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art:21
art in the twenty-first century the series the artists education events discuss

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Labor & Craftsmanship

overview

Lesson 1 | Summary

Introduction
Activities
Objectives
Critical Questions
Reflection & Evaluation
Standards
Going Further

Activity Pages
Working Styles
Group Process
Exquisite Corpse
Individual Process
Telling Stories
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detail of Lin artwork
Artwork Survey
SLIDESHOW | LIN
detail of Smith artwork
Artwork Survey
SLIDESHOW | SMITH
lesson 1 | collaborators, dictators,
managers & soloists
activity | working styles

Time Period: One or two 45-minute sessions
Materials: Paper, notebooks or journals, pens
Art:21 Films: Time (Martin Puryear segment)
Stories (Kiki Smith segment)
Place (Richard Serra segment)
Identity (Maya Lin segment)
Web Clips: Lin—"Ecliptic" Ice Rink
Puryear—Woodworking Studio
Puryear—Carving Stone in China
Serra—Making "Charlie Brown"
Smith—"Realms" installation
Interviews: Lin—Grand Rapids Project
Puryear—Stone Carving
Serra—"Charlie Brown"
Smith—Learning by Looking
Slideshows: Lin—Artwork Survey
Puryear—Artwork Survey
Smith—Artwork Survey
Serra—Artwork Survey

Artists often play many roles in the creation of their work. No longer expected to work alone with the skill of their own hands, contemporary artists have a vast range of new tools, specialists skilled in the use of those tools, and working methods that incorporate the collaborative participation of others, including audience members, actors, unsuspecting strangers, filmmakers, master craftspeople, and experts in new media technologies. Start a discussion about the different creative roles involved in the production of art, writing, theater, dance, etc. Define and discuss the words: collaborator, manager, dictator, and soloist. What do these terms refer to or describe? Ask students to consider their own creative process in writing or art and share the way they receive inspiration and execute their ideas. Do they depend on the expertise or assistance of others? Who and why?

To further the conversation, use the links listed above to introduce four different artists whose creative processes are dependent on different working methods and collaborators. Discuss how Martin Puryear, Kiki Smith, Richard Serra, and Maya Lin all work as both independent artists, managers of more elaborate or larger scale projects, dictators conveying specific ideas and expectations for the fabrication of their work, and collaborators who integrate the ideas and suggestions of others they involve in their projects.

After becoming familiar with their work discuss the following:
Describe the process used by each of the artists.
How was their process different from the artists who work alone?
Who were the people involved in the process and how would you describe their relationship to the artist?
What were the differences in collaborative, managerial, or dictatorial relationships?
How would you define the talents and skills of the artists?
How would you describe the talents or skills of the people working for him or her?
What are the advantages and disadvantages of being a ‘director,’ a ‘dictator,’ a ‘collaborator,’ or a ‘soloist?’
What creative possibilities are presented by each of their working styles?

As a follow-up to your discussion, ask students to work with a partner or in small groups for this activity. Create a list of different roles that will be assigned to each member of the group such as designer, fabricator, technician, archivist or documentarian, publicist, etc. In their respective roles, have students go through the process of brainstorming, planning and executing a brief skit or play, photographic work, or video about an issue or concern that is important to them. Ask each student to take notes about their role in the project. Have students present and discuss their finished work and the roles that they played in its production. How did student partners or groups work together? How did students carry out their assigned roles? What impact did these roles have on the creative process?
detail of Herring artwork
Group Process
Dictators, Colab... | Activity
the next activity for this lesson

Group Process—The Many Faces of Collaboration
This activity encourages students to look more closely at different collaborative artistic processes in the work of Oliver Herring, Matthew Ritchie, Fred Wilson, Matthew Barney, and Eleanor Antin. Students research an artist to explore their role in the collaborative process from the perspective of a collaborator or participant.

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