Iñigo Manglano-Ovalle was born in Madrid, Spain in 1961, and was raised in Bogotá, Colombia and Chicago, Illinois. He earned a BA in art and art history, and a BA in Latin American and Spanish literature, from Williams College (1983), and an MFA from the School of the Art Institute of Chicago (1989). Manglano-Ovalle’s technologically sophisticated sculptures and video installations use natural forms such as clouds, icebergs, and DNA as metaphors for understanding social issues such as immigration, gun violence, and human cloning. In collaboration with astrophysicists, meteorologists, and medical ethicists, Manglano-Ovalle harnesses extraterrestrial radio signals, weather patterns, and biological code, transforming pure data into digital video projections and sculptures realized through computer rendering. His strategy of representing nature through information leads to an investigation of the underlying forces that shape the planet as well as points of human interaction and interference with the environment. Manglano-Ovalle’s work is attentive to points of intersection between local and global communities, emphasizing the intricate nature of ecosystems. He has received many awards, including a John D. and Catherine T. MacArthur Foundation Award (2001) and a Media Arts Award from the Wexner Center for the Arts, Columbus, Ohio (1997–2001), as well as a fellowship from the National Endowment for the Arts (1995). He has had major exhibitions at the Rochester Art Center, Minnesota (2006); Art Institute of Chicago (2005); Museo de Arte Contemporáneo de Monterrey, Mexico (2003); Cleveland Center for Contemporary Art, Ohio (2002); and the Museum of Contemporary Art, Chicago (1997). Manglano-Ovalle lives and works in Chicago, Illinois.
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Max Protetch Gallery, New York |
