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War & Conflict
War is one of mankind’s most universal, evocative and perpetual subjects. Relevant to all citizens, communities, cultures, and nations, war and conflict evoke a multitude of images and associations, both personal and collective. Through photographs in daily newspapers, family albums and histories, footage seen in movies and television, and historical paintings—such as Picasso’s Guernica—we are all connected to the threats, realities, and memories of war. Living artists use diverse media to describe contemporary perspectives about how individuals, cultures, and nations engage in and record human aggression and conflict.
detail of Suh's "Some/One"
Wartime Voices
LESSON 1 | LANGUAGE ARTS
wartime voices

Subject Area: Language Arts
Artists: Antin, Schorr, Suh
Using visual and written narratives that represent multiple perspectives and points of view surrounding particular wars, the ways in which soldiers and citizens prepare, participate, and remember war will be addressed through personal memoirs, letters, songs and poems. Students will create new narratives from the point of view of participants in particular conflicts or wars representing their roles and emotional involvement in the events surrounding them.
detail of Mann's "Untitled" from the "Deep South" series
War on Film
LESSON 2 | SOCIAL STUDIES
war on film

Subject Area: Social Studies
Artists: Korot, Mann, Schorr
Films and photographs on war are often heavily edited, biased, and selective in what they portray: suffering rather than jubilation, winners rather than losers, leaders rather troops, etc. Looking at the way photographs have documented the people and places affected by war, teachers and students will look at photographs and video as the starting point for researching, comparing, contrasting, and critiquing historical and contemporary wartime journalistic and art-based photography.
detail of Ford's "Compromised"
Confronting Conflict
LESSON 3 | VISUAL/PERF. ARTS
confronting conflict

Subject Area: Visual & Performng Arts
Artists: Ford, Sikander, Walker
Critics often say “History is told by the winners.” This lesson explores that statement, as well as how formal elements such as contrast, and conceptual elements such as symbolism, graphically represent and depict historical conflict. Students will look at different visual narratives that represent historic or fictional events but at the same time reference current issues or conflicts. Students will then create their own visual narrative referencing a personal or social issue.
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“I think that war is about losing innocence. And I think that the war pictures were particularly about that journey.”
— Collier Schorr


“I’m thinking a lot about militancy and the steps that one takes or people have taken in other parts of the world and sometimes here, to liberate themselves by force, liberate themselves through the creation of militias and ideologies that are maybe a skewed version of an American dream and what happens within that world.”
— Kara Walker

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