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Raney Aronson |
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Raney Aronson, producer of "Starring Osama
Bin Laden," is a documentary filmmaker and FRONTLINE producer who has worked on a number of award-winning series. She is currently producing a documentary about AIDS in India. When she set out for FRONTLINE/World
in April 2003 with reporter Arun Rath to do a story about
a Bengali play whose main character is Osama bin Laden,
she began filing animated email messages to FRONTLINE/World
series producer Stephen Talbot to keep him up to date. What
follows is a sampling of those email dispatches, which provide
a vivid behind-the-scenes account of how the story unfolded.
[Editor's Note: Kolkata is the Bengali name for Calcutta.] |

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-----Original Message-----
From: Raney Aronson
Sent: Tuesday, April 01, 2003 2:07 AM
To: Stephen Talbot
Subject: Hi from Kolkata!
Hello all,
So this morning I landed, dropped
my bags and met with the opera troupe managers. I think
this is going to make for an interesting story!
The troupe is located in a tiny office
in a back alley that is devoted to about 20 or 30 little
opera troupes. The alleyway is plastered with colorful
bold posters ... and actors and producers mill about,
talking loudly and smoking.
We are meeting the actors this evening,
but I have already met the producers and the general manager.
The main producer is a gregarious guy, he wears rings
on each of his fingers and was wild about showing me every
bit of publicity they have ever received. They also showed
me the script of the opera -- handwritten in Bengali and
about 50 pages long.
The actors sound promising. This
evening I'm meeting [the actor who plays] bin Laden and
the writer/director, who is also an actor -- he plays
Bush. Tomorrow I'll meet the rest of the main actors --
a woman who plays a freelance reporter, Colin Powell and
some of the victims' families.
The one disappointing thing is that
the finale is taking place in Kolkata and not in the small
northern town, so a road trip with the group is not possible.
I'll try to be creative and figure out a way to have movement
-- we'll start with bin Laden at home, and work toward
the performance. I'll figure this out after I meet the
actors and see where they live.
As I was leaving them today, I asked
what their show next season will be and they yelled out:
"Saddam, of course." Not a bad ending, don't you think?
Take care,
Raney
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-----Original Message-----
From: Raney Aronson
Sent: Wednesday, April 02, 2003 2:16 AM
To: Stephen Talbot
Subject: Notes from India
Hello all,
Today has been quite a day -- we've
met with bin Laden, Bush and another main character, Arun
Mukherjee, who plays a Muslim American caught in a moral
dilemma after 9-11.
I'll start with bin Laden. He's extremely
handsome, has a James Dean hairdo -- and looks very much
like an Indian film star. He sparkles as he talks about
his role and what it means to him. He says that it is
the role of his lifetime (he's 33), and he is depressed
beyond belief that this will be the last performance.
He also says that he studied bin Laden on the news so
that he could mimic his gestures, movements, personality.
It turns out that 17 other actors auditioned for this
role.
He lives on a back street in the
northern section of the city -- far from the Opera, which
means traveling with him on the night of the performance
could be terrific. When we drove up to his place, our
fixer who can be quite poetic announced: "Here we find
bin Laden at last."
Next is Raja Sarkar, who plays Bush
and is also the director and writer of the opera. Inspired
by 9-11, he came up with this idea and says it took him
only days to finish the script. He's passionate that this
opera represents how Indians feel about the situation,
as it shows all sides. He is a wonderful character --
warm, intelligent and quirky. I think he will work wonderfully
in opposition to the bin Laden character.
I do wonder how the character of
bin Laden will come across in the opera. There's an intensely
anti-American climate in Kolkata -- like I've never seen
before -- so I wonder who will be the ultimate "villain"
of this opera.
The other person we met today, who
plays the character Dilara, is actually considered the
main character of the opera. The character is a Muslim
American who after 9-11 tries to figure out if he identifies
more strongly as a Muslim or as an American. It was so
interesting to hear him talk about why this quandary is
important and what his interpretation of what it must
have felt like to be a Muslim American after 9-11.
In his real life Arun Mukherjee is
a political activist -- very much against the war in Iraq.
And when we continue filming with him tomorrow he says
he will take part in an antiwar rally -- but we'll see
how that pans out. If that doesn't happen we will shoot
him in his weekly political meeting on Friday ... he is
a leader in this group that is known for their huge rallies
in opposition to the war -- so we'll follow this closely.
Last weekend there was a rally that drew half a million
people -- the largest rally so far in Asia they tell me.
Actually, it is a very compelling
time to be in Kolkata. As a city it is known for its activism,
with never a month going by without a citywide strike
protesting some intrusion on worker's rights. The state
of Bengal has been run for 27 years by India's most extreme
left communist party -- which is direct opposition to
the ruling party in Delhi (the BJP).
The latest cause they've taken on
is the war in Iraq and everywhere are these incredible
posters that shout out things like: BREAD NOT BOMBS, or
REAL MOTIVE: with an illustration of Bush with hand on
a gas pump, and another with a gun, or VULTURE'S EYE,
which shows Bush with the wings of an angel holding a
bomb as he floats over Iraq.
What I love is that politics take
a back seat to the actors' dedication to their art and
the theater. They are paid next to nothing for this and
you can tell they love their work -- so it makes for a
great story.
I remembered at one point today that
with most Indian movies, plays etc, there is a passionate
love story -- so I asked the main character (the Muslim
American) about this. He laughed and said "Of course!"
It turns out that he falls madly in love with a freelance
journalist named Selena and their love story is a central
theme in the opera ... and there is even a tragic ending
where he dies singing to her. Why of course there's a
long death scene -- this is after all an Indian opera!
Take care,
Raney
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-----Original Message-----
From: Raney Aronson
Sent: Sunday, April 06, 2003 11:02 PM
To: Stephen Talbot
Subject: RE: Notes from India 2
hi, needless to say we've been working
around the clock so i haven't had a moment to email. the
performance was quite something -- like nothing i had
seen before. it was very much street theater and very,
very low budget -- at times it was incredibly tedious
but at other moments vivid and powerful. it went on for
almost 4 hours - so we have plenty to choose from! and
our night on saturday night (of course we hung out with
the actors and producers afterward) didn't end until 5
a.m. arun and my shooter have both been total sports with
these extreme hours. i'll send more details later this
evening. take care, raney
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-----Original Message-----
From: Stephen Talbot
Sent: Monday, April 07, 2003 10:42 AM
To: 'Raney Aronson'
Subject: RE: Notes from India 2
Wonderful, Raney. This is filmmaking
by exhaustion. Like the early days of talking pictures
in Hollywood -- moviemaking around the clock.
Actually, the play sounds amazing
-- very Indian. Four hours, my god!
I hope you, Arun and your camerawoman
manage to get some sleep.
Steve
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-----Original Message-----
From: Raney Aronson
Sent: Wednesday, April 09, 2003 12:42 AM
To: Stephen Talbot
Subject: Notes from India 3
Hi everyone,
So this is the first moment I've
been able to breath in a few days -- late last night we
completed shooting the story! My shooter left on Sunday,
and we've been making do with a local person. It's been
quite a whirlwind ... Arun and I are both tired -- and
maybe have a touch of sickness, but we're still doing
great.
I'll start with the most recent news
and move backward ... last night we decided to hire a
local group of traditional folk musicians to play some
music for us that we recorded on DAT [Digital Audio Track].
It turns out our local sound guy is totally hooked in
with the music scene here. The songs are all old traditional
Bengali folk songs, so they should work great with the
rest of the story.
Overall the story went well. Arun
did a good job, and we definitely have a lot of material
(some compelling, some not) from the performance. The
response from the crowd was varied and interesting ...
and the late night w/the actors and the producers made
for a funny scene.
It was a little unsettling because
we found that bin Laden was definitely portrayed as a
positive guy -- looking out for his countrymen and the
poor. The Northern Alliance was shown to be bastards,
rapists (yes, there were TWO rapes -- really upsetting
scenes -- but apparently it's part of the formula for
the jatra to include a rape).
The misdeeds of the Taliban were
basically ignored. Bush (not really Bush it turns out,
but a spokesman for him) was shown to be a fool, and Americans
shown to be without a care in the world before 9-11 (dancing
in a disco). To say the least the performance was a bit
surreal -- but I do think it will make for a great few
minutes in the report.
Arun really bonded with the lead
actor (also named Arun) and that was quite touching a
few times. At one point he asked if they considered him
American or Indian, and someone in the room said: "On
the outside you look like an American, but on the inside
you have the heart of an Indian person." So it got a little
emotional.
The serious side of the story came
from some very serious and angry antiwar rallies ... very
intense, and very much anti-American. It was a bit overwhelming
to navigate at times, but overall we felt pretty safe
-- even though they were chanting "Death to America!"
When people talk to us, they'd always make the distinction
between the American government (namely Bush, whom they
hate, and hang in effigy) and the people.
We filmed Arun (the actor) at an
antiwar rally outside of Kolkata. At first it seemed like
a small crowd but all of a sudden we were in a crowd of
thousands. That's the way it is in India -- things escalate
quickly.
Other scenes -- a heavy (early) monsoon
rain where we all got drenched and couldn't stop laughing,
INSANE traffic, and an adventure buying whiskey on our
way to the actor's house for dinner, protests outside
our hotel (a nice one) because of labor disputes, a top
fashion model show at our hotel with a slew of beautiful
Indian models -- in stark contrast to the low-budget street
theater bin Laden jatra. Arun talked to camera throughout
of course!
At one point before the jatra performance
I watched a man who was manning the lights and saw that
he did so on a slide with his feet and his hands (you'll
see the footage -- it's wild) and I thought to myself
-- this is the really wonderful part of my job: seeing
things I could never have imagined.
Take care,
Raney
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