
Surfing and School Lunches
Season 16 Episode 17 | 28m 12sVideo has Closed Captions
The power of surfing, preparing a school lunch plate, and a museum visit.
Stories about the power of surfing, what goes into preparing a school lunch plate, reflections on life through poetry, and a museum visit.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
HIKI NŌ is a local public television program presented by PBS Hawai'i

Surfing and School Lunches
Season 16 Episode 17 | 28m 12sVideo has Closed Captions
Stories about the power of surfing, what goes into preparing a school lunch plate, reflections on life through poetry, and a museum visit.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorship[intro music] HIKI NŌ, Hawai‘i's New Wave of Storytellers.
Aloha!
ʻO Kaulupono Osorio koʻu inoa a he haumāna papa ʻeiwa au ma ke kula ʻo Nāwahīokalaniʻōpuʻu ma ka mokupuni o Hawaiʻi.
Welcome to HIKI NŌ on PBS Hawai‘i.
My name is Kaulupono Osorio and I'm a freshman at Ke Kula O Nāwahīokalani‘ōpu‘u Public Charter School on Hawai‘i Island.
I'm stoked to be here to share the work of Hawai‘i's New Wave of Storytellers.
In this episode, we're diving into stories about he‘e nalu, or surfing.
We'll watch several memorable HIKI NŌ stories about the power of he‘e nalu, including one student's journey of learning to bodyboard.
We'll investigate what goes into preparing a school lunch plate and what Hawai‘i schools are doing about meeting a statewide goal to use more local ingredients.
We'll watch a cinematic poem about feeling grateful to be in the present.
And we'll meet a charming, long time tour guide at the historic Bishop Museum on Oahu.
Mākaukau, let's get into it.
To start the show, let's watch this HIKI NŌ student reflection about how Eddie Wirtz, a student at Ka‘ū High and Pāhala Elementary School on Hawai‘i Island, started his favorite hobby of bodyboarding.
I've been bodyboarding since I was four, learning in small surf, avoiding waves that were too big or scary, until my 13th birthday, when my parents bought me a brand new bodyboard, fins and a leash.
So of course, I had to put them to the test.
I went to Kāwā on the southeast side of Hawai‘i Island, where the waves were about four to six feet.
My heart was racing as I tried to paddle out, until a big set tossed me around and washed me all the way back to the beach.
For a while, I sat on the sand, board in my lap, watching the surf.
I started to time the waves until I found my opportunity and courage to paddle back out.
I jumped in the water, paddling and duck diving out into the lineup, but being so inexperienced, I caught two waves and came back to shore.
I didn't have enough experience or stamina to try and make the paddle out again, but pushing myself changed something in me, and I was determined to conquer those waves, till eventually I did.
I went back out again and again, and now I spend every free moment I can bodyboarding.
To me, bodyboarding is a way to escape, a way to forget all my troubles and take a moment to relax.
And Kāwā will always be one of my favorite spots to bodyboard.
This is Edward Wirtz from Kau High School for HIKI NŌ, on PBS Hawai‘i.
[ocean wave] Let's keep riding the nalu, or wave.
Our next story comes from our archives, and it was produced by Kamehameha Schools Maui.
They interview the school surf team about the benefits of the Hawaiian sport of riding waves.
Surfing is a sport that requires both skill and patience.
Patience is a familiar aspect to the Kamehameha Schools Maui Surf Team.
For over the last few years that they have participated in the Maui interscholastic surf meet, they have not yet taken first.
We just practice on our own, and then maybe, if we have to compete with the group, just show up to, like, one or two practices with them, and then surf in the contest and hope to do good.
And next year, Coach Campbell hopes to change all that.
They'll be starting organized practices, and the students will have more than just the final championship to compete in.
I'm hoping that we could get backing from the school and practices scheduled, get more commitment from our students and everything like that, so we can be competitive.
Because, I mean, we're a Hawaiian school, so I mean, culturally, we should represent, you know.
We should do well in this sport.
I'm hoping that we could have more practices.
And I think the plan for next year is to have three events on Maui and then a state tournament on O‘ahu.
Well, I think added practices will only help me get better, like competitions, get us more experience, so that we can surf better under pressure.
Surfing on an organized team will help the students get better in athletic competitions, but Coach Campbell intends to make sure that the team stays in touch with their Hawaiian culture.
I mean, this is what I hope for, preserving it as a cultural practice.
I mean, I feel like culturally, we should have a good team, and it should mean a little bit more to our kids just because we're Hawaiians.
Yeah, I feel proud as a Hawaiian to surf.
It feels good to practice everything that my ancestors are doing to perpetuate the Hawaiian culture.
By making the effort to preserve an ancient Hawaiian practice, perhaps someday in the near future, the Kamehameha Schools Maui Surf Team will be able to catch a ride into victory.
From up country Maui, I'm Matt Spenser reporting for HIKI NŌ.
[ocean wave] Now for a touching profile story produced by Moanalua High School about a legendary guy, nicknamed “Mooch” on O‘ahu.
There's a close-knit community of surfers who consider him a mentor at their home break near Ala Moana Beach Park.
E Nānā Kākou.
Let's watch.
When I catch a wave, it's like a drawing.
You draw it up, if you succeed, and the drawing came to as he planned it, yeah, you feel really lifted.
And you know that he loves surfing.
It's obvious.
You come up to him.
Right when he paddles in the water, you can just feel that.
You know, when you first start surfing, it's all for yourself, catching the waves, but now it's better to give that wave away.
Makes me feel happy and kind of like the job done, you know.
In Waikīkī, first time visitors and locals look to Perry Fernandez, better known as Mooch, for those surfing needs.
He does board rentals, fixes boards, so people are always giving him supplies to fix boards.
Trust me, you can come down here in your free time, you will see him with his rake and his dust pan, doing what he do, just every day.
It gives me longevity on this earth, you know, by helping.
I try to take every opportunity that I can to help.
He always helping people down here who is going for surf lessons, you know, even swimming.
Anything that you need help with, Mooch is there.
Aloha everybody.
This is Mooch and come and surf with me when you guys can.
Because of Mooch's dedication to surfing and helping others, many didn't realize his unique situation.
Me and my wife, we separated, peaceful separation, and so I just stayed in the van and stayed at the beach.
Sometimes there's no food, sometimes you gotta go to the bathroom, but all in all, it's okay.
According to the Associated Press, Hawai‘i has the highest homeless rate in the nation per capita.
Although Mooch is a part of the statistic, he receives ways of help from the community.
I give him anything I have, but he's such a warm- and big-hearted person that he's not going to ask.
I appreciate it a lot, and I feel that it's come full circle, because what I do when helping others, then it comes around back to me.
I really believe that all helping is reciprocal.
It's cyclical.
And with Mooch like, I help him by bringing him breakfast in the morning, but he helps me a lot by fixing up my boards.
Helping people, I want to go out there, help people as well, you know.
And I feel good about it, you know.
It's not what we're getting back, it’s what we give.
With his desire to create a change, Mooch will continue to push others to benefit the people.
Cuz sometimes we all need help, you know.
So, if everybody's helping, it's just positive, positiveness, you know, aloha and all that stuff, and it's, it's all good, man.
This is Erin Nomura from Moanalua High School for HIKI NŌ.
[ocean wave] After all that surfing, I'm getting pōloli, hungry.
Let's switch to another topic, lunch, school lunch, in fact.
We have several stories to share on the topic, and the first one comes from Wheeler Middle School students on O‘ahu.
It will give you a greater appreciation for those who work in school cafeterias.
What's for lunch is a question wondered by the approximately 100,000 students eating Hawai‘i Public School lunch each day.
What they might not realize is that what's on the plate is not an individual decision by the school cafeteria manager.
We just follow the state and federal guidelines for what's on top of the plate.
We have no choice on any deviations from it.
There's a group of managers that go through that, and we rotate from middle school, high school, elementary schools, all take turns on top of that menu planning committee.
Once the menus are established, the 196 school cafeteria managers, like Mr. Andrew Pang, will select which menus will be used on what day.
Each menu also requires the use of committee provided recipes.
For example, your three bean salad, that it's a standard recipe.
I think we're having hot dogs.
Shopping for supplies involves more than just them going to the grocery store.
Food is ordered in advance once or twice each week from the approved state vendors.
There is purchase items and there's federal commodity items.
Federal commodity items is what comes from the federal government.
You might have your hamburger; you might have your chicken.
You might have oil or something like that.
Everything else is purchased from local vendors.
We have to order it within two weeks and then come in.
Processing weekly deliveries of 350 pounds of chicken and making sure pantry items are properly stored are another responsibility of the cafeteria managers and staff.
When all health and safety guidelines are followed, then the cooking can begin.
We start at six.
What happens is that all the cafeteria workers, they start the lunches, they're starting the breakfast.
They might be mixing the bread.
They might be making, like this morning, they'll be making banana bread for breakfast.
And then after they finish the banana bread, they'll move on to the bread that's for lunch.
They'll be making things that's for the next day.
They're just making everything that's ready for that day, making it for lunch.
And then they're prepping, getting ready for the next day.
The average meal costs $5.05, but students pay less than half of that, or $2.50 per meal, due to the almost $50 million in federal reimbursements.
So next time students are standing in line to get their serving of soft-shell taco or hot dogs, they should think about all the unseen work that went into getting it on their plate.
This is Lorynel Martinez from Wheeler Middle School, for HIKI NŌ.
[ocean wave] Now that we have that background, it's time for a school lunch update from Waikīkī Elementary School on O‘ahu.
Students produce this next HIKI NŌ opinion editorial about how Hawai‘i is working to incorporate more local ingredients into our school ‘aina awakea, or lunches.
Ever wonder where your daily school lunch might come from?
We dove into some research to find out.
On a regular day of school lunch, we thought that there would be half locally sourced foods and half imported food on our plates, but our prediction was incorrect.
For example, if we had chicken patty, emoticon mashed potatoes and slushies, only the lettuce and tomatoes might be locally sourced.
The bread for the chicken patty is baked in school, but the ingredients aren't locally sourced.
So, most of the produce is locally sourced.
We got watercress, papaya, also our green, locally green salad comes from Kunia farms, but that's pretty much it.
As far as like the rest of like, the bulk it comes from the mainland.
According to December 2022 annual report on Farm to School Meals by the Ulupono Initiative, the percentage of fresh local food products purchased by the State Department of Education for all schools statewide was only 6.2%.
The state government wants to increase that percentage, so the Hawai‘i DOE spend 30% of its food budget locally by 2030.
According to the Ulupono Initiative, achieving the 30% local benchmark would create annual demand of about 15 to 20 million for local farmers.
Imagine all that money staying in Hawai‘i.
That's so much better than spending all of our money on imported foods.
Uncle Shannon Shimizu says that it can be challenging to get local ingredients.
The reason we have a difficult time is like, if there's like, flooding, or, you know, the weather is bad and the harvest is bad, and then we can't really use the food.
So, like, for example, our local greens.
The beginning of the school year, from August and September, we were fine.
I think the weather was bad.
So from like, October, November, and December, we couldn't get the local greens.
And then back in January, like last month, we started getting it again.
Uncle Shannon said another problem with getting locally sourced food on our plate is demand.
So, our most popular here at Waikīkī is like, today we had the mini corn dogs.
That's very popular.
Hot dog is another popular one, nachos, chicken nuggets or chicken tenders with French fries and cheese pizzas.
There's like, our real popular dishes here at Waikiki, Since these are the popular meals at our school, it limits well locally sourced foods Uncle Shannon orders.
So, I can order it, but sometimes I don't order like certain ones, because it's not real popular, like wan bok and stuff.
One way we can help solve this problem is by helping to create a new menu that includes local ingredients.
Imagine a beef curry with local beef and ‘ulu, or breadfruit, or a fruit salad with star fruit, papaya and bananas from our school garden instead of the canned version.
That way, they become way more popular.
This is Allie Ching- And Clara Tokuda from Waikiki Elementary School for HIKI NŌ, on PBS Hawai‘i.
[ocean wave] Students at Waimea High School on Kaua‘i also take their lunch very seriously.
This next story was produced after their school lunch options were altered.
When Waimea High School students started their second quarter of the 2013-2014 school year, they immediately found something was missing at lunchtime, a second meal choice, also known as wiki.
Bottom line is the executive decision would come down to between myself and the cafeteria manager.
But it, you know, it’s nothing personal.
It's just it just it was something that we had to do, and in light of the fact that we also lost cafeteria workers there.
It was a prudent financial decision that we had to make at the time.
The second meal choice, wiki, was a nonrefundable à la carte meal choice, such as saimin, chicken tenders, or a sandwich.
I don't really care about the second choice or wiki because, like, I'm happy with whatever there is for lunch.
Many people wish they still had a second meal choice.
I think it's a real inconvenience, because sometimes the cafeteria people write down what we're having for lunch one day, but you show up and it's a totally different lunch, and they didn't follow the lunch menu.
If you don't eat it, or you're allergic, you pretty much have to starve for the rest of the day.
This decision has also affected faculty members.
I think it was nice when students and faculty had a choice between wiki or lunch, and it was good to have options, so it is unfortunate that we no longer have the choice, but I can see where sacrifices or decisions had to be made based on budget cuts and resources not available anymore.
So, we all have to just make do, and again, if you don't like what's offered, you can always bring your own.
This is Emily Iannucchi from Waimea High School, reporting for HIKI NŌ.
[ocean wave] Now we'd like to take a pause to enjoy a personal narrative from Emma Roy, a senior at H.P.
Baldwin High School on Maui.
She has shared multiple visual poems with us throughout her high school career, and this latest one is about appreciating life and being present.
Enjoy.
[slow piano music] I'm starting to notice things I've never saw before.
Well, maybe I did see them, I just wasn't paying attention.
It's almost as if life was passing me by, and I was just letting it.
I find that it's easy to wish to be someplace else, to experience a different life, or wish for better experiences, but now I feel different.
I there's something about slowing down and breathing, noticing the present.
That's so beautiful.
[ocean wave] Like Emma's poem reminds us, it is good to cherish our surroundings.
Those sentiments are shared by teachers in the upcoming piece as they discover an almost hidden outdoor museum in Mānoa.
This story was produced by students at McKinley High School on O‘ahu.
Tucked deep in Mānoa Valley, you'll find the Mānoa Heritage Center, an outdoor classroom with historical roots.
Jenny Engle, the Director of Education at Mānoa Heritage Center, says the nonprofit began when Sam and Mary Cooke wanted to inspire people to be thoughtful stewards of their community.
They are able to purchase this parcel, as well as the two parcels that create our lower campus today.
And so, it kind of begins this idea of creating Mānoa Heritage Center.
Founded in 1996, the Mānoa Heritage Center's goal is to educate and inspire others on Hawai‘i's culture and natural heritage through schools and cultural practitioners.
That's two sides.
We're gonna end up fitting them anyways, and then we're gonna end up stripping them into the appropriate sizes.
Included on the grounds is Kuali‘i, a century old home, as well as native Hawaiian Gardens, the Harry and Jeanette Weinberg Visitor Education Hale, and Kūka‘ō‘ō Heiau, a reconstructed ancient Hawaiian temple.
We spoke with educators who experienced Mānoa Heritage Center during a teacher training hosted by the Office of Hawaiian Education.
This experience is just opening my eyes.
This area in Mānoa alone, it's made me realize that the changes that our times has taken us through, from almost losing an area like this and somebody somewhere at some point in time found it important enough to revitalize it and carry it through.
Getting to know your sense of place, because that can help guide your work, guide how you work with other people, guide the criteria for the things you do.
And so, to go back to wherever you call home and start asking those same kinds of questions, like, what is the traditional place name of where I'm from or where I live?
You know, just giving yourself a small window every day, right?
Just to kind of observe your space, your place, right?
It's really transformative.
Mānoa Heritage Center inspires a sense of place to those who take the opportunity to discover it, from grounding yourself in the gardens to strengthening your connection to Hawai‘i's cultural roots.
This is Gavin Simon from President William McKinley High School for HIKI NŌ, on PBS Hawai‘i.
[ocean wave] To close our show, here is a special profile story from Swan Kim, a student at Punahou School who also works as a docent at Bishop Museum.
She interviewed another docent and learned about how he overcame fears of public speaking to become one of the most cherished tour guides at the museum dedicated to Hawaiian history.
Aloha, everybody and welcome to the Bernice Pauahi Bishop Museum.
My name is- Charles Souza is a docent at Bishop Museum.
For the past 15 years, he's been volunteering here twice a week.
Bishop Museum was having this program to train docents et cetera out there.
I was working at that time, and so I decided, well, maybe this is something good to learn, so that I'll have something to fall back on when I do retire out there.
It was a brave decision.
Docents give tours, answer questions, and guide museum visitors.
It may sound fun, but to Charles, it was frightening.
If you asked me 15 years ago if I would be able to speak in front of a group of 10 or 15 people, I would have told you no way.
I took several speech courses when I was working, and I would stand at the podium and basically shake.
Even though he was scared, Charles decided to give this docent thing a try.
Still, his fear lingered in his mind throughout his three months of docent training, where he learned about various artifacts, aspects of Hawaiian culture, and leading tours.
All too soon it was time for him to do it on his own.
What was my first date as a docent?
It was a little scary.
Five minutes driving to here, I said, “What are you doing?
You're crazy.
You're not going to want to be standing in front of people and talking,” and I almost turned around and went back home, something pushed me on to say, just give it a try.
Somehow, Charles survived his first day, then his second, and soon he began to gain confidence in touring visitors.
He was starting to enjoy being a docent because of his love for the Bishop Museum and the history it holds.
But there's something about this place that makes it comfortable to get over the fear of talking in front of 50 to 20 people at a time, just telling the stories and relating the stories of the different artifacts et cetera out there.
It just made it more comfortable.
And as a Kamehameha Schools graduate, he feels a deep connection with Bernice Pauahi Bishop, the founder of the Bishop Museum and the Kamehameha Schools.
I started there in kindergarten and went all the way through high school out there.
As Bernice had afforded me to get an education out there, I feel it's my duty, my kuleana to help give back, or, you know, tell the stories that she wanted the people to know.
Charles' breakthrough in overcoming his fear has affected him far beyond the museum.
And one important thing that it helped me get over was that, unfortunately, I was able to give my father eulogy at his services out there, where before, I wouldn't have been able to even stand up in front of and look at all the people.
Charles plans to keep on volunteering for years to come.
It's not just help him conquer his lifelong phobia; he loves that his work at Bishop Museum constantly teaches him new things, and he encourages more people to join him.
You're not going to know everything.
You try your best to tell people what you know.
You keep on learning.
So, it's important so that we can get more people on the floor to help tell Hawai‘i's story, tell the Hawaiian story.
But if not like it says, enjoy the rest of your day.
And as my mentor says, we don't say aloha goodbye, but a hui hou until we meet again.
This is Swan Kim from Punahou School for HIKI NŌ on PBS Hawai‘i.
ʻOia ihola!
That's it for our show.
Thanks for joining us to watch the impressive work of Hawai‘i's New Wave of Storytellers.
Don't forget to follow HIKI NŌ on PBS Hawai‘i on YouTube, Instagram, and TikTok.
You can find this HIKI NŌ episode and more at pbshawaii.org.
Tune in next week for more proof that Hawai‘i students HIKI NŌ, can do.
A hui hou i kēia pule aʻe.
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