | 2:04 |

Explore the life and career of the singer, songwriter and co-founder of The Beach Boys. The film traces the legendary performer’s journey of reflection on a drive through Los Angeles with his longtime friend and Rolling Stone editor Jason Fine.

About the Episode

The principal originator of the “California sound,” musician, singer, songwriter, record producer and co-founder of The Beach Boys, Brian Wilson is known for his novel approach to composition and recording and is widely acknowledged as one of the most innovative and significant musicians of the 20th century.

The new documentary American Masters – Brian Wilson: Long Promised Road follows Wilson on a drive through Los Angeles with his longtime friend and Rolling Stone editor Jason Fine. With Fine behind the wheel and Wilson selecting the music, they reflect on the formative and creative periods in Wilson’s life as they revisit the places that helped to shape his career. American Masters – Brian Wilson: Long Promised Road premieres nationwide Tuesday, June 14 at 9 p.m. ET on PBS (check local listings), pbs.org/americanmasters and the PBS Video App as part of #PBSForTheArts.

The filmed road trip provides an intimate look into Wilson’s recollections and is bolstered by memorable concert and studio footage as well as interviews with Wilson’s admirers and those close to him, including Al Jardine (co-founder of The Beach Boys), Don Was (record executive), Bruce Springsteen (musician), Elton John (musician), Nick Jonas (musician and actor), Jim James (My Morning Jacket), Jakob Dylan (Wallflowers), Gustavo Dudamel (conductor and music director) and the late Taylor Hawkins (Foo Fighters), among others. The documentary also introduces “Right Where I Belong,” an original song written and performed by Wilson and Jim James.

Wilson’s professional career began in 1961 with the founding of the Beach Boys, serving as the band’s songwriter, producer, co-lead vocalist, bassist, keyboardist, and de facto leader. By the mid-1960s, Wilson had written or co-written more than two dozen U.S. Top 40 hits, including the number-ones “Surf City” (1963), “I Get Around” (1964), “Help Me, Rhonda” (1965), and “Good Vibrations” (1966). Wilson’s honors include induction into the Rock and Roll Hall of Fame (as a member of the Beach Boys) and the Songwriters Hall of Fame, a Kennedy Center Honor, two Grammy Awards, and the Ivor Novello Award. American Masters – Brian Wilson: Long Promised Road highlights Wilson’s achievements, but Wilson also opens up and shares intensely personal glimpses into his struggles with mental illness and drug abuse.

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PRODUCTION CREDITS

American Masters – Brian Wilson: Long Promised Road is a production of Ley Line Entertainment in association with American Masters Pictures. Directed by Brent Wilson (no relation). Written by Jason Fine and Brent Wilson. Produced by Tim Headington, p.g.a., Theresa Steele Page, p.g.a. and Brent Wilson, p.g.a. Jason Fine is Executive Producer. Jean Sievers is Co-Producer. Michael Kantor is executive producer for American Masters.

About American Masters
Now in its 39th season on PBS, American Masters illuminates the lives and creative journeys of those who have left an indelible impression on our cultural landscape—through compelling, unvarnished stories. Setting the standard for documentary film profiles, the series has earned widespread critical acclaim: 28 Emmy Awards—including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special—two News & Documentary Emmys, 14 Peabodys, three Grammys, two Producers Guild Awards, an Oscar, and many other honors. To further explore the lives and works of more than 250 masters past and present, the American Masters website offers full episodes, film outtakes, filmmaker interviews, the podcast American Masters: Creative Spark, educational resources, digital original series and more. The series is a production of The WNET Group.

American Masters is available for streaming concurrent with broadcast on all station-branded PBS platforms, including PBS.org and the PBS app, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. PBS station members can view many series, documentaries and specials via PBS Passport. For more information about PBS Passport, visit the PBS Passport FAQ website.

About The WNET Group

The WNET Group creates inspiring media content and meaningful experiences for diverse audiences nationwide. It is the community-supported home of New York’s THIRTEEN – America’s flagship PBS station – WLIW, THIRTEEN PBS KIDS, WLIW World and Create; NJ PBS, New Jersey’s statewide public television network; Long Island’s only NPR station WLIW-FM; ALL ARTS, the arts and culture media provider; newsroom NJ Spotlight News; and FAST channel PBS Nature. Through these channels and streaming platforms, The WNET Group brings arts, culture, education, news, documentary, entertainment, and DIY programming to more than five million viewers each month. The WNET Group’s award-winning productions include signature PBS series Nature, Great Performances, American Masters, and Amanpour and Company and trusted local news programs like NJ Spotlight News with Briana Vannozzi. Inspiring curiosity and nurturing dreams, The WNET Group’s award-winning Kids’ Media and Education team produces the PBS KIDS series Cyberchase, interactive Mission US history games, and resources for families, teachers and caregivers. A leading nonprofit public media producer for more than 60 years, The WNET Group presents and distributes content that fosters lifelong learning, including initiatives addressing poverty, jobs, economic opportunity, social justice, understanding, and the environment. Through Passport, station members can stream new and archival programming anytime, anywhere. The WNET Group represents the best in public media. Join us. 

UNDERWRITING

Major funding for American Masters – Brian Wilson: Long Promised Road is provided by National Endowment for the Arts.

Original series production funding for American Masters is provided by the Corporation for Public Broadcasting, AARP, Sue and Edgar Wachenheim III, Rosalind P. Walter Foundation, Cheryl and Philip Milstein Family, Judith & Burton Resnick, Seton J. Melvin, The Blanche and Irving Laurie Foundation, The Ambrose Monell Foundation, Lillian Goldman Programming Endowment, Vital Projects Fund, The Philip and Janice Levin Foundation, Ellen and James S. Marcus, The André and Elizabeth Kertész Foundation, Koo and Patricia Yuen and public television viewers.

TRANSCRIPT

- Brian just threw away the rule book.

Just took you out of where you were and took you to another place.

- There was no greater world created in rock and roll than The Beach Boys.

The level of musicianship, I don't think anybody's touched it yet.

- To dream up these textures that never existed before.

That's why people say Brian's a genius.

- You know, the rooftop is down.

This story begins.

♪ I'm picking up good vibrations ♪ - The beauty of it carries with it a sense of joyfulness, even in the pain of living.

- You know there's something going on with Brian Wilson.

There's no hiding that this man is troubled, trying to escape something.

- And the pressure that comes with that, the pressure to continue to be the person that people think you are supposed to be.

- The idea of doing an interview makes Brian nervous.

And this is kind of where things got difficult for you, huh?

- Yeah.

- What was going on?

- I don't know.

I was having mental problems.

- Yeah. Yeah.

So he'll often ask if we can just take a drive and listen to some music.

♪ Well I get anxious ♪ ♪ I get scared a lot ♪ - So this was all where the house was, right here?

- Yeah.

- We can get out.

- I don't want to get out, I just want to look.

♪ This should get better, really ♪ - There it is, look.

- There it is! This marks the spot.

♪ They said go out and get a steady job ♪ - The fact that he's still here and making music, that's a miracle, kind of, isn't it?

- I don't know how you do that.

- One, two, three.

Yeah!

- I got this terrible feeling in my chest.

I'm nervous.

- You got this.

That must have been a really exciting time.

- It was.

It was a trip.