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slide & digital reproductions
Art:21 has partnered with Davis Art Images to produce slides and digital images of select works of art featured in the series. Selected images support and reinforce use of the Art:21 Educators' Guides and online curricular resources, and their availability marks the first time many of these artists’ images are accessible for classroom use.
Slide sets for the Art:21 series
are available as a set or individually from Davis Art Images (phone: 1-800-533-2847).
season one
| Laurie Anderson |
Performance of United
States Part II, 1980 |
| Matthew Barney |
Cremaster
4: The Isle of Man, installation view, 1995-1996 |
| Matthew Barney |
The
Cabinet of Gary Gilmore and Nicole Baker, 1999-2000 |
| Matthew Barney |
The
Cabinet of Gary Gilmore and Nicole Baker (detail), 1999-2000 |
| Louise Bourgeois |
Cell
(Eyes and Mirror), 1989-1993 |
| Michael Ray Charles |
After
Black (To See or Not to See), 1997 |
| Michael Ray Charles |
Before
Black (To See or Not to See), 1997 |
| Michael Ray Charles |
Beware,
1994 |
| Michael Ray Charles |
(Forever
Free) Buy Black, 1997 |
| Mel Chin & Gala Committee |
Government
Issue, 1997 |
| Mel Chin & Gala Committee |
Rodney
King (Sam’s Lade Paintings – Sunny L.A. series),
1997 |
| Mel Chin & Gala Committee |
Think
of the Re-Runs, 1997 |
| John Feodorov |
Man,
Fish and Club, 2000 |
| John Feodorov |
Office
Myth, 1995 |
| John Feodorov |
Totem
Teddy, 1989-1998 |
| Ann Hamilton |
Lineament,
installation view, 1994 |
| Ann Hamilton |
Lineament,
close-up of seated figure lifting and winding cut text in a continuous
line from prepared book, 1994 |
| Margaret Kilgallen |
Installation, UCLA Hammer
Museum, a room, February to April, 2000 |
| Margaret Kilgallen |
Installation, UCLA Hammer
Museum, detail, February to April, 2000 |
| Margaret Kilgallen |
Installation, UCLA Hammer
Museum, one end of gallery, February to April, 2000 |
| Margaret Kilgallen |
Installation, UCLA Hammer
Museum, work on paper (figure of a woman), February to April, 2000 |
| Beryl Korot |
Anordnung,
1986 |
| Beryl Korot;
Steve Reich |
The
Cave, performance between interviewees and musicians, 1993 |
| Barbara Kruger |
Untitled
(When I hear the word culture, I take out my checkbook),
1985 |
| Maya Lin |
Civil
Rights Memorial, 1989 |
| Sally Mann |
Coke
in the Dirt, 1989 |
| Sally Mann |
Untitled,
#30 from the Deep South series,
1998 |
| Sally Mann |
Yard
Eggs, 1991 |
| Kerry James Marshall |
Souvenir
III, 1998 |
| Barry McGee |
Installation, UCLA Hammer
Museum, a room, February to June, 2000 |
| Barry McGee |
Installation, UCLA Hammer
Museum, detail, February to June, 2000 |
| Barry McGee |
Installation, UCLA Hammer
Museum, detail, February to June, 2000 |
| Barry McGee |
Installation, UCLA Hammer
Museum, detail, February to June, 2000 |
| Barry McGee |
Installation, UCLA Hammer
Museum, detail, February to June, 2000 |
| Bruce Nauman |
Stadium
Piece, 1998-1999 |
| Bruce Nauman |
Violins
Violence Silence, 1981-1982 |
| Pepón Osorio |
Badge
of Honor (detail, son’s bedroom), 1996 |
| Richard Serra |
Switch,
1999 |
| Shahzia Sikander |
Hood’s
Red Rider #2, 1997 |
| Shahzia Sikander |
Uprooted
Order #1, 1997 |
| James Turrell |
Cross-Cut
(Wedgework series), 1998 |
| James Turrell |
Roden
Crater, from the southwest, 1986 |
| James Turrell |
Roden
Crater, view of East Portal Entryway, 2000 |
| William Wegman |
Front
Façade, 1993 |
| William Wegman |
On Set,
1994 |
| William Wegman |
Patriotic
Poodle, 1994 |
| Andrea Zittel |
A-Z
1994 Living Unit II, 1994 |
season two
| Eleanor Antin |
Karsavina (left) and Nijinsky (right), from Before the Revolution, 1979 |
| Eleanor Antin |
The
Golden Death, from The Last Days of Pompeii, 2001 |
| Eleanor Antin |
Portrait
of Antinova, 1986 |
| Janine Antoni |
Lick
and Lather, 1993 |
| Janine Antoni |
Saddle, 2000 |
| Janine Antoni |
Mortar
and Pestle, |
| Vija Celmins |
Untitled
(Big Sea #1), 1969 |
| Vija Celmins |
Untitled (Web #2), 2001 |
| Vija Celmins |
Constellation—Uccello,
1983 |
| Walton Ford |
The Forsaken, 1999 |
| Walton Ford |
The Sensorium, 2003 |
| Walton Ford |
Falling Bough, 2002 |
| Trenton Doyle Hancock |
Ferroneous and the Monk, 1999 |
| Trenton Doyle Hancock |
Strudi Flooo, 2002 |
| Trenton Doyle Hancock |
Esther, 2002 |
| Tim Hawkinson |
Emotor
(detail), 2001 |
| Tim Hawkinson |
Überorgan, 2000 |
| Tim Hawkinson |
Wall Chart of World History
from Earliest Times to the Present, 1997 |
| Elizabeth Murray |
Stirring Still, 1997 |
| Elizabeth Murray |
Bop, 2002-2003 |
| Elizabeth Murray |
Worm's Eye, 2000 |
| Gabriel Orozco |
Horses Running Endlessly, 1995 |
| Gabriel Orozco |
Ball
on Water, 1994 |
| Raymond Pettibon |
No Title
(Well, you needn't...), detail, 1997 |
| Raymond Pettibon |
No Title (There is a touch
of poetry...), 1997 |
| Raymond Pettibon |
No Title
(I must tell...), 2002 |
| Paul Pfeiffer |
Dutch Interior, 2001 |
| Paul Pfeiffer |
Race Riot, 2001 |
| Paul Pfeiffer |
The Long Count (Rumble
in the Jungle), 2001 |
| Martin Puryear |
Vessel, 1997-2002 |
| Martin Puryear |
Untitled I, 2002 |
| Martin Puryear |
Ladder for Booker T. Washington, 1996 |
| Collier Schorr |
Matthew/Occupation/Barbarossastraße, 2001 |
| Collier Schorr |
Player,
1998 |
| Collier Schorr |
Blow-Up, 1999 |
| Kiki Smith |
King Kong, 2002 |
| Kiki Smith |
Pietà,
1999 |
| Kiki Smith |
Pyre
Woman with Knees Extended, 2002 |
| Do-Ho Suh |
Public Figures, 1999 |
| Do-Ho Suh |
Some/One, 2001 |
| Do-Ho Suh |
Floor,
1997-2000 |
| Kara Walker |
Slavery! Slavery! presenting
a GRAND and LIFELIKE Panoramic Journey into Picturesque Southern
Slavery or 'Life at Ol' Virginny's Hole (sketches from Plantation
Life)' See the Peculiar Institutions as never before! All cut from
black paper by the able hand of Kara Walker, an Emancipated Negress
and leader in her Cause, 1997 |
| Kara Walker |
Cut, 1998 |
| Kara Walker |
Darkytown Rebellion, 2001 |
season three
| Laylah Ali |
Untitled
(Greenheads), 1999 |
| Laylah Ali |
Untitled,
2000 |
| Laylah Ali |
Untitled,
2002 |
| Laylah Ali |
Untitled,
2003 |
| Laylah Ali |
Untitled,
2004 |
| Ida Applebroog |
Digital
Outtake of Works in Progress, 2005 |
| Ida Applebroog |
Untitled
(Red Lips), 2002 |
| Ida Applebroog |
Emetic
Fields, 1989 |
| Ida Applebroog |
Crimson
Gardens,1986 |
| Ida Applebroog |
Marginalia
II, 1991 |
| Cai Guo-Qiang |
Inopportune: Stage
One, 2004 |
| Cai Guo-Qiang |
Inopportune: Stage
Two, 2004 |
| Cai Guo-Qiang |
Transient Rainbow,
2002 |
| Cai Guo-Qiang |
Bird of Light,
2004 |
| Cai Guo-Qiang |
Inheritance: Exploding
Jan Hoet’s Portrait, 2003 |
| Ellen Gallagher |
Isaac
from DeLuxe, 2004-05 |
| Ellen Gallagher |
DeLuxe,
2004-2005 |
| Ellen Gallagher |
Watery
Ecstatic Series, 2001 |
| Ellen Gallagher |
Blubber,
2000 |
| Ellen Gallagher |
Bubbel,
2001 |
| Arturo Herrera |
Untitled,
1997-1998 |
| Arturo Herrera |
When
Alone Again, 2001 |
| Arturo Herrera |
Untitled,
2003 |
| Arturo Herrera |
Before
We Leave, 2001 |
| Arturo Herrera |
Untitled,
2003 |
| Oliver Herring |
Pure
Sublimation, 2000-01 |
| Oliver Herring |
CHRIS
AFTER HOURS OF SPITTING FOOD DYE OUTDOORS, 2004 |
| Oliver Herring |
Double
Rocker, 1999 |
| Oliver Herring |
GLORIA,
2004 |
| Oliver Herring |
The
Sum and Its Parts, 2000 |
| Roni Horn |
You
are the Weather, 1994-95 |
| Roni Horn |
Doubt
by Water, 2003-2004 |
| Roni Horn |
Key
and Cue, No. 288, 1994 |
| Roni Horn |
Dead
Owl, 1997 |
| Roni Horn |
Still
Water (The River Thames, for Example) - Image C, 1999 |
| Mike Kelley |
Extracurricular
Activity Projective Reconstruction #s 2 through 32 (Day is Done),
2004-05 |
| Mike Kelley |
Extracurricular
Activity Projective Reconstruction #s 2 through 32 (Day is Done),
2004-05 |
| Mike Kelley |
Kelley
Dialogues, 1991 |
| Mike Kelley |
Educational
Complex, 1995 |
| Mike Kelley |
More
Love Hours Than Can Ever Be Repaid and The Wages of Sin,
1987 |
| Josiah McElheny |
Modernity
circa 1952, Mirrored and Reflected Infinitely, 2004 |
| Josiah McElheny |
Modernity
circa 1952, Mirrored and Reflected Infinitely, 2004 (detail) |
| Josiah McElheny |
Charlotte
Perriand, Carlo Scarpa, others (White), 2000 |
| Josiah McElheny |
From an Historical
Anecdote about Fashion, 2000 |
| Matthew Ritchie |
The Fast Set,
2000 |
| Matthew Ritchie |
The Dead: Belphegor,
2004 |
| Matthew Ritchie |
Installation view: Proposition
Player, 2003 |
| Matthew Ritchie |
Self-Portrait in
2064, 2003 |
| Matthew Ritchie |
The Lytic Circus,
2004 |
| Susan Rothenberg |
Red Studio,
2002-03 |
| Susan Rothenberg |
Chix, 2003 |
| Susan Rothenberg |
Mares and Foals,
2002 |
| Susan Rothenberg |
Dominos-Hot,
2001-2002 |
| Susan Rothenberg |
Impending Doom,
1996-97 |
| Jessica Stockholder |
1995 |
| Jessica Stockholder |
2003 |
| Jessica Stockholder |
Nit Picking Trumpets
of Iced Blue Vagaries, 1998 |
| Jessica Stockholder |
Vortex in the Play
of Theatre with Real Passion: In Memory of Kay Stockholder,
2000 |
| Jessica Stockholder |
Photo Cut Up,
2005 |
| Hiroshi Sugimoto |
Devonian Period,
1992 |
| Hiroshi Sugimoto |
Boden Sea, Uttwil,
1993 |
| Hiroshi Sugimoto |
La Boîte en
Bois (Wooden Box) (Replica of Duchamp's "Large Glass"),
2004 |
| Hiroshi Sugimoto |
Villa Savoye, Le
Corbusier, 1998 |
| Hiroshi Sugimoto |
Anne Boleyn,
1999 |
| Richard Tuttle |
Monkey’s Recovery
for a Darkened Room (Bluebird), 1983 |
| Richard Tuttle |
There’s No
Reason a Good Man is Hard to Find III, 1988 |
| Richard Tuttle |
Warm Brown (92.1.94),
1994 |
| Richard Tuttle |
Waferboard 4,
1996 |
| Richard Tuttle |
“Village I,
Sculpture I”, 2003 |
| Fred Wilson |
Convocation,
2004 |
| Fred Wilson |
By Degree,
1995 |
| Fred Wilson |
Drip Drop Plop,
2001 |
| Fred Wilson |
Guarded View,
1991 |
| Fred Wilson |
Safe House II, (Speak
of Me as I Am), 2003 |
| Krzysztof Wodiczko |
Hirshhorn Museum,
October 1988 |
| Krzysztof Wodiczko |
The Hiroshima Projection,
August 7-8, 1999 |
| Krzysztof Wodiczko |
Homeless Vehicle,
1988-1989 |
| Krzysztof Wodiczko |
The Tijuana Projection,
February 23-24, 2001 |
| Krzysztof Wodiczko |
The Tijuana Projection,
February 23-24, 2001 |
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