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QUILTS: Learn about contemporary quilters from diverse traditions as we celebrate the important role quilts have played in our country’s story. Featuring Susan Hudson, Victoria Findlay Wolfe, Michael A. Cummings, Judith Content, the International Quilt Museum, and special guest Ken Burns.

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The International Quilt Museum, located in Lincoln, Nebraska, is the world’s largest publicly held collection of approximately 6,000 quilts from more than 50 countries, dating from the 1600s to today. Its mission is to build a global collection and audience that celebrate the cultural and artistic significance of quilts.


Susan Hudson

Susan Hudson, a Navajo/Diné artist from Sheep Springs, NM was taught to sew by her mother who was forced to sew at an “assimilation” boarding school. Hudson’s pictorial quilts honor her ancestors and the proud history of the Navajo people using a crossover style inspired by Ledger art. Recounting history through her ledger quilts has made Hudson an activist storyteller, chronicling the hardships endured by her ancestors.


Victoria Findlay Wolfe

Victoria Findlay Wolfe has a fine art degree in painting but found her life’s passion in quilt making. Now a New York-based International Award-Winning quilter, fabric designer, teacher, author and lecturer, Findlay Wolfe is known for making quilts that look difficult to make, then teaching quilters to make them. Each quilt Findlay Wolfe makes pushes boundaries, supporting her premise that creativity requires risk.


Michael A. Cummings

Michael A. Cummings is a nationally recognized quilter who lives and works in the historic Sugar Hill neighborhood of New York, NY. Self-taught, Cummings brought years of painting and collage skills to his quilt making. Inspired by jazz and working in the narrative tradition, Cummings and his sewing machine tell stories of the African American experience across historical, cultural, philosophical and mythical realms.


Judith Content

Judith Content uses inspiration from nature and a Japanese resist dye technique, arashi shibori, to create glorious abstract wall quilts in her Palo Alto, CA studio. Content dyes then composes fabric into an abstract kimono form and uses her sewing machine as a drawing tool to achieve an evanescent visual haiku that communicates to viewers both emotionally and intellectually. These Art Quilts, made to be viewed on walls rather than placed on beds, expand both the definition of the quilt and its place in the art world.