♪ All these stories you keep tellin' me ♪ ♪ Seem to say the same old thing ♪ - Welcome to "11th & Grant."

I'm Eric Funk.

♪ Oh ♪ ♪ Yeah ♪ ♪ Breakdown ♪ Tonight, Dos Mayos showcase their unique Latin, jazz, blues, R&B, and Americana.

♪ Somewhere down the road ♪ ♪ We all get the fever ♪ ♪ The feelin' just takes over ♪ ♪ Like a fire burnin' outta control ♪ Their distinctive style with tight, instrumental and vocal blends makes Dos Mayos a memorable group filled with energy.

♪ Just lyin' there ♪ ♪ Somewhere ♪ ♪ Somewhere ♪ ♪ Somewhere down the road ♪ ♪ The clouds come a-creepin' ♪ ♪ You got me weepin' ♪ - When I think about my other jobs that I've had throughout my life, I've always looked at those jobs, although I've dedicated every bit of my soul to every job I've tried to accomplish, I've always thought of those as being secondary to my music.

I've always thought of music as being who I am.

(mellow blues music) - Performance and conversation with Dos Mayos next on "11th & Grant."

(music continues) - [Announcer] "11th & Grant" was made possible by... by the Greater Montana Foundation, the Gilhousen Family Foundation, Montana State University, Office of the President, Judy Cowdrey, in memory of Don Hyyppa, Quinn's Hot Springs Resort, Donna Spitzer-Ostrovsky, in loving memory of Jack Ostrovsky, the godfather of "11th & Grant," Iris Model, Sanderson Stewart, Enduring Community Design, Music Villa and Gibson Guitar, Sal and Carol G. Lalani, the Utzinger family, Bill and Jane Gum, Rob Maher and Lynn Peterson-Maher, Mary Routhier, the Rocking R Bar, Stockman Bank, and by these generous donors.

(mellow jazzy music) (music continues) (music continues) (music continues) ("Breakdown") ♪ Well, it's new and it's beautiful ♪ ♪ And it's all that you hoped for ♪ ♪ And the faces of the people seem so nice ♪ ♪ And the things that pass you by ♪ ♪ Pay them no attention ♪ ♪ And the air around you blowin' cold as ice ♪ ♪ And the cars and the limousines ♪ ♪ Wear a brand new coat of wax ♪ ♪ And their drivers line your pockets with their schemes ♪ ♪ And they'll tell you what you're good for ♪ ♪ And how to run your life ♪ ♪ And how you can fit into their dreams ♪ ♪ All these stories you keep tellin' me ♪ ♪ Seem to say the same old thing ♪ ♪ Oh ♪ ♪ Oh ♪ ♪ Breakdown ♪ ♪ Breakdown ♪ ♪ No, don't look around you ♪ ♪ It might frighten you to death ♪ ♪ There are footsteps behind you in the night ♪ ♪ But if you look around ♪ ♪ You'll see that something's wrong ♪ ♪ Oh you're runnin' hard but everything's all right ♪ ♪ But then one day it happened ♪ ♪ You're just like one of them ♪ ♪ And you're standing in the street with hungry eyes ♪ ♪ Though you never thought it could ♪ ♪ The table turned on you ♪ ♪ Now you're bleeding people's pennies with your lies ♪ ♪ All these stories you keep tellin' me ♪ ♪ Seem to say the same old thing ♪ ♪ Oh ♪ ♪ Oh ♪ ♪ Breakdown ♪ ♪ Breakdown ♪ (music continues) (music continues) (music continues) ♪ Come on, get up, get up ♪ ♪ On your way ♪ ♪ It's time for you to leave this place at last ♪ ♪ When you came here things seemed different ♪ ♪ But they really were the same ll♪ ♪ But now you can see the faces of the cast ♪ ♪ All these stories you keep tellin' me ♪ ♪ Seem to say the same old thing ♪ ♪ Oh ♪ ♪ Yeah ♪ ♪ Breakdown ♪ ♪ It's all right to breakdown ♪ ♪ A day and night to breakdown ♪ ♪ East and west to breakdown ♪ ♪ All the rest to breakdown ♪ ♪ Everybody, everybody breakdown ♪ ♪ The big and small, they breakdown ♪ ♪ One and all, they breakdown ♪ ♪ Down, down, down, down, down, down, down, down ♪ (music fades) ("Rio De Janeiro Blue") ♪ The clouds come a-creepin' ♪ ♪ And you've got me weepin' this mornin' ♪ ♪ I can't believe you're really gonna leave this town ♪ ♪ Everyone knows I can't make a move without you ♪ ♪ You're turnin' my whole world upside down ♪ ♪ And I get a feeling ♪ ♪ That I've seen the last of you ♪ ♪ Rio de Janeiro Blue ♪ ♪ The salty sea air, your wind blown hair ♪ ♪ Reflections of a dream ♪ ♪ Thoughts of you with who knows who ♪ ♪ Flowin' through me like a stream ♪ ♪ Brazilian serenaders linger on♪ ♪ Help me lose my soul in your song ♪ ♪ And I get a feeling ♪ ♪ That I've seen the last of you ♪ ♪ Rio de Janeiro Blue ♪ ♪ Rio de Janeiro Blue ♪ (music continues) (flute solo playing) (music continues) (music continues) (music continues) (music continues) ♪ Months go by, I wonder why ♪ ♪ I'm left here on my own ♪ ♪ Could it be my destiny is to live this life alone ♪ ♪ These dark and rainy days ♪ ♪ Have turned me cold, so cold ♪ ♪ Long and sleepless nights are gettin' old ♪ ♪ And I get a feeling ♪ ♪ That I've seen the last of you ♪ ♪ Rio de Janeiro Blue ♪ ♪ Rio de Janeiro Blue ♪ (music continues) (flute solo playing) (music continues) (music continues) (music continues) (music continues) (music fades) - So you guys, you've been working and keeping it fresh for decades together and adding new repertoire and just building this, and how is it that people who have full-time employment elsewhere have this obsessive behavior because you're musicians, that it's something that you must do like a bird must fly?

- Right?

- What else do you do?

What's your sort of main gig?

Parents, the whole mix because obviously this is a behavior that comes from a very loving and dedicated place, or you wouldn't do it.

- Yeah.

- I think that first of all, I'm a mother, I'm a school teacher and school counselor.

Still going on that, have been for decades.

That's very important for a million reasons.

I need to work out.

I need to keep my house in order.

There are so many priorities that I have in my life, right?

Just to keep things functioning and the important things in my life.

And through all of that, I have still managed to keep music in my life in various ways.

Through all of that, I think it can be challenging for, I'll sound gender specific for a minute.

I think it can be challenging for mothers to take that time away from their kids and their full-time jobs to be musicians.

I found my way to continue music performance and music experience in spite of the fact that I was so busy doing other things.

It caused me to be a bit of a jack of all trades and master of none because I didn't have a lot of time to focus and go super far in any one of my instruments or vocally.

But I've had a lot of fun and I've had a lot of experiences.

You can still do it.

You have to have a lot of energy and you have to work at it, too.

- Well, and knowing you, Tana, I would qualify that and say master or jack of all trades and master of many, that sort of aesthetic and pride that you have for doing things well.

Nothing seems to be lesser than, which means a hot burning star.

- Well, that's awfully nice, Eric.

If there had been 40 hours in a day, no, but there was this much time, there were all these priorities and I kept music as a big part of it.

Ever so grateful and hope to just keep on sailing with that for as long as I can.

- Yeah, I was thinking of it.

I started piano when I was four years old.

My mom and dad.

My dad was a artistic person and played rhythm guitar, sang, but nothing professional.

But he wanted his kids to have a musical background.

And so, I had the good fortune of having parents that got me started early in music and I've never stopped playing music.

And so, when I think about my other jobs that I've had throughout my life, I've always looked at those jobs, although I've dedicated every bit of my soul to every job I've tried to accomplish, I've always thought of those as being secondary to my music.

I've always thought of music as being who I am and all these other things as a vehicle to get to play the music.

I feel fortunate and I feel we're lucky to be able to do what we do musically.

Obviously, it takes a lot of work and that kind of stuff.

But in contrast to the other things that I've done in my life, I've always kinda held that as being the primary.

("Georgia On My Mind") ♪ Georgia, Georgia ♪ ♪ The whole day through ♪ ♪ Just an old sweet song ♪ ♪ Keeps Georgia on my mind ♪ ♪ Georgia on my mind ♪ ♪ On my mind ♪ ♪ Georgia ♪ ♪ Oh, Georgia ♪ ♪ A song for you ♪ ♪ Comin' sweet and clear ♪ ♪ Like moonlight through the pines ♪ ♪ Other arms reach out for me ♪ ♪ Other eyes smile tenderly ♪ ♪ Still in peaceful dreams I see ♪ ♪ Oh, the road leads back to you ♪ ♪ Georgia ♪ ♪ Oo, Georgia ♪ ♪ No peace I find ♪ ♪ Just an old sweet song ♪ ♪ Keeps Georgia on my mind ♪ ♪ On my mind ♪ (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (harmonica solo playing) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) ♪ Other arms reach out to me ♪ ♪ Other eyes smile tenderly ♪ ♪ Still, in peaceful dreams I see ♪ ♪ Oh, the road leads back to you ♪ ♪ Georgia ♪ ♪ Oo, Georgia ♪ ♪ No peace I find ♪ ♪ Just an old, sweet song ♪ ♪ Keeps Georgia on my mind ♪ ♪ On my mind ♪ ♪ Oh, sweet Georgia, yeah ♪ ♪ I'm comin' home ♪ ♪ Yeah, sweet Georgia ♪ ♪ Yeah ♪ ♪ Hold on ♪ ♪ Oh, sweet Georgia ♪ ♪ I'm comin' home ♪ ♪ Yeah ♪ ♪ Oh, sweet Georgia ♪ ♪ Yeah, I'm comin' home ♪ ♪ Just an old sweet song keeps Georgia ♪ ♪ Yeah, yeah ♪ ♪ On my mind ♪ ♪ Yeah ♪ ♪ Oo ♪ (music fades) ("Deedles' Blues") ♪ Well, I'm feelin' mighty lucky ♪ ♪ I got a brand new man ♪ ♪ Yeah, I'm feelin' mighty lucky ♪ ♪ I got a brand new man ♪ ♪ Well, I'm tellin' you he loves me like nobody can ♪ ♪ You know, I met him on a corner ♪ ♪ It was pourin' rain ♪ ♪ Yes, I met you on a corner ♪ ♪ It was pourin' rain ♪ ♪ He said come on in here baby ♪ ♪ And tell me what's your name ♪ ♪ I said Deedles, Deedles is my name ♪ ♪ I said Deedles, Deedles is my name ♪ ♪ I don't know how I got here but I'm mighty glad I came ♪ ♪ Take it away ♪ (harmonica solo playing) (music continues) (music continues) (music continues) (music continues) ♪ Well, it was eight o'clock this evening ♪ ♪ I heard the telephone ring ♪ ♪ Yes, it was eight o'clock this evening ♪ ♪ I heard the telephone ♪ ♪ He said I'm waitin' for you, baby ♪ ♪ And I feel so all alone ♪ ♪ I said Deedles, Deedles is my name ♪ ♪ I said Deedles, Deedles is my name ♪ ♪ Well, I don't know how I got here ♪ ♪ But I'm mighty glad I came ♪ ♪ He said come back, baby, come back ♪ ♪ Come back, baby, come back ♪ ♪ Come back, baby, come back ♪ ♪ Come back, baby, come back ♪ (Tana vocalizing) (music continues) (music continues) (music continues) (music continues) (music continues) ♪ Here comes Deedles ♪ ♪ Deedles is my name ♪ ♪ Here comes Deedles ♪ ♪ Deedles is my name ♪ ♪ Well, I don't know how I got here but I'm mighty glad ♪ ♪ I don't know how I got here, I said mighty glad ♪ ♪ I don't know how I got here but I'm mighty glad I came ♪ ♪ Uh huh ♪ ♪ Woo ♪ (music fades) (Tana laughs) (band laughing) - So, you could've come on.

Obviously, you've done so many years together just the two of you, and yet, opted to bring in two other friends with similar zany sense of humor, and philosophical attitudes - Yeah.

- about life and playful but serious, and earnest and smart regard of everything.

Why add two, and secondly, why add those two?

- Geno is amazing, Adam is amazing.

Both of those guys I had the good fortune of playing with over the years prior to us doing this filming and recording.

- It didn't take long for us to talk abut Geno and Adam because they're friends, they're fun- - They're neighbors.

- They're neighbors.

We're all Belgradians.

They're awesome musicians and we wanted to enjoy the process as much as we wanted to grow musically through the process.

We wanted to have a really good time.

We have a lot of fun together, great sense of humor, all three of these guys, and it's been awesome.

- There's a level of trust, too.

- There is.

- There's something about trust and being a musician and especially ones that you are doing something that you feel is meaningful, like I feel that the show, we feel that the show's a meaningful part of our lives.

We know that the statements that are gonna make musically are going to be inventive, creative, completely founded in the skills they've developed over the years.

They're not limited to just playing within the constraints of what they've heard.

They're actually inventive musicians which is so much fun for us and that's the trust that, we're trusting that, that's what they're bringin' in and it's just this organic thing that happens.

- Well, and you guys having worked together as a duo for decades.

- Yeah.

- In fact, 10 years just at the venue that we're in for four months every summer for 10 years.

That's a long haul.

- Yeah.

- And up at Big Sky, I remember you guys were up there, and you're playing to such a diverse crowd that you've sort of fashioned this poly stylistic approach, so you're drawing music from all these different genres and not making it into one thing but doing all these different things in a different way.

- Too true.

- So, having two musicians who can, not just play drums behind that or bass behind that but who know those styles and can go country - Absolutely.

- or can go bluegrass or can go jazz, or can go rock, - Yeah, super flexible.

- whatever you want.

- Super flexible they are.

We always say we cross decades and genres and it's true, true.

We go way back and we do current things, but when we, we were playing up at Big Sky for Aprés Ski, and the people who own the Covered Wagon Ranch where we're at today, were having dinner and they come to us afterwards and said, "Would you be interested in playing at the Covered Wagon Ranch?"

And so, we talked a little bit about it and we said, "Are you looking for like, a whole night of country?"

And we do country but the whole night would be a stretch.

And they said, "No, we loved everything you did."

So, we do R&B, we do jazz, we do Americana, we do a little country.

- Blues.

- We do some originals.

So, what a cool venue in Montana.

It's one of the oldest active dude ranches or guest ranches in Montana and you get all kinds of people and you get all kinds of music and that just fits for what we like to do.

- Yeah.

("Is This Magic") ♪ Is it the voice of the whispering sea ♪ ♪ Or is it the way we're dancin' ♪ ♪ Is it the way that the moon hits your eyes ♪ ♪ Or is this magic ♪ ♪ Or is this magic ♪ ♪ Is it the way that you sway in my arms ♪ ♪ Or is it the soft winds blowing ♪ ♪ Is it the man that carries us on ♪ ♪ Or is this magic ♪ ♪ Or is this magic ♪ ♪ Close your eyes and drink in the sweet sad guitar ♪ ♪ Close your eyes and drift ♪ ♪ To the beat of the moon and the stars ♪ ♪ Is it the rush of the surf that I hear ♪ ♪ Or only our mad hearts beating ♪ ♪ Will this be only a fleeting affair ♪ ♪ Or is this magic ♪ ♪ Or is this magic ♪ (music continues) (flute solo playing) (music continues) ♪ Close your eyes and drink in the sweet sad guitar ♪ ♪ Close your eyes ♪ ♪ And drift to the beat of the moon and the stars ♪ ♪ Is it the rush of the surf that I hear ♪ ♪ Or only our mad hearts beating ♪ ♪ Will this be only a fleeting affair ♪ ♪ Or is this magic ♪ ♪ Or is this magic ♪ ♪ Or is this magic ♪ ♪ Or is this magic ♪ (music continues) (music continues) (music fades) ("Sweet Symphony") ♪ I get weak ♪ ♪ Whenever you're around ♪ ♪ I let my walls down ♪ ♪ And lay my weapons on the floor ♪ ♪ Fight ♪ ♪ Every day I used to fight ♪ ♪ And dream of real love at night ♪ ♪ Well, it's a reality now ♪ ♪ Loving you's a sweet, sweet symphony ♪ ♪ That all of Heaven and Earth join to sing ♪ ♪ And my heart trembles at the sound ♪ ♪ Even if the world that we built falls at our feet ♪ ♪ We're still right where we're supposed to be ♪ ♪ Together through ups and the downs ♪ ♪ Dungeons and ivory towers ♪ ♪ Wrong ♪ ♪ We'll get things wrong ♪ ♪ But as long as we keep every promise we make ♪ ♪ We'll stay whole ♪ ♪ I know ♪ ♪ There'll be heavy days ♪ ♪ But in every mistake ♪ ♪ There's a lesson to learn, so stay here with me ♪ ♪ Loving you's a sweet, sweet symphony ♪ ♪ That all of Heaven and Earth join to sing ♪ ♪ My heart trembles at the sound ♪ ♪ Even if the world that we built falls at our feet ♪ ♪ We're still right where we're supposed to be ♪ ♪ Together through ups and the downs ♪ ♪ Dungeons and ivory towers ♪ ♪ Even in the valleys, baby ♪ ♪ When the valley's too deep ♪ ♪ Let me be your comfort, darling ♪ ♪ Yeah, yeah, wherever this road leads ♪ (music continues) (music continues) ♪ Loving you's a sweet, sweet symphony ♪ ♪ That all Heaven and Earth join to sing ♪ ♪ My heart trembles at the sound ♪ ♪ Even if the world that we built ♪ ♪ Falls flat at our feet ♪ ♪ We're still right where we're supposed to be ♪ ♪ Together through ups and the downs ♪ ♪ Dungeons and ivory towers ♪ (music fades) ("I Can't Help It") ♪ Looking in my mirror ♪ ♪ Took me by surprise ♪ ♪ I can't help but see you ♪ ♪ Running off and through my mind, yeah, yeah ♪ ♪ Helpless like a baby ♪ ♪ Sensual disguise ♪ ♪ I'm so glad I found you ♪ ♪ It's getting better all the time ♪ ♪ I can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ Oh, if I couldn't ♪ ♪ Can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ (Tana vocalizes) ♪ I can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ No, if I couldn't ♪ ♪ I can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ No ♪ (Tana vocalizing) (music continues) ♪ Love to run my fingers ♪ ♪ Softly while you sigh ♪ ♪ Love came and possessed you ♪ ♪ Bringing sparkles to your eyes ♪ ♪ Like a trip to heaven ♪ ♪ Heaven is the prize ♪ ♪ And I'm so glad I found you ♪ ♪ You're an angel in disguise ♪ ♪ I can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ If only if I could ♪ ♪ I can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ No ♪ ♪ I can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ If only if I could ♪ ♪ Can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ No ♪ (Tana vocalizing) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) (music continues) ♪ Looking in my mirror ♪ ♪ Took me by surprise ♪ ♪ I can't help but see you ♪ ♪ Running often through my mind ♪ ♪ Yeah ♪ ♪ Helpless like a baby ♪ ♪ Sensual disguise ♪ ♪ I'm so glad I found you ♪ ♪ It's getting better all the time ♪ ♪ I can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ Only if I could ♪ ♪ Can't help it ♪ ♪ If I wanted to, I wouldn't help it ♪ ♪ No ♪ ♪ Can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ Only if I could ♪ ♪ Can't help it ♪ ♪ If I wanted to I wouldn't help it ♪ ♪ No ♪ ♪ Can't help it ♪ ♪ No, no, no ♪ ♪ Can't help it ♪ ♪ No, no, no ♪ ♪ Can't help it ♪ ♪ No, no, no ♪ ♪ Can't help it ♪ ♪ No, no, no ♪ - So, you guys know with your repertoire hundreds of tunes.

- Yeah.

- How do you choose the next tune?

How have you chosen the tunes that you've chosen?

How do you bring it to each other, or do you both just have this simultaneous, ta da!

Thinking of the same tune?

- Sometimes.

I think we're both sensitive to the fact that we don't like to, in a typical sense where we're lookin' at songs, there are exceptions to this but I'd say as a rule, we would probably take a B side of someone's record rather than doing something that's been over played.

Also, the genre that it falls into.

I find myself that I'm probably more comfortable playing rhythm and blues than anything else.

So, rhythm and blues always, even if it's like a Chris Stapleton rhythm and blues kinda feel, it doesn't have to be specifically the Four Tops or the Temps or somebody like that.

It could be a whole host of other people doing it but the style for me, kinda predicates whether, first of all, I liked the song well enough to maybe consider including it in the repertoire, and then thinking about how it relates to what we could do and how we could do it together.

- I used to be so drawn to big band music, and my parents were.

I was the sixth.

I came way later in life and they were World War II big band ballroom dancers, and sometimes I thought as I was growing up maybe it was 'cause of that, 'cause we heard so much of that in the home and we did ballroom dancing, but that was a big love for me.

Latin, anything Latin.

Latin jazz, a salsa, a samba.

Anything like that just draws me in.

I was born and raised on the Fort Peck Indian Reservation in Wolf Point, Montana.

And lived up there the better part of 27 years.

Started teaching up there in Poplar, and we were lucky enough to get amazing musicians that came from the Twin Cities.

When I was in eighth grade these two guys came, a vocal guy and a band guy, and they came fresh outta their masters degrees up to the reservation so they could pay off their school loans easier.

And we got them and Doug Nemone, Brian Lystrude, and what they gave us in terms of an overall foundation of music as well as, so classical, but jazz.

We learned improvisation.

We made records.

We had vocal groups.

We had jazz history as a class.

And that just set this wonderful stage for going off from our little town of Wolf Point where there wasn't all that much to do unless you created your fun for yourself, to have a whole lifetime of music because of their inspiration, and I'm forever grateful for that.

So, shout out to music educators, teachers, people who influence us.

("Somewhere Down the Road") ♪ Somewhere down the road, we all get the fever ♪ ♪ The feelin' just takes over ♪ ♪ Like a fire burnin' outta control ♪ ♪ You find the nearest shelter ♪ ♪ You find an open door ♪ ♪ Inside the room is silent, as you lie there ♪ ♪ Somewhere, somewhere ♪ ♪ Somewhere down the road ♪ (music continues) (music continues) ♪ Somewhere down the road, you find yourself a lover ♪ ♪ You're underneath the covers, like an outlaw in disguise ♪ ♪ You just can't find the feelin' so you find an open door ♪ ♪ Outside the world is silent, as you stand there ♪ ♪ Somewhere, somewhere ♪ ♪ Somewhere down the road ♪ ♪ Oo ♪ ♪ It'll catch up to you ♪ ♪ Oo, Oo ♪ ♪ Oo ♪ ♪ The world will look brand new ♪ ♪ When you find someone, someday, somehow ♪ ♪ Somewhere down the road ♪ (music continues) (flute solo playing) (music continues) (music continues) (music continues) ♪ Oo ♪ ♪ It'll catch up to you ♪ ♪ Oo ♪ ♪ Oo ♪ ♪ The world will look brand new ♪ ♪ When you find someone, someday, somehow ♪ ♪ Somewhere down the road ♪ (music continues) (music continues) (music fades) ("Maybe Someday Baby") ♪ Now, my baby told me a long time ago ♪ ♪ She said, you're gonna miss me someday ♪ ♪ My baby told me a long time ago ♪ ♪ She said, you're gonna wish you had stayed ♪ ♪ It's been a long time, honey, and I'm gone still ♪ ♪ I think about you some and I guess I always will ♪ ♪ And if I'm losing, at least I'm moving ♪ ♪ And it's easier to live with than standing still ♪ ♪ She called me collect from a pay telephone ♪ ♪ She said, who's gonna love you when you're old ♪ ♪ My baby told me once I was gone ♪ ♪ She said, I've never known a man so cold ♪ ♪ Now, women say funny things sometimes ♪ ♪ Especially when they're just about to lose their minds ♪ ♪ If I could change it, knockin' on wood ♪ ♪ Lord knows I'd box a forest full of trees down if I could ♪ ♪ Someday baby, someday maybe ♪ ♪ Maybe someday, baby ♪ ♪ And I don't know ♪ ♪ I don't know why babies cry, why the wind blows ♪ ♪ And I don't know ♪ ♪ But tonight I just might lose my mind ♪ (music continues) (harmonica solo playing) (music continues) (music continues) (music continues) (piano solo playing) (music continues) (music continues) (music continues) ♪ And I don't know ♪ ♪ I don't know why babies cry, why the wind blows ♪ ♪ Oh, I don't know ♪ ♪ But tonight I just might lose my mind ♪ ♪ My baby told me such a long time ago ♪ ♪ She said, you're gonna miss me someday ♪ ♪ My baby told me such a long time ago ♪ ♪ She said, you're gonna wish you had stayed ♪ ♪ Been a long time, honey, and I'm gone still ♪ ♪ I think about you some and I guess I always will ♪ ♪ Someday baby, someday maybe, someday baby ♪ ♪ Someday baby, someday maybe, maybe someday, baby ♪ ♪ Someday baby, someday maybe, maybe someday baby ♪ (music fades) (upbeat music) (music continues) (music continues) ♪ Come on, get up, get up ♪ ♪ On your way ♪ - [Announcer] "11th & Grant" was made possible by, the Greater Montana Foundation, the Gilhousen Family Foundation, Montana State University, Office of the President, Judy Cowdrey, in memory of Don Hyyppa, Quinn's Hot Springs Resort, Donna Spitzer-Ostrovsky, in loving memory of Jack Ostrovsky, the godfather of "11th & Grant," Iris Model, Sanderson Stewart, Enduring Community Design, Music Villa, and Gibson Guitar, Sal and Carol G, Lalani, the Utzinger family, Bill and Jane Gum, Rob Maher and Lynn Peterson-Maher, Mary Routhier, the Rocking R Bar, Stockman Bank, and by these generous donors.

(light music)