>> PRODUCTION OF "BROAD & HIGH" IS FUNDED BY THE GREATER ARTS COUNCIL, CELEBRATING TALENT AND CONNECTING THE COMMUNITY TO COLUMBUS ARTISTS, PERFORMANCES, CONCERTS, PUBLIC ART AND MORE AT COLUMBUSMAKESART.COM.

FROM THESE CONTRIBUTING SPONSORS, AND VIEWERS LIKE YOU.

THANK YOU.

>> THIS TIME ON "BROAD & HIGH," LEARN ABOUT EMPOWERMENT THROUGH ART, DRAWBACK THE CURTAIN ON THE MAGIC OF COSTUMING, AND EXPERIENCE TIMELESS POETRY AND FOLK ROCK MUSIC.

THIS AND MORE RIGHT NOW ON "BROAD & HIGH."

>> WELCOME TO "BROAD & HIGH. "

I'M YOUR HOST, KATE QUICKEL.

WE HAVE FORTUNATE TO HAVE MANY AND VARIED ARTS ORGANIZATIONS HERE IN COLUMBUS.

IN THIS SEGMENT, WE HEAD TO THE KITCHEN TO TALK TO ONE OF THE FOUNDERS OF AN ART ORGANIZATION THAT IS NOT ONLY FOR HEALING, BUT ALSO PROVIDES SUPPORT.

AND OF COURSE, WE'LL MAKE A QUICK BITE.

JOINING ME IN THE KITCHEN TODAY IS AIMEE WISSMAN FROM RETURNING ARTIST GUILD.

THANKS FOR BEING HERE.

>> THANKS FOR HAVING ME.

>> SO TELL ME ABOUT RETURNING ARTISTS GUILD.

>> IT'S A NETWORK OF CURRENTLY AND FORMERLY INCARCERATED ARTISTS IN OHIO.

RIGHT NOW THERE ARE 40 OF US.

WE'RE PEER LED ARTISTS WHO ARE LOOKING TO CHANGE OF THEIRTY.

THE NARRATIVE.

AND WE TALK ABOUT CREATIVE PRACTICE.

>> YOU GUYS DO IT ALL.

AMAZING, AND IT'S ALL TIED IN THROUGH ART.

>> ALL THROUGH ART, BECAUSE ART HAS POWER TO CHANGE.

>> ABSOLUTELY.

>> SO I'M REALLY EXCITED ABOUT THIS RECIPE TODAY.

WHY DON'T YOU TELL ME ABOUT THIS RECIPE, AND WHAT MAKES IT SPECIAL?

>> THERE'S A LOT OF INGENUITY IN THE WAY PEOPLE MAKE FOOD, FROM GAS STATION INGREDIENTS, BASICALLY, AND YOU HAVE TO BE FORTUNATE TO BE ABLE TO SHOP TO EVEN GET THESE ITEMS, AND WHEN WE HAVE THESE ITEMS, SOMETIMES YOU WANT SOMETHING ELSE, YOU WANT A LITTLE TREAT.

>> SO YOU GET CREATIVE.

>> ESPECIALLY WITH THE GIRLIES, WE WOULD GET CREATIVE AND TAKE TURNS ON WHO'S NIGHT IT IS TO MAKE THE CAKE.

THERE'S WAYS YOU COULD PROBABLY USE ORGANIC OR EVEN BETTER INGREDIENTS THROUGH THIS PROCESS.

BUT IT'S A TREAT, AND KIDS REALLY LIKE IT.

IT'S ALMOST LIKE MAGICAL SCIENCE.

>> I LOVE THAT!

>> WHO KNEW?

>> I'M SO EXCITED.

WHY DON'T YOU TELL US WHAT YOU NEED FOR THE RECIPE?

>> SO YOU NEED ONE PACK OF LEMON COOKIES, ONE PACK OF LEMON LIME, OR ORANGE SODA, AND NON-DAIRY CREAMER.

>> I'M SO EXCITED ABOUT THIS RECIPE.

TELL ME ABOUT WHAT KIND OF ARTISTS ARE INVOLVED IN THE RETURNING ARTISTS GUILD.

>> WE HAVE VISUAL ARTISTS LIKE MYSELF.

DANCERS, POETS, MUSICIANS OF ALL KIND OF WE HAVE A FIBER GUILD GOING.

WE'VE STARTED QUILTING NOW.

WE'RE OPEN TO WHATEVER THE FORM OF CREATIVE EXPRESSION IS.

FOR US, IT'S MORE ABOUT, IF YOU'RE FEEDING THAT CREATIVE PART OF YOU, THAT'S ONE OF THE WAYS THAT WE KNOW YOU'RE GOING TO BE ABLE TO MAINTAIN YOUR SANITY BOTH INSIDE FACILITIES AND THROUGH THE REENTRY PROCESS.

SO THAT'S KIND OF OUR THING.

WE SUPPORT THE CREATIVE PRACTICE AND WE'RE OPEN TO THE IDEA OF WHAT CREATIVE PRACTICE MEANS, INCLUDING MAYBE CULINARY ART.

WE DON'T HAVE THAT PERSON YET, BUT WE'D LOVE TO HAVE THEM.

>> I LOVE THAT KIND OF OPEN CONNECTION OF IT DOESN'T MATTER IF WE DO THESE CORE THINGS, WE CAN HELP YOU CONNECT WITH ART.

>> BECAUSE EVERYBODY IS CREATIVE.

>> SO TRUE.

I THINK WE SHOULD GET STARTED.

SO WHAT'S THE FIRST STEP HERE?

>> OKAY, SO WE HAVE TO SPLIT OUR COOKIES UP, AND THIS IS THE ONLY REAL LABOR INTENSIVE PART.

>> EASY.

>> PRETTY BASIC.

WE'RE GOING TO CRACK THEM OPEN.

>> THIS IS THE BEST PART OF THESE COOKIES ANYWAY.

>> THE MORE EXPENSIVE YOUR COOKIE BRAND MAYBE IS, THE BETTER THEY'LL SPLIT.

>> THIS IS SO CREATIVE.

I MEAN, JUST LIKE WORKING WITH WHAT YOU HAVE.

>> GOT TO GET THE INSIDES OUT, BECAUSE THEY'RE GOING TO BE OUR ICING FOR OUR CAKE.

AND THIS IS BASICALLY GOING TO BE OUR CAKE BATTER.

>> IT'S KIND OF SOOTHING.

>> ALL RIGHT, HEY, I THINK WE'VE DONE ENOUGH COOKIES.

WE HAVE A REAL BIG PACKAGE OF COOKIES.

SO I THINK WE'RE GOING TO PUT THESE IN BAGS.

>> OKAY.

>> SO WE CAN CRUNCH THEM DOWN WITHOUT SPRAYING COOKIE CRUMBS EVERYWHERE.

AND WE'RE LOOKING FOR, NOT LIKE THE FINEST GROUND POWDER, BECAUSE WHO HAS THAT AMOUNT OF TIME?

BUT PRETTY BROKE DOWN, AND WE CAN SHOW WHAT THAT LOOKS LIKE, I GUESS.

>> YEAH, JUST FILL IT UP.

>> FILL IT UP, AND THEN WE'RE GOING TO BANG ON THEM, OR CRUNCH THEM.

GOING TO GET THE AIR OUT.

>> THIS IS VERY PHYSICALLY SATISFYING.

>> OKAY, WE GOT ALL OUR COOKIES BROKEN UP, I'M EXCITED TO MOVE ON TO MAKE THE CAKE.

BUT BEFORE WE DO THAT, TELL ME SOME OF THE WAYS RETURNING ARTISTS GUILD SUPPORTS ITS MEMBERS?

>> IT KIND OF DEPENDS ON WHETHER THEY'RE STILL INCARCERATED.

WE PAY FOR STUDIO TIME OR WHATEVER IT'S GOING TO TAKE FOR PEOPLE TO ACTUALLY MAKE THEIR WORK.

AND THERE'S ANNUAL AMOUNT THAT ARTISTS GET FOR THAT.

WE HAVE EMERGENCY SUPPORT FOR THINGS LIKE HOUSING, OR CHILDCARE, OR MEDICAL CARE.

WE'VE HELPED PEOPLE TAKE CARE OF THEIR KIDS.

WE HELP THEM TAKE CARE OF SOMETHING.

A LOT OF FORWARD FACING THINGS WHERE PEOPLE HAVE THE OPPORTUNITY TO SELL THEIR WORK, GROW THEIR BUSINESS.

PEOPLE TRAVEL AND EXPERIENCE LIFE, AND GET TO SEE THINGS THEY HAVEN'T GOTTEN TO SEE.

WE TRY TO BE VERY HOLISTIC IN OUR APPROACH.

>> IT LOOKS LIKE YOU CONSIDER THE WHOLE PICTURE OF THE PERSON AND WHAT THEY NEED FROM AN ARTIST STANDPOINT, AND LIFE STANDPOINT.

>> BECAUSE IT'S BOTH.

VERY INTERCONNECTED.

>> YEAH, YOU CAN'T SEPARATE THOSE.

AMAZING.

ALL RIGHT, LET'S MAKE A CAKE.

>> THIS BOWL IS A LITTLE SMALL FOR THE AMOUNT OF COOKIES WE CRUNCHED UP.

>> WE DON'T WANT A MICROWAVE DISASTER.

>> NOT FOR MY PBS DEBUT.

YEAH, I THINK THIS IS ENOUGH.

>> YEAH.

>> ALL RIGHT.

>> OKAY.

>> SO WE'VE GOT COOKIE CRUMBS.

THEN WE'RE JUST GOING TO GO IN.

>> LOVE IT.

AND YOU'RE JUST SORT OF EYEBALLING?

>> YEAH.

TYPICALLY LIKE FOR ONE STANDARD SIZED PACK OF COOKIES, WHICH IS LIKE A LITTLE SMALLER THAN THIS ONE, ONE CAN OF SODA IS ALMOST EXACTLY IT.

>> SO WE MADE IT A LITTLE HARDER.

>> SINCE WE'RE DOING IT THIS WAY, WE'RE JUST GOING TO EYEBALL IT.

I JUST PUT A LITTLE IN AT FIRST, AND LET IT START SOAKING IT UP.

AND IT DOESN'T HAVE THE MOST PLEASANT APPEARANCE.

>> IT WILL GET THERE.

>> WITH THIS KIND OF, THIS MUCH.

BUT FRET NOT.

>> SMELLS GOOD.

>> SMELLS GREAT.

AND YOU CAN BREAK UP THE PIECES, SO MAKE THEM CHUNKY, OR IN THIS MUSH PHASE.

>> I LOVE THE MUSH PHASE.

>> IT'S CRITICAL.

>> IT LOOKS LIKE BATTER, HONESTLY.

>> IT'S GETTING THERE.

IT'S A WHILE, THE WAY THAT FOOD CAN BE RECONSTITUTED.

THAT WAS SOMETHING I WAS NOT AWARE OF UNTIL I WAS INCARCERATED.

PARTICULARLY COOKIES AND POTATO CHIPS.

THE NUMBER OF THINGS YOU CAN DO WITH CRUNCHED DOWN COOKIES OR POTATO CHIPS IS KIND OF MIND BLOWING.

>> TO HELP TURN SOMETHING ELSE INTO SOMETHING NEW.

AMAZING.

>> AND THE AMOUNT OF INGREDIENTS IS ACTUALLY VERY HELPFUL.

>> KIND OF ACTS LIKE A BUTTER.

>> SO WEIRD.

>> WHO KNEW?

IT LOOKS LIKE A LEGIT CAKE BATTER.

>> LOOKING KIND OF THICK IN THE MIDDLE THERE.

BUT YEAH, IT'S PRETTY COOL WHAT'S GOING TO HAPPEN.

SO IT'S GOING TO COOK THROUGH ALMOST LIKE A PANCAKE.

YOU'RE GOING TO SEE THE BUBBLES ON THE OUTER EDGES FIRST.

AND THEN ONCE IT'S LIKE BUBBLY IN THE MIDDLE, IT WILL BE DONE.

>> HOW LONG IS IT?

DO YOU KIND OF WATCH IT AND DO A LITTLE MORE?

>> THREE MINUTES IS WHERE I WOULD START.

ESPECIALLY WITH WHAT, WE'RE DONE IN LESS THAN THREE, I WOULD GUESS.

BUT THE PRACTICE CAKE TOOK MAYBE FOUR MINUTES IN MY MICROWAVE.

I'D SAY BETWEEN THREE AND FIVE.

>> GOT TO WATCH IT.

HERE WE GO.

>> OKAY.

>> IN SHE GOES.

>> OOH.

>> A LITTLE MORE.

>> A LITTLE MORE?

>> YEAH.

YOU SEE HOW IT'S KIND OF GOOEY IN THE MIDDLE?

>> OKAY, SO OUR CAKE IS OUT OF THE MICROWAVE.

YOU CAN SEE HOW IT'S COOKED THROUGH.

AMAZING.

SCIENCE.

MAGIC.

ALL OF IT.

>> LIKE A CAKE PANCAKE.

OKAY, SO THIS, WE'RE ALSO JUST GOING TO KIND OF EYEBALL.

>> OKAY.

>> SO WE'VE GOT ALL THE FILLING FROM THE COOKIES, AND THEN YOU'RE GOING TO ADD -- >> GOING TO ADD A LITTLE NON- DAIRY CREAMER, BECAUSE TYPICALLY THE ICING IN THESE COOKIES IS JUST NOT --IF YOU USE A FANCY BRAND IT WOULD HAVE EXTRA DOUBLE ICING, AND IT WOULD BE A MESS, BUT IF YOU'RE USING THESE GUYS -- >> I DON'T THINK THERE'S A LOT OF FILLING.

>> YEAH, AND I THINK IT WILL BE CREAMIER.

>> IT'S PRETTY SMOOTH.

I WOULD SAY IT'S MORE GLAZED- LIKE.

>> YEAH, THAT WORKS.

>> GET IT.

GET IT ALL IN THERE.

>> YEAH.

>> AND BECAUSE SOME WILL MELT INTO THERE.

>> THIS IS LIKE TOTALLY FLEXIBLE.

AIMEE, THIS LOOKS AMAZING.

IT'S SO INCREDIBLE, SO RESOURCEFUL.

I CAN'T WAIT TO TRY IT.

BEFORE WE DIG IN, WHAT'S ONE MORE THING YOU'D LIKE PEOPLE TO KNOW ABOUT RETURNING ARTISTS GUILD?

>> I GUESS WHERE TO FIND US.

WE ARE ON LINE.

IF FOLKS ARE INCARCERATED, THEY CAN FIND US THROUGH THE RAY LINK.

SO FOLKS CAN REACH OUT.

>> I'M SO GLAD YOU'RE A RESOURCE FOR FOLKS AND THAT THERE ARE SO MANY CREATIVE WAYS TO GET INVOLVED.

I THINK WE SHOULD EAT THIS DELICIOUS CAKE.

>> I THINK WE SHOULD TRY IT.

>> THANK YOU FOR BEING HERE, AIMEE.

THIS CAKE IS SO GOOD.

>> TO LEARN MORE, CHECK THEM OUT ONLINE AT RETURNINGARTISTSGUILD.

ORG.

EVEN THOUGH COURTNI REDDICK SAW "THE WIZ" FOR THE FIRST TIME WHEN SHE WAS VERY YOUNG AND HER MEMORIES ARE ADMITTEDLY FRAGMENTED, THE FEELINGS HAVE STAYED WITH HER.

WHEN THE OPPORTUNITY TO WORK ON THE SHOW AT THE SHORT NORTH STAGE CAME, SHE JUMPED ON THE CHANCE TO EASE ON DOWN THE YELLOW BRICK ROAD.

AS HER DREAM SHOW, SHE'S HAD YEARS TO IMAGINE HER OWN TAKE ON THE TALE.

COURTNI'S IDEA WAS TO HAVE THE COSTUMES SPAN A TIMELINE, FROM THE 1970s.

LET'S TAKE A LOOK AT HOW SHE ACCOMPLISHED THIS GOAL.

>> IT MIXES ALL OF MY FAVORITE ELEMENTS.

ARTISTICALLY AND CULTURALLY, I GET TO BE MY UNAPOLOGETICALLY NERDY BLACK SELF WHEN IT COMES TO "THE WIZ," BECAUSE I LOVE DOING BIG FANTASTICAL SHOWS, AND I CAN UTILIZE THINGS FROM MY EXPERIENCES IN THE SHOW AS WELL.

IT'S JUST ONE OF THOSE RARE SHOWS THAT ALLOWS FOR THAT.

HOW WE APPROACH THE FAMILY IN LIKE, KANSAS.

HOW WE APPROACH, ESPECIALLY LIKE "THE WIZ," HOW BIG AND LOUD AND BRIGHT THAT GETS.

I DON'T COME ACROSS AS THAT KIND MUCH PERSON, BUT WHEN I DO MY ART, THAT'S WHERE THAT COMES OUT IS.

THAT'S WHERE MY OBNOXIOUSNESS HOPEFULLY GOES.

YOU NEVER WANT TO GET TOO ATTACHED TO AN IDEA EARLY ON, BECAUSE IT'S A COLLABORATIVE PROCESS.

SO YOU'VE GOT TO START WITH THE DIRECTOR.

WHAT'S THEIR VISION?

AND THEN IN A LOT OF CASES, WHAT'S THE BUDGET?

WHAT IS ACTUALLY WITHIN PRACTICALITY OF GETTING DONE, VERSUS WHAT WE DREAM OF?

ONCE I KNOW THE SHOW, AND LIKE THE PARAMETERS, IT'S JUST RESEARCH.

IT'S ALWAYS BETTER TO GO KIND OF PIE IN THE SKY, AND THEN DRAW YOUR WAY BACK, THAN TO TRY TO BUILD YOURSELF IN A PREEXISTING BOX.

THAT'S GENERALLY HOW I WORK IS LIKE, WHAT IS THE ABSOLUTE DREAM FOR THIS SHOW?

OKAY.

WHAT PARTS OF THIS DREAM CAN WE ACTUALLY MAKE WORK?

I STARTED, ALMOST ACCIDENTALLY INTO IT.

WHEN I WAS IN COMMUNITY COLLEGE I WAS IN STUDIO ART, JUST KIND OF LIKE, OH, YOU CAN DRAW.

YOU SHOULD DO THAT.

I WAS LIKE GREAT, I GUESS I'LL DO THAT.

AND I ENDED UP DOING IT THROUGH LIKE A WORK STUDY AT THE SCHOOL, JUST STARTED --NOT VOLUNTEERING, I GOT PAID, BUT IT WAS JUST KIND OF ACCIDENTAL INTO IT.

AND I KNOW A LOT OF PEOPLE THAT DON'T GO TO SCHOOL THAT JUST STARTED VOLUNTEERING AT A THEATER.

THERE'S A LOT OF DIFFERENT PATHWAYS INTO IT.

AND YOU JUST KIND OF HAVE TO CALL UP A THEATER AND ASK, HEY, DO YOU NEED SOME HELP?

AND YOU CAN START LEARNING THE ROPES THAT WAY.

MY FAVORITE PART IS ACTUALLY BEING ABLE TO HAVE TANGIBLE PROOF THAT I'M WORKING WITH PEOPLE AND I'M CREATING SOMETHING, AND IT HAS LIKE A DEFINITE RESULT.

THERE'S A LOT --I THINK THERE'S A LOT OF JOBS THESE DAYS THAT YOU CAN DO ENDLESSLY THAT NEVER FEELS LIKE IT HAS A TANGIBLE RESULT.

EVEN IF YOU'RE WORKING WITH OTHER PEOPLE IT CAN STILL FEEL ISOLATING WITHOUT A SENSE OF PURPOSE.

BUT IN THEATER, THERE'S ALWAYS A DATE, WE'VE GOT TO GET THIS DONE, WE ALWAYS HAVE TO BE TALKING TO EACH OTHER.

THE COSTUMES HAVE TO WORK WITH THE SETS.

HAVE TO WORK WITH THE LIGHTS.

HAVE TO WORK WITH THE SOUND EQUIPMENT.

IT IS --IT IS THE EPITOME OF COLLABORATION.

I DON'T THINK IN A LOT OF THINGS THESE DAYS, THERE'S A LOT OF OTHER PLACES YOU CAN GET THAT.

>> TO SEE MORE OF COURTNI'S CREATIVE ENDEAVORS, FIND HER ON INSTAGRAM AT BONNET BEES.

MATTHEW SULLIVAN IS DUBBED AS A SONGSMITH FROM THE GREAT MIDWEST.

IN HIS ALMOST 20 YEARS OF MUSIC MAKING, HE'S FOUND HIMSELF COLLABORATING WITH AN ARRAY OF TALENTED MUSICIANS.

WE WERE FORTUNATE TO HAVE MARK SIMS, KYLE MARTIN, AND BRIAN JOIN MATT IN THE "BROAD & HIGH" STUDIO FOR A RECENT RECORDING.

TAKE A LISTEN.

WOKE UP THIS MORNING WITH THE TASTE OF BLOOD IN MY MOUTH LOOKING FOR SOMEONE BUT THERE'S NOTHING TO BE FOUND FELL ASLEEP WITH NO THOUGHTS ON MY MIND HERE I STAND ACCUSED OF EVERYONE ELSE'S CRIMES I WENT TO SLEEP A BOY BUT NOW I'M A WOLF A STORY SO STRANGE THAT I NEVER WILL BELIEVE PRAY FOR ME MY DEAREST FRIEND THE HOUNDS ARE CLOSE I'LL NEVER TO BE SEEN FROM AGAIN THE RABBITS LAY QUIET IN THIS FIELD OF WHEAT I KNOW HOW THEY FEEL WITH FEAR IN THEIR EYES A WOLF IS A BOY WITH NO THOUGHTS ON HIS MIND HERE I LAY AS THE SUN DARES TO PASS THROUGH THE NIGHT I WENT TO SLEEP A BOY BUT NOW I'M A WOLF A STORY SO STRANGE I'LL NEVER TO BE BELIEVE SO PRAY FOR ME MY DEAREST FRIEND THE HOUNDS ARE CLOSE I'LL NEVER BE SEEN FROM AGAIN THE SINGLE STARLING CIRCLES AS I CLOSE THE BLINDS QUIET RESOLUTION AS I SLOWLY DRAW THE LINE I LONG FOR YOU WITH EVERY BREATH I DRAW I LAY MIDDAY AS THE SUMMER CHASES THE FALL I WENT TO SLEEP A BOY BUT NOW I'M A WOLF A STORY SO STRANGE I'LL NEVER TO BE BELIEVE PRAY FOR ME MY DEAREST FRIEND THE HOUNDS ARE CLOSE I'LL NEVER TO BE SEEN FROM AGAIN THE WOLVES ARE CLOSE I'LL NEVER TO BE SEEN FROM AGAIN WOLVES ARE CLOSE I'LL NEVER TO BE SEEN FROM AGAIN >> TO HEAR MORE YOU CAN FIND HIM ONLINE AT MATTHEWOWENSULLIVAN.

COM.

WELL THAT IS OUR SHOW.

REMEMBER, YOU CAN FIND ALL OF OUR STORIES ONLINE AT WOSU.

ORG AS WELL AS ON OUR YOUTUBE CHANNEL.

FOR ALL OF US HERE AT WOSU, I'M KATE QUICKEL.

THANKS FOR WATCHING.

ACROSS THE RIVER ACROSS THE DESERT I CAME THINGS LOOK DIFFERENT BY THE LIGHT OF THE DAY I'M JUST A CHILD WITH MY FEET IN THE SAND TURNED BACK AT YOUR PROMISED LAND I'M A CHILD OF LUCK AND CHANCE AND THIS PLACE IS MY HOME I'M A CHILD OF LUCK AND CHANCE AND THIS PLACE IS MY HOME THE BROKEN ARROW LAYS BEAR IN THE DESERT NIGHT PROMISED LOVE IS THE SORROW'S BRIDE A DISTANT MEMORY DAYDREAM LIGHTNING CRACKS A SOLDIER'S CRIME IS THE DEVIL'S LANCE I'M A CHILD OF LUCK AND CHANCE THIS PLACE IS MY HOME I'M A CHILD OF LUCK AND CHANCE AND THIS PLACE IS MY HOME ACROSS THE RIVER ACROSS THE DESERT I CAME THINGS LOOK DIFFERENT BY THE LIGHT OF THE DAY I'M JUST A CHILD WITH MY FEET IN THE SAND TURNED BACK AT YOUR PROMISED LAND I'M A CHILD OF LUCK AND CHANCE AND THIS PLACE IS MY HOME I'M A CHILD OF LUCK AND CHANCE >> PRODUCTION OF "BROAD & HIGH" IS FUNDED IN PART BY THE GREATER COLUMBUS ARTS ACADEMY.

CELEBRATING EXPRESSION, FOSTERING TALENT, AND CONNECTING COMMUNITY TO COLUMBUS ARTISTS, PERFORMANCES, EXHIBITIONS, CONCERTS, PUBLIC ART, AND MORE AT COLUMBUSMAKESART.COM.