Subscribe to Here’s the Deal, our politics
newsletter for analysis you won’t find anywhere else.
Thank you. Please check your inbox to confirm.
After public anger over accusations that R. Kelly is a sexual abuser, Spotify announced this week it would remove the musician from its playlists under its new, “hateful conduct” policy. In a new era of social accountability, the decision led to a larger conversation about whether music services should consider an artists' behavior. Joan Solsman, senior reporter at CNET, joins Hari Sreenivasan.
This week the music streaming service Spotify removed R&B singer R. Kelly from its playlists, which means fewer listeners will discover or hear his music. Why R. Kelly? In part because of the online campaign #MuteRKelly. There are demands for investigations into allegations he abused women of color over the past 20 years. Kelly performed last night North Carolina. The singer is not currently charged with any crimes. Spotify cited its new hate content and hateful conduct policy as justification and other streaming services have also removed R. Kelly from playlists, although his music is still available on these platforms. Koining me now is Joan Solsman, senior reporter for CNET, who is following this issue.
This isn't necessarily a conversation about R. Kelly but really about the step that Spotify has taken. What makes this such a big deal?
Well for one Spotify is the biggest streaming music service. At a time when music streaming is becoming the most popular, most common way that people are listening to music. So it's a stake in the ground, a very definitive step that it will make editorial judgments, about not only the content of music but the conduct of the artists itself and those judgments can have real repercussions on artists' livelihood.
There's a part of their policy that I want to pull out. It says, What about hateful conduct by an artist? It says we don't censor content because of an artist or creator's behavior but we want our editorial decisions, what we choose to program, to reflect our values. When an artist or creator does something that's especially harmful or hateful, for example violence against children and sexual violence, it may affect the ways we work with or support that artist or creator.
That's a portion of this conduct policy that they changed. That seems well and good but what is the threshold for when it's determined that someone actually did something if he hasn't been convicted of a crime? Usually you can say well, this is a criminal conviction, a jury of your peers have found that you did this wrong. This isn't that.
Exactly. That's why it's interesting. R. Kelly hasn't had a criminal conviction, he's not charged with anything right now. And there's another artist that they have also said at the same time that they're not going to be promoting. He hasn't been convicted of any crime either. So what it does even though it makes a firm stake in the ground that Spotify is willing to exert this editorial judgment. It muddies the waters about what that judgment is and how they're going to be applying it.
And what kind of revenue are we talking about? When I mean on the one hand artists always complain that they're getting such a little money from royalty but if you're not somebody who is like R. Kelly who's still touring, how much does Spotify actually end up helping your music?
Spotify is not critical but it's a crucial element to an artist's livelihood especially as consumption of music migrates over to streaming rather than getting an iTunes download or buying a CD. Touring of course is a giant element to how artists make money but that recurring revenue comes from, more often, streaming, and in the case of Spotify, it's the biggest streaming subscription service and its subscriptions pay a lot better than if you were to stream an R. Kelly song on YouTube and just watch the video, "watch the video" but listen to the song, that pays a lot less than what you would get paid as an artist if a subscriber listens to your music.
There's a long list of artists whose behavior we have either tolerated or set aside to enjoy their music, right, so what is the, kind of how far back they go? Is Spotify willing to put all of these different artists and all of that music off of their playlists if that's the step that they're willing to take?
These popular playlists, they can make and break artists. And so if Spotify is going to use conduct as a decision making tool and whether or not they want to promote an artist, then it raises questions about will the artists that become huge be different? Will we have different art because of these decisions?
All right. These are all important questions. Joan Solsman from CNET, thanks so much for joining us.
Watch the Full Episode
Support Provided By: