Religious Reaction to Budget Cuts

 

KIM LAWTON: Faith-based groups stepped up lobbying efforts as Congress continues to battle over potential budget cuts. Religious conservatives maintain that addressing the government’s massive debt is a moral issue. Meanwhile, a diverse interfaith coalition urged members of Congress to consider how cuts would hurt poor people in the US and around the world. As part of that effort, several prominent Christian leaders launched a new ad campaign asking “what would Jesus cut?”

Joining me with more on this is Kevin Eckstrom, editor of Religion News Service. Kevin, there’s been a huge mobilization, it seems, from many quarters of the religious community on these budget issues.

KEVIN ECKSTROM (Editor, Religion News Service): Right and you’re seeing it from both the left and the right. From the left, the more progressive side, you see traditional lobbying to keep programs like home heating assistance and school lunches and aid for, you know, women and children, sort of your bread and butter domestic issues. On the right, you’re seeing a lot of action to try to protect the international development assistance, money to buy mosquito nets to prevent malaria and to fight AIDS in Africa, and food for the hungry and refugees and things like that. So you’ve got various groups lobbying for various issues, each hoping that their preferred pot makes the cut.

LAWTON: And a lot of those folks, both on the left and the right, are using moral language and scriptural language, saying, you know, the Bible urges people to care, look out for the vulnerable, the widows, the orphans, and the least of these, and so you are seeing this sort of biblical language.

ECKSTROM: Right, and it’s biblical language on both sides. The more traditional churches, Catholic bishops and your mainline churches and your Jewish groups are saying, you know, we have a biblical and ethical, moral obligation to care for people who can’t help themselves. On the other side, from the more conservative side, especially from the Tea Party, you have arguments saying that it’s actually immoral to leave debt to future generations. And they sometimes chafe at the notion of, you know, what would Jesus cut? They say, well, Jesus didn’t have opinions on this, you know, that it’s up to us to sort of make the decisions on what to cut. But you get various moral arguments from both sides, and we’re just waiting to see who wins the day.

LAWTON: Well, I was at the National Religious Broadcasters Convention this week, and one of their keynote speakers was House Speaker John Boehner, Catholic, who used a lot of biblical language in his speech. He had a very receptive, mostly evangelical audience, and he quoted Scripture. He quoted from Proverbs, “A good man leaves behind an inheritance to his children’s children,” and he said Republicans want to not just be hearers of the word, but doers of the word, another scriptural reference there. And, you know, I found that very interesting, that you had the congressional leadership on the right also trying to seize the biblical and moral language on all of this.

ECKSTROM: Yeah, and it’s going on on both sides in sort of different directions, even I think one of the more interesting splits has been within the evangelical community, where you have sort of small-government evangelicals who want to cut, you know—we need to balance the budget, we can’t have this debt. And then you have another portion of the evangelicals who say, well, we can—government can do good things, and government can make a difference in parts of the world where we have interests, and it’s not just moral interests, it’s strategic interests, and so let’s protect the programs that actually work. Let’s not cut from AIDS funding, for example, which President Bush poured a lot of money into. So you get this interesting divide within especially the conservative religious community over their political loyalties and sort of their religious underpinnings.

LAWTON: And some of those moral arguments I’ve been hearing—I’m sorry, the pragmatic arguments I’ve been hearing, in additional to the moral ones, are that it’s in America’s national security, that folks around the world who have food and a decent job and a place to live and have a good, stable social situation are less likely to be recruited by terrorists. Or they also just say America’s reputation as well. I know when I was in Sri Lanka after the tsunami and the US poured in so much help, or Haiti—US poured in so much help. That really want a long way to improving America’s image around the world.

ECKSTROM: Right, I mean, you’ve been to all these places, you can see the difference that it makes when you’ve got these bags of rice that come in with the American flag on it and people look at that and they see us as a good country. But there are sort of national security arguments to be made and think they are fairly effective, that people who are fed, who have good schools, and who don’t have to worry about what they are going to eat that night are less likely to be recruited into extremism.

LAWTON: And we’ll both be watching in the weeks to come. Thank you, Kevin.

ECKSTROM: Thanks.

Mary Karr

 

MARY KARR (speaking to students): Every poem probably has sixty drafts behind it.

JUDY VALENTE, correspondent: Mary Karr talks about her love of poetry with students at a writers’ conference in Michigan.

KARR (speaking to student): Hello, honey-bun.

VALENTE: Karr was known mainly as a poet until her coming-of-age memoir, “The Liars’ Club,” became a bestseller in the 1990s. It was the vivid story of a sometimes hilarious but often brutal Texas childhood.

post01-marykarr(speaking to Mary Karr): Here’s a snapshot of your past, the past that you write about: troubled family life, unstable childhood, alcoholism, divorce, depression, near suicide. Who is Mary Karr today?

KARR: Well, it’s really been uphill since all that.

VALENTE: Karr reveals the rest of her story in a new memoir, a story summed up in its title “Lit”—as in lit from within by the literature she grew up with, by alcohol and drugs, and finally lit by a faith she found unexpectedly in the Catholic Church.

KARR (speaking to writers’ conference): No one in the Catholic Church hired me as a spokesperson, nor would they. I’m sure I’m not the pope’s favorite Catholic, nor is he mine.

VALENTE: Karr grew up amid the hardscrabble oil fields of East Texas. Her father drank himself to death. Her mother was married seven times.

post02-marykarrKARR: I’m somebody who really does feel like I was snatched out of the fire and found something in myself that’s luminous and gives me ballast.

VALENTE: The road to faith was a long, hard climb for someone who once described herself as an “undiluted agnostic.” By her mid-thirties Karr’s life had begun to unravel. Her marriage was failing. She drank heavily, wrecked the family car, was hospitalized for an emotional breakdown. In desperation, she took a friend’s advice and reluctantly began to pray.

KARR: I would kind of bounce on my knees, and I would say, “Higher power, please keep me sober today”—whatever they told me to say—and then at night I would say, “Thank you for keeping me sober today,” and then I started to express myself, which was often, you know, with obscene gestures, double-barrel at the light fixtures.

KARR: Karr was newly separated and trying to stay sober when her five-year-old son asked her to take him to church.

KARR: And I said why, and he said the only sentence he could have said that would have gotten me to church. He said, “To see if God’s there,” and I thought, “Oh. Okay.”

post05-marykarrVALENTE: Karr took her son to various churches, a process she dubbed the “God-o-rama.” She would sit with a paperback and a cup of coffee while he searched for God.

KARR: We got out, and we got in the car, and he’s buckling his seatbelt, and I said, “So was God there?” And he’s like, “Well, yeah,” like where were you? So that was when I decided that, for him, we would find a place of worship.

VALENTE: Karr says she still equated most organized religions with something people just did socially. Then one day she passed a Catholic church in Syracuse, New York, where she was teaching. She was struck by a banner out front. It said, “Sinners Welcome.”

KARR: I thought I had a better shot at becoming a pole dancer at 40, right, than of making it in the Catholic Church, and I think what struck me really wasn’t the grandeur of the Mass. It was the simple faith of the people. For me this whole journey was a journey into awe. I would just get these moments of quiet where there wasn’t anything. My head would just shut up, and I knew that was a good thing. And also the carnality of the church: there was a body on the cross.

VALENTE: Father. Bruno Shah, a Dominican friar, is a close friend who has written about Karr’s work.

post03-marykarrFR. BRUNO SHAH: In the Catholic Church above the altar one sees the cross with the body on it. The body is there. The corpus of Christ is there bleeding, still in the midst of the world, and that’s I think really what got to her—her experience of being a sinner, her experience of being a sinner and recognizing that this does not distinguish her from anybody else in the world.

VALENTE: Many of her recent poems reimagine the life of Christ. She sees in poetry a form of prayer.

KARR: Poetry is for me Eucharistic. You take someone else’s suffering into your body, their passion comes into your body, and in doing that you commune, you take communion, you make a community with others.

VALENTE: Karr has been sober for twenty years, but she still prays to keep her demons at bay.

KARR: I don’t have very much virtue now. It’s really all of it is grace for me, all of it is given. I’m a very venal. I want to eat all of the chocolate and snort all of the cocaine and kiss all the boys.

post04-marykarrFR. SHAH: The fact that this person would turn around so drastically is compelling. She sees all the alcoholics who don’t make it. She sees all the good chances that have been given to her for no good reason, and she asks in wondering thanksgiving to God, why me? And that’s a great testimony to her faith and to the authenticity of her conversion.

VALENTE: A conversion she says transformed every aspect of her life.

KARR (speaking to writers’ conference): My goal in writing about my faith wasn’t to proselytize, even though I did feel called in prayer to write about it, but to try to make a bridge between people who had been, like myself, completely unbaptized, completely without faith, a bridge between that and to bring them into the experience of faith.

VALENTE: Karr says she hopes her turbulent past provides more than just a good story but also sends out a message of hope to others. With her characteristic wry humor, she still refers to herself as a “black-belt sinner,” but a lucky one nonetheless.

KARR: I’ve never contended that I had a really horrible life. I feel like Jesus does like me better than he does all of you.

VALENTE: For Religion & Ethics NewsWeekly, I’m Judy Valente in Grand Rapids, Michigan.

Religion and Worker Justice

 

BOB ABERNETHY, host: Pro-union protests in Wisconsin spread to other states this week as legislatures consider measures that would limit pension obligations and collective bargaining. The demonstrations have sparked a national debate over budget responsibilities and justice for workers. Many in the religious community are actively supporting the labor movement, although some people of faith argue that fiscal responsibility is also a moral priority.

We have analysis from Kim Lawton, managing editor of this program, and Kevin Eckstrom, editor of Religion News Service. Kevin, welcome to you both, a lot of religious involvement in Wisconsin and elsewhere.

KEVIN ECKSTROM (Editor, Religion News Service): Yeah, you’ve really seen, I think, in the last couple weeks a revival of this message from religious groups that we haven’t heard in a long time, this sort of solidarity with workers and with union rights. You know, with all the talk in recent years about abortion and gay marriage and health care even, we haven’t heard much about unions from many churches, especially the Catholic Church, which has been a longtime supporter of organized labor.

post01-workerjusticeABERNETHY: Long tradition of support of labor.

ECKSTROM: Right, and that’s really come back this week.

KIM LAWTON (Managing Editor, Religion & Ethics NewsWeekly): And I think that’s surprised a lot of people, because the church, the Catholic Church, had been perceived as really focusing more on issues like abortion, and so to see them come out and take a stand to say, yeah, we understand there are tough budget decisions, but workers’ rights and human dignity and the common good of all, including workers, is important, and the ability to organize is also a moral value, and that’s what the bishops were saying.

ABERNETHY: But it’s been more than the Catholics, of course. It’s been lots of denominations represented in Madison.

ECKSTROM: That’s right. You had a lot of rabbis actually out marching with the workers in Madison. You had Lutherans, Episcopalians, Presbyterians, the whole gamut. One of the leaders in Wisconsin from the United Church of Christ, I think, put it pretty well when he said we all understand that we’re going to have to make tough budget cuts. The question is how those cuts are going to be made and whether the people who are affected, and in this case public employees, are going to have a seat at the table. That’s really what they’re fighting about.

ABERNETHY: But Kim, the moral arguments go both ways, don’t they? I mean, there are strong moral arguments for not having a deficit.

post02-workerjusticeLAWTON: Well, and that’s become a growing issue especially for religious conservatives—talking about these deficits as a moral issue. The Bible says don’t be in debt, and therefore that’s how they’re arguing. You haven’t seen, I haven’t seen a lot of religious conservatives out there right now going against the unions per se, but they are very much focusing their arguments on this, you know—the morality of the budget.

ABERNETHY: How representative do you think the people are who are protesting, both sides, of their rank-and-file?

ECKSTROM: Well, I think, you know, you always have to be careful about a division between the hierarchy—you know, the bishops and the archbishops who come out and make these statements—and the folks in the pews, and I have friends in Wisconsin who are no friends of the labor unions, but yet their bishop is out speaking in favor. So whenever you have public statements like this you have to be—you have to remember that what is said in the pulpit doesn’t always necessarily flow down to the pews.

LAWTON: And it’s interesting, because I think there are some politics involved in here as well.

ABERNETHY: Oh, yeah.

LAWTON: And so—and the unions do have a certain political reputation, and so for some people in the pews they’re more used to that, and so this talking about it as a moral issue is a new thing. You know, I was also struck by something else that’s been going in all of these—the rallies, and there’s talk of nonviolent civil disobedience and organizing. A lot of these faith-based people who are doing this are really, they’re specifically calling back to the legacy of Dr. King in the civil rights movement and this notion of the faith groups, and including a lot of Jewish leaders, really providing a pastoral underpinning for this protest, and it’s interesting they are drawing a lot of parallels. Somebody said “Wisconsin’s our Selma,” and so that’s a development I’m watching.

ECKSTROM: One of the chants they’ve been saying is, “This is what religion looks like,” as they’re out there at the State Capitol chanting and protesting. That, to them, this is faith-based action.

ABERNETHY: Kevin, many thanks, and Kim.

Churches Making Movies

 

KIM LAWTON, correspondent: Sunday morning at Friends Church in Yorba Linda, California. Richard Nixon’s family helped found this Quaker congregation 99 years ago, and the former president attended here as well. Today, it’s a megachurch with a nondenominational evangelical style. During worship services, pastor of creative ministries Brent Martz makes sure everything goes as it’s supposed to, and in the control room, church media director Jon Van Dyke calls the camera shots. Those may be their day jobs, but the two have another responsibility as well. They’re helping Friends Church make a feature film.

JON VAN DYKE (Director, “Not Today”): And I still hear people say it in the church, that “What are we doing? We’re making a movie? What are you talking about?”

LAWTON: The film is called “Not Today,” and it tells the story of a spoiled young American who goes on a partying trip to India and gets pulled into the search for a little girl who was sold to human traffickers. The film was partly shot in India and centers around Dalits, the so-called “untouchables” on the lowest rung of the traditional caste system. Friends Church connected with Dalits during mission trips.

post01-churchmoviesBRENT MARTZ (Producer, “Not Today”): I had never heard of the Dalits until I went to India, and then to meet them actually and to touch their hands and to be involved in their lives was overwhelming, and to come back and do something about it—that was part of the mission of our church was to get involved outside of ourselves.

LAWTON: The church committed to help free Dalits who had been trafficked and to build 200 schools for Dalit children, and because they’re in the backyard of Hollywood, they decided to make a movie as well.

PASTOR MATTHEW CORK (Friends Church): It wasn’t just to make a movie, because we’re not in the movie business. We’re a church. But as a church we do have an obligation and a responsibility to tell the message, and so we believe that this was the best way for us in what God had gifted us with.

LAWTON: What’s happening here at Friends Church in Yorba Linda is being repeated in congregations across the country. More and more local churches say they are frustrated with the movies Hollywood has been putting out, so they are making their own. But there are questions about whether this is something local churches should be doing. Mark Joseph is a film producer who writes about religion and pop culture.

MARK JOSEPH (MJM Entertainment Group): I guess I have an outdated notion that churches are there to inspire parishioners to then go and do things in whatever genre, whether it’s politics or media or whatever. I’m not sure about church as film studio or church as commercial enterprise. But that’s, I think, the danger down this path.

post02-churchmoviesFilm crew: Roll camera, roll sound.

LAWTON: The church filmmaking trend really began at Sherwood Baptist in Albany, Georgia, where associate pastors and brothers Alex and Stephen Kendrick have released three feature films since 2003. They are currently finishing up number four, “Courageous,” about policemen struggling to be good fathers.

From film clip: What I want for you is that you seek the Lord.

LAWTON: In Sherwood films, volunteer church members make up virtually all the cast and the crew and do everything from catering to building sets. Sherwood teamed up with Provident Films, a division of Sony, and found a very receptive audience. Their third film, “Fireproof,” starring Kirk Cameron, was made on a half-million-dollar budget, and it took in more than $33 million at the box office, making it the highest-grossing independent film of 2008. Sherwood films always have a specific message, and they say making their own movies gives them the freedom to express it.

From flip clip: David, I’ve asked God since you were a baby that he would show how strong he is in your life.

LAWTON: The films all have an overtly Christian tone, and the upcoming “Courageous” continues that. Sherwood’s efforts have inspired churches across the country.

JOSEPH: You’ve got these church media directors and their pastors going, “Hey, why can’t we do that?” They’re in position where they have access to a studio sometimes, to cameras, equipment, lights, and some talent in the church.

post03-churchmoviesLAWTON: At Calvary Church of the Nazarene in Cordova, Tennessee, optometrist David Evans wrote and directed the church’s annual passion play for 15 years. He says after watching “Fireproof” he came away believing Calvary should make a film.

DR. DAVID EVANS (Director, “The Grace Card”): I realized that God had been preparing us for the last 15 years to do something far greater than we could ever imagine, and that’s what set off the course of actions for me to begin writing the basic story of “The Grace Card.”

LAWTON: It’s a story about forgiveness and racial reconciliation.

Dialogue from film clip: Something going on at home? / Don’t go preacher on me, man. / I’m not going preacher. I’m your friend.

LAWTON: Although many in the cast are Calvary Church members, the film also stars Academy Award winner Louis Gossett Jr., and it has several Hollywood partners, among them Samuel Goldwyn Films. “The Grace Card” was released in theaters this week at a red-carpet premier in Memphis.

EVANS: We want, number one, for God to be glorified through this movie. We want to plant seeds that result in people demonstrating forgiveness and extending grace. That’s something we all need to do on a larger scale.

LAWTON: The team at Friends Church says they tried to incorporate their characters’ faith into the main story in a natural way.

post05-churchmoviesMARTZ: This isn’t a Christian movie. It’s a movie about human trafficking that happens to be through the experience of a couple of Christians, a couple of Christians who are really struggling to live a good Christian life, you know?

LAWTON: But they acknowledge they do have an agenda—helping the Dalits. The church contributed the budget of under a million dollars, and any profits will go toward the work in India.

CORK: At the end of the movie, we want to give something compelling to say, “You can do something. You can change this issue of human trafficking, as Dalits are the majority of those in India that are trafficked. You can sponsor a child. You can build a school.”

LAWTON: Cathleen Falsani wrote a book that explores religious themes in the movies of prominent directors Joel and Ethan Coen. She worries that with church-made movies, a strong message could get in the way of a good story.

CATHLEEN FALSANI (Author, “The Dude Abides: The Gospel According to the Coen Brothers”): I think artistically when you go into any kind of creative act with an agenda you run the risk of whatever it is that you produce being inauthentic, and I think audiences—particularly filmgoers, particularly young filmgoers—can smell inauthenticity from ten miles away.

post06-churchmoviesLAWTON: She says she wishes conservative Christians would look more closely for spiritual themes in Hollywood’s movies.

FALSANI: One of the ways that I find my faith most enlivened is when I engage with art, particularly with film, and my favorite films in terms of what I think are faith messages, Christian messages, messages about God’s grace and love—not a single one of them is a Christian film.

LAWTON: Mark Joseph says he applauds people who want to make movies to appeal to faith-based audiences, but he doesn’t want to see Christian films ghettoized.

JOSEPH: These filmmakers are energized to tell their stories to the world, but if they’re too successful as a genre, they’ll wall themselves off and end up only making films for each other, and I don’t think that’s what they’re intending to do, but once marketing folks and distribution folks see a genre here, then they will likely create an industry that will ironically cut them off from the mainstream.

LAWTON: He’s also concerned about the production quality of many small-budget, church-made films.

JOSEPH: You wouldn’t go, you know, to a friend at church for brain surgery who hadn’t been to medical school, and I think the same thing applies to filmmaking. I mean, there’s a reason why people go to Hollywood to make films, because these are experienced professionals.

post07-churchmoviesLAWTON: Friends Church intends to deliver Hollywood quality on “Not Today,” and that’s where they have an advantage over other churches. Director Jon Van Dyke spent more than 22 years in the Hollywood entertainment industry, and other Friends members are in the business as well. In addition, the church hired professional actors and crew members.

VAN DYKE: So, incredibly important, paralyzingly important that it not be perceived on any level as sort of a “B” movie. Clearly, there’s tons of talent in the church, so why are we making crappy home movies? I mean, we should be making—Hollywood should be following us. They should be going, “Wow, look what the church is doing.”

LAWTON: Friends Church hopes to release “Not Today” early next year, although they’re still negotiating for a distributor to get it in theaters. In the end, the church believes the movie is part of its overall ministry.

CORK: We’re going to go forth in maybe a new expression, in maybe a new way in creating a movie that has a cause and a mission behind it, because we believe that we’re going to do what Scripture tells us and be active in our faith.

LAWTON: And that’s not something you hear every day in Hollywood.

I’m Kim Lawton in Yorba Linda, California.

And The Oscar Goes To…


Three expert movie-watchers discuss the moral, ethical, religious, and spiritual themes they saw in some of this year’s Academy Award nominees. Watch Melani McAlister, associate professor of media and public affairs at George Washington University; Cathleen Falsani, author of “The Dude Abides: The Gospel According to the Coen Brothers”; and Jennifer Fleeger, assistant professor of media studies at Catholic University. Edited by Emma Mankey Hidem.