
About to Sweat
Season 16 Episode 4 | 56m 46sVideo has Closed Captions
Funky jazz rock from About to Sweat out of Fort Walton Beach, Florida.
Creating funky jazz rock out of Fort Walton Beach, Florida, About to Sweat features Robbie Paynter (lead vocals/guitar), Hayden Welch (drums/vocals), Adrian Howland (bass/vocals), Josh Zook (keys/saxophone/vocals), and Chase Gasko (trombone).
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StudioAmped is a local public television program presented by WSRE PBS
This program is sponsored in part by The Bear Family Foundation and Blue Angels Music,.

About to Sweat
Season 16 Episode 4 | 56m 46sVideo has Closed Captions
Creating funky jazz rock out of Fort Walton Beach, Florida, About to Sweat features Robbie Paynter (lead vocals/guitar), Hayden Welch (drums/vocals), Adrian Howland (bass/vocals), Josh Zook (keys/saxophone/vocals), and Chase Gasko (trombone).
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Learn Moreabout PBS online sponsorship<b>(Rock music playing)</b> <b>(Ethereal music playing)</b> <b>(Saxophone playing soft music)</b> <b>(Tempo picks up into rock music)</b> <b>Have a try.</b> <b>Just a little more context</b> <b>Knee jerk is a useless reflex.</b> <b>But it gets us by.</b> <b>Will be driven by a hunger.</b> <b>We can kick it in the shade.</b> <b>Try to connect us.</b> <b>Changes in the wind can make us reflect</b> <b>that all our ways</b> <b>will be driven by hunger.</b> <b>about to feel is I need a little come back</b> <b>She fits in sharper than a thumb tack</b> <b>It's you driven by hunger.</b> <b>Like her.
Like in a side.
</b> <b>Leave the light on</b> <b>I'll be drawn with the eyes.</b> <b>No, for a little while </b> <b>You like hurt.
But you realize.
</b> <b>It's very sweet.</b> <b>So I remember when you get</b> <b>your tribe to be driven by</b> <b>hunger.</b> <b>Sidelines.</b> <b>See if he can make a new friend.</b> <b>Got the phone number one 800.
Collect.</b> <b>Quick grab.</b> <b>And just to try</b> <b>to get your foot in the door.</b> <b>But you're just another student and all</b> <b>our days</b> <b>will be driven by hunger.</b> <b>If you like hurt then come inside</b> <b>Keep your light on.</b> <b>and I'll be drawn to the prize.
No.</b> <b>You like hurt you're gonna be weaponized</b> <b>It's a real sweet story</b> <b>I remember where you get your tribe</b> <b>I'm driven by</b> <b>hunger</b> <b>(saxophone solo)</b> <b>You'll be driven</b> <b>by-uh-eye-uh-eye</b> <b>You'll be driven</b> <b>bye-uh-eye-uh-eye</b> <b>You'll be driven by</b> <b>eye-eye-eye-eye</b> <b> </b> <b>(Sax solo)</b> <b>Thank you so much</b> <b>(Jazzy, springy mmusic playing)</b> <b>Start with a quick pull.</b> <b>You're busy thinking about the reasons</b> <b>that I don't have to sweat anymore.</b> <b>Oh.
Decent feeling.</b> <b>Oh, would to be enough.</b> <b>Real direct one.</b> <b>She don't mince words, convincing me</b> <b>that I could be the one if I</b> <b>wanted to</b> <b>make me</b> <b>want to give it all up with this</b> <b>defense system.</b> <b>That's when you speak</b> <b>used to punish myself for being weak</b> <b>The strength will come from the stress</b> <b>you receive.</b> <b>So you got to let.</b> <b>You loosen up your expectations.</b> <b>I'll take it as it comes.</b> <b>Loosen up your expectations.</b> <b>Loosen up.</b> <b>No, no little patience.</b> <b>So long way to resist.</b> <b>We don't even know it for.</b> <b>You still</b> <b>I get to be subject to this combination.</b> <b>To intoxication.</b> <b>Your explanation seems timeless at first.</b> <b>To reach your destination.</b> <b>No need to reverse.</b> <b>No.
You make me want to leave</b> <b>leave it all up to this</b> <b>defenses collapse.</b> <b>Collapsing when you speak.</b> <b>I used to punish myself</b> <b>for being weak</b> <b>The strength will come from the stars.</b> <b>You the sea.</b> <b>So you got to learn to give it all up</b> <b>with.</b> <b>The defenses collapse and I will see</b> <b>if I still punish myself</b> <b>for being weak the strength will come.</b> <b>You just wash</b> <b>Rinse, repeat.</b> <b>No, you.</b> <b>Loosen up your expectations.</b> <b>I'll take it as it comes.</b> <b>To loosen up your expectations.</b> <b>You loosen up.</b> <b>Loosen up your expectations.</b> <b>You gotta take it as it comes</b> <b>loosen up your expectations.</b> <b>No no no no no no.</b> <b>(fast tempo music)</b> <b>I've been wishing that I could.</b> <b>It's who's on the sunrise.</b> <b>Oh, I need a couple more hours.</b> <b>Why can't I just close my eyes?</b> <b>It's best I'm confessing.</b> <b>I don't really want to,</b> <b>test up.</b> <b>Your pain.</b> <b>I'm already late.
For.</b> <b>Shadows who say racing round the bend.</b> <b>This man only concerned</b> <b>about their savings payments.</b> <b>Crashing in the tunnels</b> <b>and the trains and buildings.</b> <b>They've got plans.
The formula.</b> <b>There's a little more to life than just</b> <b>grabbing all the things you can</b> <b>accumulate.</b> <b>I guess you everyday</b> <b>just to get paid.</b> <b>What I'm trying to say</b> <b>is that just good business</b> <b>it pays</b> <b>I guess, whatever it takes</b> <b>to just to get paid.</b> <b>What I'm trying to say</b> <b>is that just good business</b> <b>these days</b> <b>Man.
Grab a chair if you can find one.</b> <b>Questions about how this</b> <b>business has been being run.</b> <b>Okay, we just need to relax.</b> <b>Stay.
Smack, smack.</b> <b>I don't be relevant.</b> <b>Here I go sell your stacks</b> <b>and make a run for the factory.</b> <b>Any money?</b> <b>But we need those dividends now.</b> <b>Well, I guess whatever it takes</b> <b>for us to get paid.
So.</b> <b>You know what I'm trying to say</b> <b>is that just good business.</b> <b>these days</b> <b>And I guess whatever it takes</b> <b>just to get paid.</b> <b>You know, what I'm trying to say</b> <b>is that there's a business these days.</b> <b>Maybe I should request to sign</b> <b>this design.</b> <b>Wasn't mine, didn't I?</b> <b>All of these allegations</b> <b>Time for a long vacation.</b> <b>I need a better way</b> <b>Need a better way</b> <b>I'm writing.</b> <b>It's gonna be the birthday.</b> <b>I'm told it's a great </b> <b>descent</b> <b>Right here to the top of the building.</b> <b>I've only pennies left.</b> <b>I arrive at the top of the building</b> <b>What a beautiful sunset </b> <b>If I fly off the top of the building.</b> <b>Will I finally get to rest</b> <b>Mmm....mmmmm</b> <b>I finally get to go read for</b> <b>(slow humming)</b> <b>(more humming)</b> <b>(melodic humming continues)</b> <b>(humming continues)</b> <b>I can recommend these feelings</b> <b>I've got again.</b> <b>How you take me apart.</b> <b>Your toxic.</b> <b>disregard</b> <b>You kick me to the curb.</b> <b>All the ways that you hurt</b> <b>This damage you incurred.</b> <b>Now can I just remind myself</b> <b>that it just takes time</b> <b>to lay on my mind</b> <b>only takes time to re-align</b> <b>(trombone and sax feature)</b> <b>oooooooohhh</b> <b>mmmmm-hmmmm</b> <b>it only takes time to re-align</b> <b>Thank you all so much.</b> <b>(smooth rock music)</b> <b>familiar situations</b> <b>What are you gonna do?</b> <b>And you skip the complications</b> <b>Go ahead.</b> <b>Make a move.</b> <b>I can't leave this scene.</b> <b>Oh.
Feeling.</b> <b>Like I need a place to confess.</b> <b>Let's not get too tongue tied.</b> <b>We can make it happen</b> <b>Saying less.</b> <b>Say less.</b> <b>Say less.</b> <b>(trombone and sax feature)</b> <b>Skip your conversations.</b> <b>With your eyes.</b> <b>They really do talk.</b> <b>Your Communications</b> <b>Oh, no.</b> <b>Well, show me just what you want.</b> <b>We can leave the city.</b> <b>Oh.
Feeling.</b> <b>Well, I can need a place to confess.</b> <b>You.
Well, let's not get too tongue tied.</b> <b>We can make it happen.
No.</b> <b>Sinless.
Oh.</b> <b>Say less</b> <b>Say less</b> <b>(Slow jazz and rock music)</b> <b>You.
Flashing new warning signs.</b> <b>Disregard all the lines.</b> <b>Even the, clothes and trunks</b> <b>smashed up and leaning over that razor.</b> <b>Plant your colors.</b> <b>Maybe a little too much for some</b> <b>superstructure.</b> <b>With a shadow.</b> <b>You former fame</b> <b>No one will remember his name.</b> <b>does it ever feel?</b> <b>like we're floating?</b> <b>You keep on coming down.</b> <b>Does it ever feel?</b> <b>like we're floating?</b> <b>faster</b> <b>Ain't it about damn 11 minutes.</b> <b>So much happened</b> <b>all day to ease your alarm.</b> <b>Tensing up to fight the shivers.</b> <b>Sweet.</b> <b>So you're such a giver.
No, I don't mind.</b> <b>Bills paid to your charms</b> <b>Under cover of shadows.</b> <b>charades back to the hotel</b> <b>Oh, somewhere safe</b> <b>does it ever feel?</b> <b>like we're floating?</b> <b>keep on climbing now</b> <b>does it ever feel like we're floating?</b> <b>Oh, and</b> <b>faster.</b> <b>Superstructure.</b> <b>a shadow</b> <b>of your former fame</b> <b>Head to the hotel.</b> <b>Call somewhere safe.</b> <b>(sax solo)</b> <b>Does it ever feel?
No</b> <b>like you're floating</b> <b>Does it ever feel?
No.</b> <b>Well,</b> <b>does it ever feel like we're floating?</b> <b>You go climbing now.</b> <b>does it ever feel like we're floating?</b> <b>Oh, only when I faster for you.</b> <b>Superstructer.
Shadow of former fame.</b> <b>Back to the hotel somewhere safe.</b> <b>Rest my neck.</b> <b>It's been too long.</b> <b>Way too long</b> <b>since the felt that.
Oh.</b> <b>Bring to my chest and rest your bones.</b> <b>Rest your bones.</b> <b>Know you got enough going on.</b> <b>Was easy to lose.</b> <b>your drive</b> <b>looking long nights.</b> <b>Divine time into manageable pieces.</b> <b>When least there's a few inside.</b> <b>When your bedside.</b> <b>You're that piece in my mind</b> <b>I always needed.</b> <b>It cash these checks to pay for loans</b> <b>Pay for loans.</b> <b>Can't remember what they were for.</b> <b>Under duress, you bring home.</b> <b>I said we could overcome.</b> <b>But just as long as there's two of us.</b> <b>But it's easy to lose.</b> <b>Drive.</b> <b>You can long nights dividing time</b> <b>into manageable pieces.</b> <b>Well at least </b> <b>There's a view inside.</b> <b>When your bedside.</b> <b>You're that piece in my mind</b> <b>I always needed</b> <b>(sax solo)</b> <b>But it's easy to lose.</b> <b>your drive</b> <b>Working long nights.</b> <b>Dividing time into manageable pieces.</b> <b>And you.</b> <b>At least there's a view inside.</b> <b>When your bedside.</b> <b>Are you that piece in my mind?</b> <b>Oh, in.</b> <b>Oh, yeah.</b> <b>That piece in my mind.</b> <b>Oh, yeah.</b> <b>That place in my mind.</b> <b>I always needed</b> <b>This one's for anyboyd who hates</b> <b>their exes</b> <b>Come on.</b> <b>Tell me something.</b> <b>I need a little bit of good news.</b> <b>I've been losing all my sleep</b> <b>just thinking about you.</b> <b>I've been looking for a place</b> <b>where I could just get away.</b> <b>Every time I turn around,</b> <b>all I see is a face.</b> <b>Oh, damn.</b> <b>Wish that had my case.</b> <b>All I'm craving is a momentary escape.</b> <b>So I'm down and a rapid descent</b> <b>Well,</b> <b>let me ask you are we having fun yet?</b> <b>are we having fun yet?</b> <b>Have it?</b> <b>Come on, tell me something.</b> <b>All the things head up inside.</b> <b>Don't go begging for truth.</b> <b>Those are my lines</b> <b>You've been looking for a way</b> <b>I since to tell you.</b> <b>Around half a million.</b> <b>I know you never compromise.</b> <b>Don't hide I despise a disguise</b> <b>Likewise</b> <b>I realize that you've been hidden mine.</b> <b>You're hiding up into the sunset.</b> <b>Let me ask you.</b> <b>are we having fun yet?
</b> <b>No, please don't run away.</b> <b>You let me ask you if it feels just</b> <b>the same</b> <b>You know, I think I'm not to blame.</b> <b>Can you make sense of this mess</b> <b>Come home and let me ask you.</b> <b>Are we having fun?</b> <b>yet</b> <b>Yeah.</b> <b>Settle down.
Well,</b> <b>maybe I'm just losing my head.</b> <b>It depends.</b> <b>I don't even really want to go again.</b> <b>I.
How did weekends up like this</b> <b>one?
Now</b> <b>you can't stop blaming me for this fate.</b> <b>I wasn't the one who started</b> <b>to seal the blade</b> <b>It's over.
Jack, would you stay?</b> <b>No, I won't forget.</b> <b>Let me ask you</b> <b>are we having fun yet?</b> <b>Don't.</b> <b>Please don't run away.</b> <b>I ask you if it feels just the same.</b> <b>Want to tell you?</b> <b>No.
I think I'm not to blame.</b> <b>Can you make sense of this mess?</b> <b>He's gonna let me ask you now.</b> <b>are we having fun yet?</b> <b>Come.</b> <b>Are we having fun?</b> <b>Yet</b> <b>are we having fun yet?</b> <b>Well, are we having fun yet?</b> <b>Are we having fun yet?</b> <b>(bass solo)</b> <b>(synth comes in followed by brass)</b> <b>Do you feel that?</b> <b>It's just me.</b> <b>Now where's your head at?</b> <b>Don't you bring it a little closer to me.</b> <b>Oh.
The place we could have.</b> <b>If you're looking for a little release.</b> <b>I know I'm a secret.</b> <b>Who's.</b> <b>Got the smoothest trees.</b> <b>Don't.</b> <b>We gotta get moving.</b> <b>We can go slow cruising.</b> <b>You know, we gotta get moving.</b> <b>Go home.</b> <b>Cruising.</b> <b>(synth melody followed by sax entrance)</b> <b>I.
Know we gotta get moving.</b> <b>Go slow cruising.</b> <b>You know, we gotta keep moving.</b> <b>We go.</b> <b>Oh, oh.</b> <b>Slow cruising.</b> <b>(brass section plays with synth)</b> <b>(guitar solo)</b> <b>I gotta keep moving</b> <b>You go slow cruising.</b> <b>No, we gotta keep moving.</b> <b>I go, we go.</b> <b>Oh, no, I slow cruising.</b> <b>Oh.
House with a vision.</b> <b>But not a</b> <b>the plotting and making final decisions.</b> <b>No need to save your breath.</b> <b>She'll commit a death.</b> <b>Leave you with nothing left.</b> <b>Just a feeling in the chest.
Is it?</b> <b>What's in this for tangles with the devil.</b> <b>Leaves it all on the floor.</b> <b>Running on fumes in a red bull.</b> <b>She can think anymore.
Indeed.</b> <b>Another vessel was hit, but with</b> <b>the closet bench is something special.</b> <b>There's no no.
Now.</b> <b>There's a stop in her</b> <b>heart to see her go for the night.</b> <b>The rivers breaking up.</b> <b>Saying ouch with the tremendous grace.</b> <b>That's.</b> <b>That's the moment.
And it's stays.</b> <b>There's no oh, no.</b> <b>Now there's a stop in her</b> <b>heart to see a go.</b> <b>That not first waking up saying hikes</b> <b>with the tremendous grace</b> <b>that the stumbling and headspace</b> <b>(brass playing)</b> <b>Blazing static in a red.</b> <b>Oh dress.</b> <b>The room can recognize.</b> <b>That she's the one to impress</b> <b>all the members and the corners</b> <b>with the cold sweats.</b> <b>Trying to take care to dance.</b> <b>But they're scared to death, is it</b> <b>what she is for?</b> <b>Tangles with the devil.</b> <b>Leaves it all on the floor,</b> <b>running on fumes and Red bull,</b> <b>she can't take anymore.</b> <b>Indeed, another vessel walking,</b> <b>but with the car</b> <b>she thinks is something special.</b> <b>There's</b> <b>no no now.
There's no stopping, no.</b> <b>Hate to see it go.</b> <b>But I'm not the nervous.</b> <b>Waking up.</b> <b>Saving hearts with tremendous grace.</b> <b>just stumble in in the head space</b> <b>There's no no now.
There's no stopping her</b> <b>I hate to see her go</b> <b>but I'm not the first</b> <b>saying hi to a tremendous grace.</b> <b>That's just a moment.
It's.</b> <b>(guitar and sax breakdown)</b> <b>But please take me away.</b> <b>Help me dream of stars and sand</b> <b>sparkling ceiling</b> <b>Oh, please take me away.</b> <b>Help me dream of stars and sand.</b> <b>The simple.</b> <b>The day oh</b> <b>oh simple.</b> <b>The days.</b> <b>simple a day</b> <b>They taste</b> <b>simple A taste.</b> <b>Simple.</b> <b>a taste</b> <b>(soft sax melody)</b> <b>Until it dissolves</b> <b>Take a couple deep breaths</b> <b>Just in your resolve.</b> <b>And need a subtle reset</b> <b>Beautiful.
Good.</b> <b>Cause it's a lovely weekend.</b> <b>Pushing melody comes through and preset</b> <b>with the bricks on the walls.</b> <b>Try to keep your balance.</b> <b>Don't just damn it</b> <b>Oh, don't be so callous.</b> <b>When the wherewithal overflowing time is.</b> <b>You can come out</b> <b>with some hints of madness.</b> <b>That's all right.
I'll be fine in due time</b> <b>Well, I'll take it easy.</b> <b>I don't want pressure.</b> <b>These diamonds are better.</b> <b>I don't know why it's a lie.</b> <b>What's inside to cleaning up?</b> <b>It's arriving.</b> <b>We've already locked it up.
</b> <b>Taking it easy</b> <b>easy</b> <b>Isn't life always better</b> <b>By the way, we see the sign in the rock</b> <b>taking it easy.</b> <b>Save of some good is burning extra hours?</b> <b>No need to suggest.</b> <b>You know you want some power</b> <b>Please slow.</b> <b>We'll go beneath the clouds and smoke.</b> <b>Maybe we'll just hold hands.</b> <b>That's all right.</b> <b>I'll be ready to tell</b> <b>when I'm taking it easy.</b> <b>Say, I don't want pressure this time</b> <b>because I'm better.</b> <b>I don't know why it's a lie.</b> <b>What's inside?</b> <b>To clean it up wiser I get.</b> <b>We've already locked it up.</b> <b>Taking is easy</b> <b>Say it loud.</b> <b>Always better define when we</b> <b>see his eyes in the right</b> <b>Take it.
It is.</b> <b>Oh yeah.</b> <b>I'm taking it easy</b> <b>yeah</b> <b>Yeah, I'm taking it easy.</b> <b>(slow synth entrance and melody)</b> <b>(trombone feature)</b> <b>(guitar solo)</b> <b>(solo solo)</b> <b>(bass solo)</b> <b>(drum solo)</b> <b>Oh, that's all right.</b> <b>I'll be fine in due time</b> <b>Well, I'm taking it easy</b> <b>No more pressure.</b> <b>These diamonds are better</b> <b>I don't know why it's a lie</b> <b>wish a shiny and gleam though</b> <b>And we've already done it.</b> <b>I'm taking it easy</b>
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Clip: S16 Ep4 | 5m 47s | Funky jazz rock from About to Sweat out of Fort Walton Beach, Florida. (5m 47s)
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