Visit Your Local PBS Station PBS Home PBS Home Programs A-Z TV Schedules Watch Video Support PBS Shop PBS Search PBS

White Falcon, White Wolf
Filmmaker Interviews: Introduction

This summer I was fortunate enough to work on White Falcon, White Wolf — the first show in NATURE’s Season 27 lineup. The film takes place on Ellesmere Island, which is so high up in the Arctic most people wouldn’t dream of traveling there, let alone haul film equipment, camp, and follow animals for weeks on end. But a group of people did just that, and I had the opportunity to interview four of them.

Shot during the brief Ellesmere Island summer, White Falcon, White Wolf captures a season when the cycles and connections of life are quite visible — light returns, babies are born, and vegetation flourishes. Following the lives of a family of gyrfalcons and a tight-knit pack of white wolves, the dramas that unfold in this show are not to be missed. So tune in on October 26, and when you find yourself wondering, “How did those filmmakers get that shot?” you can find out here. 

– Irene Tejaratchi Hess, NATURE Producer

   Print    Email    comments (4)

(24 votes)
Loading ... Loading ...
4 responses
Jake Mitchell -- October 27th, 2008 at 2:28 pm

Enjoyed reading these interviews. They’re a window into the process and a reminder of the dedication and hard work that go into making quality television.

will -- October 27th, 2008 at 8:39 pm

i have been fortunate to have backpacked on ellesmere twice for about 5 weeks…it had always been a dream since reading arctic tales as a youth..the landscape is immense, the animals curious,i have to go back…bhw

joe milner -- November 15th, 2008 at 10:03 am

A GREAT doc. I shot wildlife docs for 7 years 1985 – 1992 and know first hand the difficulties. I mostly shot Birds of Prey and altho retired, still videotape the Migration along Lake Erie for my own pleasure and have got a lot of great Golden Eagle, Bald Eagle, Red Tail and many others. One question to the WWWF crew. What media did the photographers use. Film? If so what size? 16mm or 35mm? Video? Again which format? DVCam, minidv or betacam? Joe Milner. London, Ont.

Irene -- December 2nd, 2008 at 3:29 pm

Hi Joe. In the interview with Jonny Keeling, he states that the crew used High Definition cameras and lenses to shoot White Falcon, White Wolf.

post a comment
Please note that the THIRTEEN editorial staff reserves the right to not post comments it deems to be inappropriate and/or malicious in nature, as well as edit comments for length, clarity and fairness. No solicitations or advertisements will be allowed. Users may link to other Web sites relevant to discussion, but most often links to commercial Web sites will not be permitted.

Produced by THIRTEEN    ©2009 Educational Broadcasting Corporation. All rights reserved.

Major corporate support for Nature is provided by SC Johnson, Canon, CPB.