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Public & Private Space
overview

Lesson 2 | Summary

Introduction
Activities
Objectives
Critical Questions
Reflection & Evaluation
Standards
Going Further

Activity Pages
A Relative History of Fame
The Public Eye
The Visible & Invisible
Repeating Faces
15 Minutes of Fame
Fame & Social Responsibility
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detail of Wodiczko artwork
Artwork Survey
SLIDESHOW | WODICZKO
detail of Wodiczko artwork
“Bunker Hill Monument, Boston”
ARTWORK | WODICZKO
lesson 2 | the face of fame
activity | fame & social responsibility

Time Period: Two 45 minute session to long-term project
Art:21 Films: Power (Krzysztof Wodiczko segment)
Web Clips: Wodiczko—Bunker Hill, Boston
Wodiczko—Hiroshima, Japan
Wodiczko—Tijuana, Mexico
Interviews: Wodiczko—Hiroshima Projection
Wodiczko—Architecture & Therapy
Slideshow: Wodiczko—Artwork Survey

Krzysztof Wodiczko creates live video projections that empower local citizens to voice their opinions and experiences to a larger public. Projected on public monuments and buildings, Wodiczko's work provides an outlet for ordinary citizens, often marginalized or underrepresented in society, to become public figures for a moment in time and voice their ideas, concerns, and opinions about specific issues. Participants in his projection projects make very personal statements that they hope will have a social impact. Wodiczko has stated that he, “does not tell people what they should say. I don’t know what they will say. They don’t know themselves.” View the Season Three video segment on Krzysztof Wodiczko. How do Wodiczko's projects establish a public identity for participants? People’s faces, hands and bodies are projected onto a monument, yet are these people considered famous? Does it make a difference?

How have certain celebrities used their fame to create public awareness (i.e. regarding politics, AIDS awareness, cancer research, etc)? Students spent time in the activity "A Relative History of Fame" defining the terms celebrity and hero; refer back to prior discussions as you begin to discuss with your students the responsibilities that accompany achieving fame or celebrity status. What does it mean to be a public figure? Have students think about how Wodiczko uses his own fame—as an artist—to empower others to voice their anxieties and fears. Wodiczko has stated, “It’s not only important what art is, but what art does.” What does his art attempt to accomplish? How does Wodiczko use video technology to shape consciousness? How does Wodiczko use the “fame” of buildings to provide a voice for marginalized and unrecognized concerns? How does Wodiczko empower his projection participants to tell their stories?

Read Wodiczko's interview (see link above) to learn more about his working process and view works such as “Bunker Hill Monument, Boston,” “Hirshhorn Museum, Washington D.C.,” “The Tijuana Projection” and the “Hiroshima Projection” to discuss specific examples of his work. If your students had 15 minutes to make a statement, not about their identity as in the prior exercise, but about a cause, what would that cause be? Give students the opportunity to re-create their 15 minutes of fame, but this time to draw attention to a specific cause, issue, or heroic act.
the next activity for this lesson

A Relative History of Fame
This activity will examine, through the eyes of the students, what defines a person as a celebrity or hero. It will also address how media, such as television, radio, movies and magazines, have altered the definition of fame over the past several decades.
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