
Magical Moments and Paniolo Pride
Season 16 Episode 10 | 28m 12sVideo has Closed Captions
Magical Moments and Paniolo Pride
Watch stories about students and community members finding their passions, from magic to bicycling to horse riding.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
HIKI NŌ is a local public television program presented by PBS Hawai'i

Magical Moments and Paniolo Pride
Season 16 Episode 10 | 28m 12sVideo has Closed Captions
Watch stories about students and community members finding their passions, from magic to bicycling to horse riding.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorship[intro music] HIKI NŌ, Hawai‘i's New Wave of Storytellers.
Hi.
Welcome to HIKI NŌ on PBS Hawai‘i.
I'm Myla Kane, an eighth grader at ‘Ewa Makai Middle School on O‘ahu.
Thanks for joining us to watch the work of Hawai‘i's New Wave of Storytellers.
In this episode, we’ll meet a young magician from O‘ahu who has performed on stages as far away as Las Vegas, and a brave student from Hawai‘i Island who found strength through her love of biking during tough medical times.
We’ll also introduce you to a legendary wahine paniolo who shares her deep connection to Hawaiian cowboy culture and explore the therapeutic magic of miniature horses in a unique program for special needs children.
There’s so much more to discover, so stay tuned.
We’ve got an exciting lineup of stories today that will inspire, amaze, and warm your heart.
Let’s kick things off with a bit of magic, literally.
Our first story introduces a young magician whose talents have graced stages in Hawai‘i and even the bright lights of Las Vegas.
This enchanting piece was produced by Ryan Alacar, a talented high student from Campbell High School on O‘ahu.
Magic is who I am, and I try every day to be that, to embody that magic that I embody in my head.
My name is Landon Espiritu and I’ve been doing magic for nine years.
Please welcome seven-year-old Landon “The Magnificent.” [applause] Landon started performing magic at just seven years old, eventually being able to perform even in Las Vegas.
When I first hopped onto the Hawai‘i magic scene, I think it was seven.
One of my first big performances was at Kaimuki High School for Hawai‘i Magic Festival.
I ended up performing in Vegas around the beginning of 2020.
Through Vegas, Landon got a lot of recognition as a young magician from O‘ahu.
I went to perform in Las Vegas at the Golden Nugget for a magic convention.
I couldn't believe it.
Like, going to Vegas is like wanting to be an actor and going to Hollywood.
It was a big deal for me.
And after that, I got back, we put everything away, and I never really picked it back up.
At the peak of Landon's success, he took a break from magic.
I took a break from magic around 2020.
I had this break for probably, like a year, like, it was more like four years.
I haven't done really any magic.
Very simple, very simple game.
Recently, Landon has started to practice magic again with a new perspective.
For the past two years, I've been going back into magic slowly.
I was reintroduced by some connections that I have at this school.
So, when I picked it back up, it was just remembering how to perform, which, you know, when I think about it, is one of the biggest parts of why I love it.
And for me, having to relearn how to be me on stage again was and is a process.
It's tough because you feel like, man, I used to be so good at this.
Why can’t I just flow into it?
But, you know, I learned a lot.
I learned a lot in the past four years, whether or not I've been performing.
See that?
Through this long break, Landon is planning to come back better than ever, preparing to perform at Hawai‘i Magic Festival in December 2024.
I'm still working up to get to this show.
This is the first time I've performed in Hawai‘i Magic Festival for four or five years.
But I have to just trust in myself and the people around me that I can create something beyond me.
I think it's a process that I have to trust, and then I have to jump in headfirst.
I think I've been stuck in my mind for so long about performing.
You know, everything has just been in my head or on paper, and I've been overcoming it by just doing it.
I know I could be somewhere great, and, I, when I close my eyes, I hear the applause.
This is Ryan Alacar from James Campbell High School for HIKI NŌ, on PBS Hawai‘i.
[ocean wave] From the thrill of magic, we head to Hawai‘i Island to meet a remarkable student with a passion for biking.
Hayden Betts, an eighth-grade student at Hawai‘i Preparatory Academy Middle School on Hawai‘i Island, shares how her love for riding helped her overcome challenging medical struggles.
Her story is sure to inspire anyone who has faced obstacles in their own lives.
I'm Hayden Betts, an eighth grader at Hawai‘i Preparatory Academy on the Big Island.
Ever since I was young, I've loved riding bikes.
It gave me a sense of freedom and relief from whenever I was stressed.
It has always been a part of me, even when I didn't realize it.
I have fibular hemimelia, meaning that my left leg is shorter than my right leg.
Riding bikes has been an escape from life problems, and sometimes made me forget I was disabled in the first place.
[laughter] Push the button.
However, when I was 10, I had to get a surgery on my right leg to slow down the growth so my left leg could eventually catch up.
This caused me to go into a wheelchair, and it was a difficult change.
It not only stopped me from doing what I loved, but it stopped me from doing things I could normally do with ease like going to school and getting to run around the house.
However, I wasn't in a wheelchair for long, though, and I eventually started to heal.
I could go back to how things originally were.
I wanted to try riding my bike again, but when I did, it was painful, and I couldn't do it.
I wanted to give up immediately, but I knew that I couldn't give up on something I love so much.
I didn't want to feel trapped and lose that freedom I once had.
So, I decided to keep healing until I could try again.
My parents got me into physical therapy to help me readjust.
It was difficult, but it helped me a lot.
After some more trial and error, I could eventually ride again.
I was a little rusty, but that was alright.
I was just happy I could do it.
Okay, be careful.
[insects chirp] A couple years later, I now ride often with my family, and I feel more connected to them and myself.
I now care about the little things that may seem meaningless yet matter the most.
From dealing with my surgery to finding my freedom once more, riding my bike has made me my best self.
Let's stay on Hawai‘i Island for this next profile story, which was produced by students at Konawaena High School.
They bring us the story of a legendary Hawaiian cowgirl who opens up about her incredible history and deep bond with horses.
I began riding as a two-year-old.
My babysitter was not a human.
It was a horse.
Fern White is an authentic cowgirl who grew up on Maui and currently operates a ranch with her husband in Kohala, on the Big Island of Hawai‘i.
Her horses have been featured in several movies, most recently in the 2022 movie, The Wind and the Reckoning.
I grew up on a working ranch, one of the largest still in our state, called Ulu Palakua, and on that ranch, a typical day in my growing up, which is the 50s, horses was an actual four legged animal, and that's what you rode to go and check pastures, to check the water lines, to check how the health of the cattle, what they were for that day, to move them around.
And that would be a typical day back then.
At 14, Fern was the first Hawai‘i rodeo barrel race champion.
She was also Miss Maui in 1968 and Pā‘ū Queen several times.
Her experiences gave her a unique view of paniolo culture.
The ranchers of old, they're not going to say, “I was a paniolo.” They're going to say, “I cowboy.
I cowboy.” Right?
Women will say it, guys will say it.
I cowboy.
When we say paniolo, I know that the meaning for people means the cowboy culture.
So, with that in mind, the importance of perpetuating that is because it represents several things, is, the connection to land, and the connection to food source.
But the importance of preserving the paniolo culture, as you guys call it paniolo culture, the cowboy culture, is to preserve what it means to have grit, and caring, and that is at its core.
Fern began teaching horsemanship at age 16.
Her teaching process stems from the values and disciplines associated with cowboy traditions.
A lot of times, process for other people is okay, I'll show you a little bit now.
You just go, you can go play, you can compete, you can do whatever.
I am very much about foundation.
Foundation first, basic understanding, caring for, uh, and safety.
Fern runs the therapeutic riding program, Lio Lapa‘au.
She believes horses can regulate our emotions.
And my students can attest to this.
Right, they had a rough day at school.
They have a rough day in life.
They're home, or whatever that is.
And so now they come.
That horse is going to have a whole different reaction, behavior, response, right?
And most of the time, you'll find that horse like, put its head somewhere, sometime in your lap.
Now if you go in and you get that horse and you think you ʻall that,ʻ a horse will show you, “Hey, whoa.
What, you all that?
I don't think so.” Fern is deeply connected to the cowgirl lifestyle, not just as a way of life, but also as a source of healing and personal growth.
I’ve always known that the horse can help us survive the world, that I can turn to a horse, get on its back, ride for 5, 10 minutes, and the world's okay again.
This is Georgia Sandberg from Konawaena High School for HIKI NŌ, on PBS Hawai‘i.
[ocean wave] In this special piece from our archives, students from Kainalu Elementary School on windward O‘ahu highlight the therapeutic magic of miniature horses.
This traveling program for special needs children will leave you smiling and uplifted.
The Therapeutic Horsemanship of Hawai‘i is a program that allows children with special needs to interact with mini horses.
[laughter] The mini horses, Geronimo and Makakoa, provide comfort and affection.
They bring happiness and relaxation to children.
Also, the children are not afraid to express their feelings towards the mini horses.
He's soft and fuzzy.
Those miniature horses, which are the most kind and generous little creatures I've ever met, they're not very much like other horses.
They're very, very mellow.
We put them in a minivan, and we take them to public schools, special ed programs.
We take them to hospitals, long term care centers.
We take them anywhere where there's people who can't afford to be around horses, or people who physically can't come to be around horses, and they have been in elevators.
They've gone up and down stairs.
They have gone amongst wheelchairs all piled together to visit people.
And they are so kind, and they're so neat.
And we just started this program, so it's a new job for them, and they're really taking to it really well.
So, they've been the new superstars, and it's been really exciting for all of us to launch this new program.
The mini horses are transported in a minivan to their home in Waimanalo.
The Therapeutic Horsemanship Ranch is located next to the polo field with the beautiful Ko‘olau mountain range in the background.
We saw Geronimo and other horses at the ranch.
Riding lessons are available to the general public.
Children with special needs can take lessons as well.
We teach horse care.
Most of our riders will spend at least a little bit of time grooming the horses, brushing them, getting them ready to go.
They'll learn how to saddle.
If they also volunteer here, they learn the ins and outs of the daily care of horses.
I think the biggest thing that they learn here is that horses are wonderful, giving creatures, and that being around them can really give you confidence in yourself and confidence in others and confidence in the horses as well.
I would say I would just highly recommend Therapeutic Horsemanship, especially for families that may have children with disabilities and sensory issues.
Riders learn to ride by utilizing various muscle groups, which stimulates learning and most of all, the riders learn to have fun.
I feel good because my heart fills up with joy.
This is Keona Peters from Kainalu Elementary School for HIKI NŌ.
[ocean wave] Have you ever wondered what it takes to saddle up a horse?
Students from Hawai‘i Preparatory Academy Middle School on Hawai‘i Island have you covered.
In this memorable How-To video, they share expert tips for setting up a saddle.
Whether you're a beginner or a pro, you might just learn something new.
Did you know that in rodeo, there are different saddles for different events?
Putting on your saddle correctly is important and vital for competing safely and efficiently.
First thing’s first, tie your horse to the trailer using a slip knot.
Then, go and get your pad… and your saddle.
The next thing you want to do is reach under the horse and grab the cinch.
String the latigo through the buckle on the cinch, and then string it through the saddle and back once more.
Hook the latigo onto the buckle so that the saddle doesn't move.
Reach under the horse and grab the back cinch, then buckle it to the leather strap.
Reach around the front of the horse and grab the breast collar.
String the leather strap through the metal ring on the front of the saddle, then buckle the strap to the buckle.
Clip the strap to the ring on the cinch.
The paniolo, or the Hawaiian cowboys, are greatly known all over the world, especially with the fame and talent of Waimea very own Ikua Purdy, who, in 1908 won the World Steer Roping Championships in Cheyenne, Wyoming.
This is Lia Craven from Hawai‘i Preparatory Academy for HIKI NŌ.
[ocean wave] Now, let's visit the campus of E.B.
deSilva Elementary School on the Big Island, where students have a special did you know video to share.
They dive into the mystery behind their school's unique namesake.
Hi, I'm Cadence Christensen from Ernest Bowen deSilva Elementary School.
Do you know how our school got its name?
Our school was going to be named ‘Ainakoa Elementary, but while the school was being built, Ernest Bowen deSilva suddenly died, and the school was renamed after him.
Ernest Silva is my grandfather.
He was born in 1900 in Honolulu, and he died in 1959.
He was an educator.
He was a principal in Konawaena High School, and in 1942, they came over, and he was involved in a lot of things, but education was very important to him.
He was also a musician.
Mr. deSilva became a district superintendent and was also a popular sportsman and a respected community leader.
Ernest B. deSilva was my uncle.
He was my father's brother, and I have a feeling he'd think that would be a perfect day here, just to see the kids thriving in a school named after him.
This is Cadence Christensen from Ernest Bowen deSilva Elementary School for HIKI NŌ on PBS Hawai‘i.
[ocean wave] Wai‘anae Intermediate School on O‘ahu produced its next memorable story from our archives.
Meet a student who turned her life around, moving from being a bully to pursuing higher, more positive goals.
It's an inspiring reminder of the power of change and growth.
I really didn't go to school.
I gave a lot of attitude and I was rude to all my teachers, and I fought a lot, not really fight, but I used to bully people.
From a young age, Sosefina Matautia was on the road to making poor choices.
I started cruising with the wrong people, and they just influenced me to do a lot of bad stuff.
Bad influences bring bad results.
Like most kids her age, Sose had problems, but she didn't know how to deal with them, so she acted out.
She would scream, cry, wreck the house.
When we would take her to school, she would go crazy, you know.
She would hit the teachers, scream, try run away.
She was running away from reality, because on June 16, 2006 her father, Richard Matautia, was critically injured when he was hit by a car.
He died two days later on Father's Day.
It was devastating, hard.
I had fear of leaving my mom, and I was just afraid of losing somebody else.
Acting out is a common way for kids to cope when they face trauma in their life, and one big example is the death of a parent.
Since my dad was here, I didn't really have guidance, and I always used to look at my dad to tell me what to do and not my mom.
[cheering] After six years on the wrong side of the road, Sose decided it was time to steer her life in a different direction.
Thank you.
So, she went from being completely defiant when getting a consequence to now being able to admit parts where she was wrong and then being able to admit where she was wrong, but also receive the consequence and not become angry like she did in the very beginning of the school year.
I didn't like my image and my reputation.
I didn't like the fact that people thought I was stupid, because the way I acted.
My life is different, like it's more better.
I cruise with people that influence me to do better things and bring out the better in me.
With the support of her family and friends, Sose began to dream big.
I want to go to college.
I want to get my master's degree, and I want to become a doctor.
It's a reflection of how her attitude has changed, but now, instead of bullying people, she's bullying her dreams.
This is Lorraine Char reporting from Wai‘anae Intermediate School for HIKI NŌ.
[ocean wave] This next student reflection comes from Kili Correa, a student at Hawai‘i Preparatory Academy Middle School on Hawai‘i Island.
She shares her journey of learning the traditional Hawaiian art of kapa barkcloth making.
Believe it or not, she started this journey back in the third grade.
Her passion and dedication will leave you in awe.
[speaks Hawaiian] I was eight years old when I first saw kapa.
It was at my tutu’s birthday.
My auntie gifted my tutu kapa that had taken her seven years to make.
I was so mesmerized by this Hawaiian art form and wanted to learn how to do it, but I had no idea what it was.
I was never really close with my Hawaiian culture.
My parents would speak ‘ōlelo Hawai‘i to me and would talk about Hawaiian history, but I never found it interesting.
That was until I saw kapa.
I thought it would be a great way to get close and connect with my Hawaiian culture.
I was in the third grade when I wanted to pursue my interest.
I had told my mom about this interest, and she had heard of a kapa hui hosted by Roen Hufford, an award winning kapa artist and many other kapa beaters.
They agreed to teaching me, but it would take a lot of time, dedication, and work, which was a struggle for a third grader.
Kapa is a traditional art form that Native Hawaiians use as clothing, art, and blankets.
Kapa is created from wauke, or paper mulberry.
The first steps to making kapa are stripping the wauke of its outer bark and soaking it in water.
This makes the wauke fermented and soft so that we can begin the process of beating it.
We beat the kapa with multiple beaters and on different surfaces so that we can widen, stretch and thin out the wauke.
Once we are done beating, we lay out the kapa to dry.
Once the kapa is fully dry, we are able to begin the process of dyeing.
We dye with all natural dyes that we create from plants, berries, dirt, flowers and even sap.
The designs on the kapa are intricate and beautiful.
I started selling and participating in shows.
I felt so accomplished that all my hard work and dedication had paid off.
My whole hui and my family were proud of me.
I just know eight-year-old me would be so amazed and impressed by my growth.
Kapa has taught me that everything takes time and work.
I became closer and connected with my Hawaiian culture because I feel like I'm helping to keep a Hawaiian tradition alive.
[ocean wave] That's it for our show.
Thanks for joining us to watch the impressive work of Hawai‘i's New Wave of Storytellers.
Tune in after the credits to see a special extra video with Summit and Ivory Chun-Hoon playing a game called What's in the Box.
Don't forget to follow HIKI NŌ on PBS Hawai‘i on YouTube, Instagram and TikTok.
You can find this HIKI NŌ episode and more at pbshawaii.org.
Tune in next week for more proof that Hawai‘i students HIKI NŌ, can do.
[outro music] [upbeat music] My name is Ivory Chun-Hoon and I go to E.B.
deSilva Elementary School.
I'm Summit Chun-Hoon and I also go to E.B.
deSilva Elementary School.
[music continues] We're gonna put our hands in this box and we're gonna guess what's inside.
There's something sticking out.
Maybe it's a coconut.
Oh, that's a coconut?
[music continues] Teddy bear, or Elmo.
[ding] I know PBS Kids hosts Elmo, so I was thinking it might have been Elmo in the eyes.
Rubik's Cube.
[ding] Pineapple.
[ding] [funky music] It's, wait, it's, it feels like a book, but I don't think it is, so, so it's like it's, I feel like it's a food.
Here, you hold it, and I'll pull it out.
Okay.
Wait, oh, wait, wait, there's a hole in the middle.
Uh oh.
Uh oh.
Wait, I don't want to break.
Uh oh, I feel something inside of it.
Like it's some kind of film inside of it, maybe, like it's an old camera?
A cassette player?
It goes inside the cassette player.
Maybe it's called a cassette?
What is this?
I still haven’t, I don't know the name of it.
It’s for like, the old school TVs, right?
[ding] No, it goes in car, like an old car, it would go in to play music.
It goes in the cars?
It doesn't have a radio, that's why.
The old cars don't have radios.
Oh.
[upbeat music continues] Sunglasses.
[ding] [upbeat music continues] Slinky.
[upbeat music continues] Hey, where'd it go?
Oh, what?
Slime?
Play Doh.
Puddy.
Slime.
Play Doh.
Now I got alien finger.
[upbeat music continues] Oh, marshmallows.
[ding] Oh yeah.
I'm not gonna lick my hands because I touched Play Doh.
Good game.
[music chimes]

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HIKI NŌ is a local public television program presented by PBS Hawai'i