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art in the twenty-first century the series the artists education events discuss

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Ritual & Commemoration
overview

Lesson 1 | Summary

Introduction
Activities
Objectives
Critical Questions
Reflection & Evaluation
Standards
Going Further

Activity Pages
Retelling Stories
Building a World
Symbols & Artifacts
Myth Making
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detail of Ritchie artwork
Artwork Survey
SLIDESHOW | RITCHIE
detail of Wilson artwork
Artwork Survey
SLIDESHOW | WILSON
lesson 1 | remaking myths
activity | myth making

Time Period: Two to three 45 minute sessions
Online Resources: Mythology Web site
World Myths and Legends in Art
Creation Myths from Around the World
Links to Creation Myths from Around the World
Materials: Paper, markers, colored pencils, collage elements, glue, scissors
Slideshows: Ritchie—Artwork Survey
Wilson—Artwork Survey
Hancock—Artwork Survey
Sikander—Artwork Survey
Smith—Artwork Survey

Each of the artists featured in this lesson are visual storytellers who re-imagine stories that they have gleaned throughout their lives. This activity suggests several different ways to involve students in writing their own myths based on personal experience and creative interpretation of visual and literary sources.

View the different Artwork Survey slide shows for the artists featured in this lesson (see links above). Have students choose one work of art and write a myth to accompany it. Consider having students use any of the following images: “Hoods Red Rider #2” by Shahzia Sikander, “The Dead: Belphegor” by Matthew Ritchie, “Bye and Bye” by Trenton Doyle Hancock, “King Kong” by Kiki Smith, or “Untitled” by Fred Wilson. Have students decide whether the work of art they have chosen represents the beginning, middle or end of the myth they will tell and then have them initiate or continue the narrative to create a complete story.

Creation myths are common in many cultures. These stories explain the beginnings of human existence from the specific perspective of that culture. Often controversial, many creation myths can conflict with or contradict the belief systems and religious ideas of other cultures. Have students write a genesis myth about themselves. In their myth, ask students to explain the circumstances of their birth, how they got their name, and what secret abilities they have been granted. Ask students to populate their story with characters that carry symbolic meaning and imagine the physical and social environment in which the story takes place. Have students create an accompanying work of art that illustrates themselves as the protagonist of their myth and an event that takes place within their story. Have students present their creation myth to the rest of the class and compile a book of myths and protagonists.

Have students examine the characters in the myths they have read, whether Navajo, Yoruba, Greek, or Hindu. Ask students to visualize the characters they encountered in those stories as contemporary heroes or villains and describe how their clothing, weapons, or powers might change. Have students imagine this myth taking place in their neighborhood or school and have them write a revisionist myth in contemporary times. Changes might include altering the moral message or extrapolating a new story from one or two of the characters. By contemporizing a traditional myth students will alter the moral message or extrapolate a new story based on existing characters. Some examples of contemporary literary revisions are Tom Stoppard’s "Rosencrantz and Guildenstern Are Dead," Suzan Lori-Parks’ "Top Dog / Under Dog," " and Barbara Walker’s "Feminist Fairy Tales."
detail of Smith artwork
Retelling Stories
Remaking Myths | Activity
the next activity for this lesson

Retelling Stories
In this activity, students explore the mythological, biblical, and historical sources that inspire Kiki Smith’s work. Through discussion and journal entries, students reflect on their own understanding of Smith’s re-telling of traditional stories.

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