(upbeat jazz music) (keyboard music begins) (eclectic jazz begins) >>♪ My eyes on the bag ♪ ♪ I've got to get bigger, yeah ♪ ♪ I don't mean to brag ♪ ♪ But I'm that ♪ ♪ Stacking up this cash tonight, yeah ♪ ♪ And it starts ♪ ♪ 'Round midnight ♪ ♪ Yeah ♪ ♪ My eyes on the bag ♪ ♪ I've got to get bigger, yeah ♪ ♪ I don't mean to brag, ♪ ♪ But I'm that ♪ ♪ Stackin' up this cash ♪ ♪ Tonight ♪ ♪ Yeah ♪ ♪ And it starts ♪ ♪ 'Round midnight ♪ ♪ Hey ♪ >>♪ Now ever since I can remember ♪ ♪ I've been grinding day and night ♪ ♪ Trying to get my paper right ♪ ♪ I know they gon' hate the sight ♪ ♪ Of a boss on his come up ♪ ♪ Salty they ain't made the price ♪ ♪ But for this I gave my life ♪ ♪ Rolled 7s with this game of dice ♪ ♪ So fuck it I deserve to ball out ♪ ♪ Hit up the bar, open the tab, and go all out ♪ ♪ Drinking to all my accomplishments til I fall out ♪ ♪ Woke up sober but I'm still gonna call out ♪ ♪ Every now and then we all need a reminder ♪ ♪ That we're more than slaves to our respective 9-5ers ♪ ♪ A neglected grind is a timer ♪ ♪ On a ticking bomb ♪ ♪ Even when the visions gone get up to find her ♪ ♪ And even if you never ever reach your goal ♪ ♪ That you made up and you wake up one day ♪ ♪ And you're grey and old ♪ ♪ When you tell you grandchildren ♪ ♪ You gon' feel it in your soul ♪ ♪ That by living out your own truth ♪ ♪ You really got the gold ♪ ♪ So just know if you out here tryna get it with your gift ♪ ♪ Even when they all doubted you and everybody quit ♪ ♪ You the ish so we celebrating like we Rick James ♪ ♪ Pretty models showing love ♪ ♪ While I'm standing giving game ♪ ♪ I'm just saying ♪ >>♪ My eyes on the bag ♪ ♪ I've got to get bigger ♪ ♪ I don't mean to brag ♪ ♪ But I'm that ♪ ♪ Stackin' up this cash ♪ ♪ Tonight ♪ ♪ And it starts ♪ ♪ 'Round midnight ♪ ♪ My eyes on the bag ♪ ♪ I've got to get bigger ♪ ♪ I don't mean to brag ♪ ♪ But I'm that ♪ ♪ Stackin' up this cash ♪ ♪ Tonight ♪ ♪ Yeah ♪ ♪ And it starts 'round midnight ♪ ♪ Yeah ♪ >>What's going on?

What's going on?

DuPont Brass in the house.

So we wanna do something real quick for the grown folk out there, both here with us in the audience and out there listening at home.

We gonna do this for the grown folk right now.

What you mean is -- what I mean is if you pay your own bills, okay?

If you, if you got your own career, your own car loan, all right, wherever you are, this song is for you.

You feel me?

Cause I don't know about you, but my back hurts.

Let's get it.

(upbeat eclectic jazz music plays) ♪ Yeah ♪ ♪ Oh ♪ ♪ I like that ♪ ♪ Talk to 'em ♪ ♪ Bring that thing here ♪ ♪ Let me rub your feet ♪ ♪ I swear, I used to be a playa ♪ ♪ Whatcha done to me ♪ ♪ Now bring that thing here ♪ ♪ Let me rub your feet ♪ ♪ I swear, I used to be a player ♪ ♪ New girl, good girl ♪ ♪ And I see her on my timeline ♪ ♪ She bad, so fine ♪ ♪ And I need her to be all mine ♪ ♪ Yeah ♪ ♪ She got a MCM ♪ ♪ Say she ain't on the market ♪ ♪ I'm tired of these other girls ♪ ♪ They Walmart, she Target ♪ ♪ So I pull up in the DM and I parked it ♪ ♪ Cause that's where it go down ♪ ♪ Told her I don't really care about her man ♪ ♪ Even though I seen ya'll 'round town ♪ ♪ Now, I may be shooting in the dark ♪ ♪ So, let's bring this to the light ♪ ♪ I wanna hit it so, so, so ♪ ♪ You'll be sleep for the night ♪ ♪ C'mon ♪ ♪ Now bring that thing here ♪ ♪ Let me rub your feet ♪ ♪ I swear, I used to be a player ♪ ♪ Whatcha done to me ♪ ♪ Now bring that thing here ♪ ♪ Let me rub your feet ♪ ♪ I swear, I used to be a player ♪ ♪ Whatcha done to me ♪ >>♪ Now would you mind ♪ >>♪ Would you mind, baby girl ♪ >>♪ If I touched, if I kissed, if I held you tight ♪ ♪ Got a good lover for the rest of your life ♪ ♪ My, my, my ♪ >>♪ Now, would you mind ♪ >>♪ Would you mind, baby girl ♪ >>♪ If I loved in a mist ♪ ♪ Right here in sight ♪ ♪ Pardon the excitement you're worth all the hype ♪ ♪ My, my, my ♪ ♪ Slow dancing in the corner to our favorite song ♪ ♪ If loving you ain't right, I'm forever wrong ♪ ♪ The way you slow grindin' on me gonna turn me on ♪ ♪ Put on some Marvin Gaye ♪ ♪ I can love you all night long ♪ >>♪ So bring that thing here ♪ ♪ Let me rub your feet ♪ ♪ I swear, I used to be a player ♪ ♪ Whatcha done to me ♪ ♪ Now bring that thing here ♪ ♪ Let me rub your feet ♪ ♪ I swear I used to be a player ♪ ♪ Player ♪ ♪ Getting you alone is what I wanna do ♪ ♪ I been tryna rock with you with since high school ♪ ♪ Everything you need is here with me ♪ ♪ So baby please ♪ ♪ Bring that thing here ♪ ♪ Yeah ♪ ♪ Baby ♪ ♪ Yeah ♪ ♪ Bring that thing here ♪ ♪ Baby ♪ ♪ Woo ♪ Talk to 'em ya'll.

♪ (eclectic jazz instrumental) ♪ ♪ Yeah, yeah ♪ ♪ Oh ♪ ♪ Yeah, yeah, oh yeah ♪ >>Welcome to DMV the Beat.

I'm John Monds from The Original Quiet Storm on 96.3 WHUR.

Tonight, we've got a group of fellows who are from right here in the DMV, or at least that's where it all started, right here on the campus of Howard University.

We have Jared and we have Brent with us tonight.

Welcome to DMV the Beat.

DuPont Brass is in the house.

Congratulations on, what now, almost 11 years of making music together?

>>Yeah man, that's crazy.

Even seeing someone else say it.

>>It's a long time.

>>So let's go back, I kind of, earlier I wrote down something -- "creation by necessity."

And, when I think of Rick James, I think of him moving to Canada when he had to, you know, get rid of, when he was dodging the draft and he got into a band with Canadian artists.

>>Yeah.

>>Had to do that.

Same thing for you guys.

Who wants to tell the story of how it all started?

>>I'll take it.

>>Yeah.

>>So, it originally started from like a Howard tradition that was like, usually like the top brass players from the school in the music department.

We'd go out during the Christmas time just play Christmas carols, trying to raise money to like fund ourselves during the Christmas season.

And at this point it was like our time to do that in our like respective group.

So I was the, basically like junior, I was the oldest person, so I was rallying like the sophomores and the juniors, which was Jared, it was Anthony, it was Izzy, and then there was Jonathan Neil, who was a member who was also in the group.

So we went out to Georgetown and for like the first time ever, they weren't showing any love whatsoever.

And it was like real bland, dry.

It was almost like, you could feel like the aura of like "Go home, get outta here."

And so we were trying it again.

And one of Anthony's classmates was like, "Hey I see people busking in DuPont Circle all the time in between the Krispy Kreme and the Panera Bread."

And she was like, you all should try that.

We went down there with our, our Christmas carols and the five piece brass quartet and they loved us.

And the way that like the, the scenery was set up, you know how you got that, like, that underpass in between, so it like created great acoustics for us.

And it was almost like a movie scene, especially like in the Christmas time, people would stop and like, in the snow, like they're getting snowed on dancing, just enjoying the moment.

So that's, that's just a little intro to it.

>>When I say the creation by necessity, some of you were saying, how are we gonna pay this tuition?

>>Oh.

>>Oh yeah.

All of us were saying that.

>>Well at, at first it started out like you said, traditionally, that's what Howard people did, or how Howard brass players did.

We were just kind of, you know, trying to, you know gather some money for, you know Christmas gifts and the break and all that stuff.

It wasn't until things were, you know, we really made some money like the first, like, three to five times.

And that's when we were like, we can really we can pay our tuition with this, you know, if we keep it, keep it going.

So that's really where it started.

>>So now you start doing this, is the music -- do you put an extra bounce on Christmas carols because Christmas carols played regularly maybe not, might not have people dancing in the streets.

So what did you do extra on the songs?

>>Yeah, it, it was a little bit of a lot for, cause you know, we always have to put like our own spin on stuff.

You got, you gotta make it hip.

You gotta make it young.

You gotta make it fresh.

So, we all were arrangers at like some point.

So Anthony would write like a lot of like Motown arrangements.

I would do arrangements from time to time.

We didn't have your like traditional brass quartet set up, so it was hard finding a French horn just cause like it was like only one at the school at the time.

And she was always busy, like working jobs.

So we actually subbed French horn for flugelhorn to try to get that like alto voice.

So you had like this different voicing within the group.

Izzy was on base trombone, so it was extra thick.

And then just the arrangements were written specifically for us, so like the voicing was always like stellar.

>>I mean that, and on top of that we were, we were playing Christmas carols out of a Canadian brass book and you know we were just really locked in and you know, so we, you got like this Christmas time or A Christmas Story vibe with like the traditional Christmas carols.

And then we would go hit 'em with stuff from Motown's Christmas to get 'em moving, so they were getting the best of both worlds.

>>Right.

So as you moved on beyond busking in the streets, how'd you choose what direction you wanted to go as a band?

>>That took a little bit of time.

We, we had a ride -- >>There were some discussions, it sounds like.

>>Yeah.

We had some discussions, especially between like, OG Four is like what we call ourselves, like the original four members that are still in the group.

We had a lot of meetings and like deciding, like what we were gonna do.

Especially once we graduated, it's like, all right we're not playing for tuition anymore, so we can't be out here lying on the street.

But do we want to stay a band?

It was like, I had left for grad school, and I was coming back.

And then Jared, once I got back, Jared also went on way to grad school.

So it was a lot of discussions on like whether we wanted to continue.

And we eventually decided like, we wanted to be a legit band that just wasn't doing like service gigs, wanted to be like performing in like, major performance venues, do our own tour, back other artists, come out with like official studio albums for like our, our full sound.

So it's a lot.

>>Yeah.

>>So about three years.

>>We're not talking about a long time ago.

So what, what artists kind of influenced the sound that you wound up choosing?

>>I would say a lot of Earth, Wind, and Fire.

A lot of different producers.

Anthony used to go on like SoundCloud when SoundCloud was really popping and yeah, he would just, he would say, oh, I heard this arrangement and he would rearrange it for horns.

So that's where we really kind of started.

And then he would, he, he, he knew that Izzy and I rap.

So we started off saying, "Hey, you know, I did this arrangement of this Kanye West tune.

Izzy, can you rap on that?"

Or "I did this arrangement of this Ginuwine and Nas tune.

Jared, can you rap over that?"

And then it turned into, "Now let's make our own original music."

And I think the first real original song was "I Love Music," which, you know, people would hear later.

And we figured out that like that was like our sound that we were really going for, so we took that song and really just started to like expand from there.

And you know, two, three years later we're here.

>>Did you really think that outside of like New Orleans, where really the music is that way, that it would work nationally and here locally?

>>Yeah, because you know, I mean, people love the New Orleans sound, and second line, and you know, we're students of that, but we always knew we had something else to say.

We've always been eclectic.

That's how we call our sound eclectic soul, because it's rooted in soul music.

You know, we love hip hop.

We love, you know, R&B from all the different generations.

You know, we all grew up, you know, being jazz students.

So we're really students of Black American music.

So we, we knew that we were gonna mix it up.

>>When I think of great horn sections, I think of Earth, Wind, and Fire's horn section, I think of Fred Wesley, and Maceo, and all those guys.

And I do wanna know the name, who came up with the name and where the name come from.

Uh-oh it's a story.

>>It, it is very, it is very simple.

People always like, want know was it like some intricate thing, and no, it was -- we played at DuPont Circle and that's where they showed us like the most love.

And we were starting to like get known as like the DuPont Brass Band.

It was like, oh, the DuPont Brass Band is out.

Oh wow.

The DuPont Brass guys.

And so we just, we just stuck with that and just named ourselves DuPont Brass.

And it was initially supposed to be like temporary, but you know, like branding and like trying to shift and navigate through different spaces.

You know, you take one step at a time.

So right now that's, that's still the name.

But it may evolve into something else later, you know?

>>Yeah.

This time, you guys are still young.

>>Right.

>>Yeah, right.

>>I find it amazing when artists -- I worked in New York years ago and we were mispronouncing the artist's name.

And when they came in, they were like, well that's not really what we call ourselves, but you're playing our record.

So let's roll with it.

We're gonna find out more about the guys in the group in just a few minutes.

Let's take a break and hear some music and we'll be right back with more.

You're watching DMV the Beat.

We've got DuPont Brass and Au Naturel.

>>Well, it's hot up on this stage, man.

That must mean y'all feeling it out there.

Y'all feeling us?

Yeah.

I like that.

Look, man, y'all look so beautiful out in the audience tonight, you really do.

So clap it up for yourself right now.

But you know, I know everybody watching right now, they don't look they best.

They might not feel they best, but I got a message for 'em, MK Zulu.

I got a message for the people at home.

I wanna let y'all know, wherever you are, no matter what you look like, you beautiful, just the way you are.

Y'all don't hear me.

I don't care if you sitting at home, kicking it in your underwear.

You're beautiful just like that.

Check it.

(soulful music) Yeah.

(soulful music) I like that, I like that, I like that.

Do it like this, come on.

♪ So natural ♪ ♪ I wanna spend some capital ♪ ♪ Give you everything you asking for ♪ ♪ Ah yeah yeah ♪ ♪ Your honesty ♪ ♪ And the way you give your all to me ♪ ♪ Show me that you got real love for me ♪ ♪ Ah yeah ♪ ♪ So natural ♪ ♪ I wanna spend some capital ♪ ♪ Give you everything you asking for ♪ ♪ Hey ♪ ♪ Your honesty ♪ ♪ And the way you give your all to me ♪ ♪ Show me that you got real love for me ♪ ♪ Listen ♪ ♪ Baby we tried to make love that was just casual ♪ ♪ But for us to be our best I had to give you more ♪ ♪ Crazy the way love pop off when you ain't tryna lie ♪ ♪ So I'mma bare my all for you until the day I die ♪ ♪ Oh yeah Deacon has to go there ♪ ♪ I could never prepare hope these feelings going nowhere ♪ ♪ Just like yo edges baby we keep flourishing ♪ ♪ My heart was hungry but your love it is nourishing, yeah ♪ ♪ Natural ♪ ♪ I wanna spend some capital ♪ ♪ Give you everything you asking for ♪ ♪ Ah yeah yeah ♪ ♪ Your honesty ♪ ♪ And the way you give your all to me ♪ ♪ Show me that you got real love for me ♪ ♪ Ah yeah ♪ ♪ So natural ♪ ♪ I wanna spend some capital ♪ ♪ Give you everything you asking for ♪ ♪ Yeah ♪ ♪ Your honesty ♪ ♪ And the way you give your all to me ♪ ♪ Show me that you got real love for me ♪ ♪ Listen ♪ ♪ The way you move that thang when you walkin' up on me ♪ ♪ Baby I can feel your bottom like when we make a beat ♪ ♪ Proud to have you on my arm when we walkin' up the street ♪ ♪ Feel hungry dinner in my room so let me eat ♪ ♪ Girl you so sweet yeah I be missing you ♪ ♪ I be in tune with you (kissing sound) ♪ ♪ When I be kissin' you ♪ ♪ I'm on a mission boo, problems yeah we getting through ♪ ♪ If I take a gamble on this love see I'm bettin' you ♪ ♪ So natural ♪ ♪ I wanna spend some capital ♪ ♪ Give you everything you asking for ♪ ♪ Ah yeah ♪ ♪ Your honesty ♪ ♪ And the way you give your all to me ♪ ♪ Show me that you got real love for me ♪ ♪ Yeah ♪ ♪ So natural ♪ ♪ I wanna spend some capital ♪ ♪ Give you everything you asking for ♪ ♪ Your honesty ♪ ♪ And the way you give your all to me ♪ ♪ Show me that you got real love for me ♪ ♪ Ah yeah yeah ♪ ♪ Yeah yeah ♪ ♪ Ah yeah yeah ♪ >>Sing that with us, y'all, sing it with us.

Come on!

♪ Ah yeah yeah ♪ ♪ If you feel alright ♪ ♪ Ah yeah yeah ♪ >>You think you look good tonight ♪ Ah yeah yeah ♪ >>I'mma tell you right now ♪ Ah yeah yeah ♪ >>That no matter what ♪ Ah yeah yeah ♪ >>You got the good stuff ♪ Ah yeah yeah ♪ >>You look so beautiful ♪ Ah yeah yeah ♪ (crowd cheers) >>Welcome back to DMV The Beat, we're here with DuPont Brass and we continue our conversation finding out so much about fellas.

I was just asking, the first place you played after you came off the streets, and it wasn't very memorable!

(laughter) >>I wouldn't say it wasn't memorable, it was just a lot of learning and growing pain.

So, we called it "the sendoff," it was like our, like, people were sending us off, we're not gonna be playing on the street anymore.

Most of us are graduated, and so we're like, shifting over to being actual full-time artists.

And, there was like this community gardens place that we had received, to like use through a contract of like a service gig that we did.

So, within that community garden, like, we set up like as if we were outside, we had like a little small like, PA system for, like, the vocals.

And we had, like, two other acts.

Most of them were like Howard acts for real.

>>Yeah.

>>So there was a Monte Grace Cooper who was like a vocalist in the city, amazing vocals, and then there was The Juggle Project.

So it was like us three, in order, with DuPont ending, in this like community garden where we had chairs set up, it was like, it was cool for what it was.

But looking back on it, it's like, how did we do that?

And why did we do that?

(laughter) >>So let's give the original members some love.

Who were the originals that, by name that were in it?

>>So the original five were myself, Brent Gossett, and then there's Jared on flugel horn.

And then there was Anthony, who plays trumpet, who's our current MD.

And then there was Izzy, at the time, he was playing trombone, but he's our lead vocalist now.

And then there was our friend, Jonathon Neal, who plays trumpet.

>>And initially, no vocals, just all instrumentation.

>>Yeah, complete brass.

>>No drums, nothing.

>>Yeah.

>>So, what made him decide that he would step out in front and handle your vocals?

>>It was more of like, just like an evolution, cause we, it was a short period of time where, like, Izzy had to like, step away and just work on some post-graduation things.

Like, you know, how we all have to find a job and become stable.

And so we went through a series, like, where we had to find other trombone players to fill his role.

And at the time when he came back or had like more availability, we already had the role filled, but we already knew that he was like a singer.

So he would come, cause he would sub in and like still perform with us from time to time when we needed him to and then it was like one day on Instagram, he was just singing on the story, and like, people blew up about it and we was like, "Hey, man, if you wanna sing in front of the group all the time, you could be with us at every gig from here on out."

And so that's just how that went.

>>You mentioned social media, how much did that help the growth of the band over the years?

Especially in the beginning.

>>In the beginning, our Instagram was like big now, but like, in the beginning it was Twitter.

Because we had developed a system like, you know, we had put up our tuition sign and then we had, once we had created our Twitter, we started saying we would tweet where we were going in the mornings and afternoons.

And people started like taking their videos of us and they would post it on Twitter or they would retweet, "Hey, DuPont Brass is here."

And you know, it was just constant, constant people talking about us on Twitter, "You made my workday better," this, that, and the other.

And then from there, it kind of gravitated onto the other social medias, but it was a big help at first, to really like establish an online presence of who we are.

>>So you have five guys to get things started, you are now nine strong.

When did the other four, was it just a decision to bring four extras in or was it like one at a time coming in?

>>It was one at a time, it started out, you know, we had the five-piece horn section.

First I gotta back it up, I do gotta throw this in there.

You know, I'm not salty or anything, but I wasn't even really invited to play in DuPont Brass.

>>Aw.

>>Because I play trumpet.

What happened was, we needed a French horn player and they said, "Well, Jared's really good at flugel horn, so let's throw him in there."

But, you know, best decision they ever made.

>>Right.

(laughter) >>Fire flugel horn.

Amazing flugel horn.

>>So we started out with the five-piece and then we said, you know, we want some drums to give it that extra, you know, drive.

So I hit up a good friend of mine, Stan Banks Jr., who I had already played with for a while and then, you know, brought him in and it was a huge difference.

And then, you know, being a brass band, when it's five pieces, it takes a little, basically nonstop playing, because the way the arrangements went, you know, Brent's playing the baseline, he's not stopping, you can't stop the baseline.

And then, you got a trumpet playing the melody, the trombone and flugel switching off between the melody and playing background parts.

So it's this constant, constant playing really hard on the chops.

So we said, "Let's add in some harmonic components to help alleviate that."

So it started off with one piano player and it made such a difference for us.

We could really like expand on our arrangements and just give us more flexibility.

And then at that point, you know, after one keyboard, then you're like, you know, they can lay down the harmonics and all that kind of stuff, but then we can get a aux player who can, you know, get on the synth and do all the cool sounds and really take it to a different level, and then add guitar on top of that.

So that's kind of how it grew like that.

And then they asked me also in the middle of all of that to start rapping as well.

So that's kind of how my role grew into what it is now.

>>The Black Thought of DuPont Brass.

>>Hey, I'll take it.

I'll take it.

Deacon Izzy not gonna like that.

(laughter) >>So, so you become a nine-member band.

And I mentioned to you before we started.

This is "To Be Continued" by DuPont Brass.

(crowd cheers) ♪ I'm on fire ♪ ♪ I'm on fire ♪ ♪ I'm on fire ♪ ♪ I'm on fire if I say so myself ♪ ♪ My empire you couldn't fade with some help ♪ ♪ No inquiries on my case loads of wealth ♪ ♪ I'm more inspired the more his favor is felt ♪ ♪ If your brother ain't been shooting in ♪ ♪ The gym tell 'em get with the program ♪ ♪ 'Cause I been getting it in working handles I ♪ ♪ Can shoot my shot with both hands, no hands ♪ ♪ Finna give these brothers a trim ♪ ♪ Swinging swords like Conan ♪ ♪ You can't tell me we ain't getting a win been ♪ ♪ Killing us since we was on the block playing slow jams ♪ ♪ You could say I'm on 10 or I'm on one ♪ ♪ Either way I'm pushing my previous ♪ ♪ Limitations every time a new song done ♪ ♪ Never complacent never adjacent ♪ ♪ When they try to keep up I leap up and ♪ ♪ Take to the sky ♪ ♪ So much we can do ♪ ♪ Onto something new ♪ ♪ To be continued ♪ ♪ We going up, up, up, up ♪ ♪ (instrumental) ♪ ♪ Listen ♪ ♪ Record deal never had one ♪ ♪ Never ever stopped me from getting it done ♪ ♪ The game tried to play me but the outcome ♪ ♪ The industry like I'm Pop's son ♪ ♪ Haters always wanna pop some ♪ ♪ More annoying than bad kids that pop gum ♪ ♪ If you want the smoke I do not run ♪ ♪ Messing with the clique you won't have fun, huh ♪ ♪ We rocking off the meter ♪ ♪ Horns blowing louder than the reefer ♪ ♪ U-N-I-T-Y shout out Queen Latifah ♪ ♪ Walking over trouble like Jesus and Peter ♪ ♪ Call me Charles Darwin survival of the fittest ♪ ♪ Ain't no question dawg who be the realest, the illest ♪ ♪ That's DuPont Brass ♪ ♪ Since day one we been ahead of the class ♪ ♪ Take to the sky ♪ ♪ So much we can do ♪ ♪ Onto something new ♪ ♪ To be continued ♪ ♪ We going up, up, up, up ♪ ♪ (instrumental) ♪ ♪ Ayo, check this out ♪ ♪ All these people trippin' if they thinking ♪ ♪ They can mess with us ♪ ♪ Every time we drop a new hit they can't get enough ♪ ♪ If you came to have a good time drink what's in your cup ♪ ♪ If you came to play your hate, dawg you can get on up ♪ ♪ All these people trippin' if they thinking ♪ ♪ They can mess with us ♪ ♪ Every time we drop that new hit they can't get enough ♪ ♪ If you came to have a good time drink what's in your cup ♪ ♪ If you came to play your hate, dawg you can get on up ♪ ♪ Say, dawg you can get on up ♪ >>Nah, for real, the exit is that way.

(chuckles) Yeah.

Well, we gonna always do this though.

Ay, ay, huh.

♪ Every morning when you wake up ♪ ♪ Live your life like an easy bake oven get ya cake up ♪ ♪ Don't worry bout haters ♪ ♪ Most hard now, then soft later ♪ ♪ I like my girls thicker than Quaker ♪ ♪ With an attitude better not debate her ♪ ♪ This what we pray for ♪ ♪ Getting money getting paper ♪ ♪ Every morning when you wake up ♪ ♪ Live your life like an easy bake oven get ya cake up ♪ ♪ Don't worry bout haters ♪ ♪ Most hard now and soft later ♪ ♪ I like my girls thicker than Quaker ♪ ♪ With an attitude better not debate her ♪ ♪ This what we pray for ♪ ♪ Getting money getting paper ♪ ♪ Bank account be on my mind (mind) like all the time (time) ♪ ♪ Trying to get my paper up (up) so I can shine (shine) ♪ ♪ Bill collector calling me, get off my line ♪ ♪ Till I make this music flip you won't get a dime ♪ ♪ See all my life I hustle for it ♪ ♪ Front of the pack and you can't ignore it ♪ ♪ Dreaming of the day when we out here touring ♪ ♪ Paying off these loans champagne we pouring ♪ ♪ Mama get a house and my Grandpa too ♪ ♪ Grandpa get some new teeth and a truck or two ♪ ♪ Buy sister a shop she'll fix you through ♪ ♪ Don't call me if I don't call you, brother ♪ ♪ Every morning when you wake up ♪ ♪ Live your life like an easy bake oven get ya cake up ♪ ♪ Don't worry bout haters ♪ ♪ Most hard now then soft later ♪ ♪ I like my girls thicker than Quaker ♪ ♪ With an attitude better not debate her ♪ ♪ This what we pray for ♪ ♪ Getting money getting paper ♪ ♪ Every morning when you wake up ♪ ♪ Live your life like an easy bake oven get ya cake up ♪ ♪ Don't worry bout haters ♪ ♪ Most hard now then soft later ♪ ♪ I like my girls thicker than Quaker ♪ ♪ With an attitude better not debate her ♪ ♪ This what we pray for ♪ ♪ Getting money getting paper ♪ ♪ Everybody on these social networks ♪ ♪ Steady acting like, they caking like (caking like) ♪ ♪ But if you take a look at they net worth ♪ ♪ They be all backyard band faking like ♪ ♪ T-O-B turkey bacon right ♪ ♪ But I never gotta fake it ♪ ♪ Cause you know that I'mma make it like ♪ ♪ Tell the club owner if we don't get paid tonight ♪ ♪ I can't promise that you won't catch a fade tonight ♪ ♪ Success all I ever really wanted from me ♪ ♪ Take 100 multiply to a hundred degrees ♪ ♪ Counting all this paper ain't nothing to me ♪ ♪ I was 22 with a money machine ♪ ♪ Put the singles to the left (left) ♪ ♪ 5, 10's, 20's in the middle (middle) ♪ ♪ 20 dollar bills to the right ♪ ♪ Every single dollar back down face up nigga ♪ ♪ When you get your cake up, what a sight ♪ ♪ Every morning when you wake up ♪ ♪ Live your life like an easy bake oven get ya cake up ♪ ♪ Don't worry bout haters ♪ ♪ Most hard now then soft later ♪ ♪ I like my girls thicker than Quaker ♪ ♪ With an attitude better not debate her ♪ ♪ This what we pray for ♪ ♪ Getting money, getting paper ♪ ♪ Every morning when you wake up ♪ ♪ Live your life like an easy bake oven get ya cake up ♪ ♪ Don't worry bout haters ♪ ♪ Most hard now then soft later ♪ ♪ I like my girls thicker than Quaker ♪ ♪ With an attitude better not debate her ♪ ♪ This what we pray for ♪ ♪ Getting money getting paper ♪ ♪ Every morning when you wake up ♪ ♪ Live your life like an easy bake oven get your cake up ♪ ♪ Don't worry bout haters ♪ ♪ Most hard now then soft later ♪ ♪ I like my girls thicker than Quaker ♪ ♪ With an attitude better not debate her ♪ ♪ This what we pray for ♪ ♪ Getting money getting paper ♪ ♪ Getting money, getting, getting money, getting ♪ ♪ Getting money, getting paper ♪ ♪ Getting money, getting paper ♪ ♪ Getting money, getting paper ♪ ♪ No time for haters ♪ (cheers) >>This is DMV The Beat.

We're here with DuPont Brass.

And of course we're talking music tonight.

You just came off your first tour.

>>Yeah.

>>Where did you go that was the most fun?

What was the best place that you went so far?

>>I'm always say home, home is always where is the most fun to me.

>>Yeah.

You know, there's no place like home, but you know, I feel like that's kind of cheating.

I would say for, outside of home, I would say the best time...the best time... see it's hard, it's hard.

But I gotta say, Raleigh.

North Carolina.

>>Really?

>>Yeah, man.

It was such a good show and a great crowd.

The opener was amazing.

All of our openers were amazing, but like, they were very musical.

They had a live band, so it kind of, you know, fit us very well.

>>From the organizer perspective, I'd have to say Atlanta.

Cause it was like, it was that first show and then it like set the tone and we killed the first show.

So it like, everything just went smoothly after that.

Cause like you, I had to reschedule the tour three times like just due to COVID, cause like the first time everybody's like two weeks, so three months later I had the whole tour set up again.

>>You mentioned a few artists that you kind of did some recreations of their music.

>>Yeah.

>>What artists are out there right now that you'd love to collaborate with?

>>Man, we would love to collaborate with Brasstracks, Masego, Braxton Cook, >>Paak.

>>Moonchild, Anderson .Paak.

>>The Roots.

>>The Roots, absolutely, yeah.

And, we talking like, you know, whoever?

>>Wishlist.

>>Quincy Jones, Herbie Hancock, Stevie Wonder.

>>Earth, Wind & Fire.

>>Earth, Wind & Fire.

>>Santana.

>>Yeah.

Santana.

>>They got that tour coming up, that's gonna be amazing.

>>Well, I could see you jumping in with some Earth, Wind & Fire music >>Yeah, yeah.

>>at some point in time, the horns are so prevalent in their music that, you know, it makes sense.

So, where do we go next with DuPont Brass?

Album, big tour already has happened, what's next?

>>Another album, another tour.

We're already looking at, you know, we're always forward thinking.

As soon as something successful happens, we're like, "Now, how can we duplicate this and make it better?"

So as soon as the tour was over, and it did so well, we were like, "Okay, so now where can we take this?"

We did it up the East Coast a little bit, you know, we were, we didn't hit some of the spots that we were originally trying to hit like, uh, New York, and Philly, and Boston, it's a whole bunch of places.

We were trying to hit Tennessee.

So now we're trying to set that up, you know, uh, how can we get back to the West Coast?

'Cause we did a wedding.

Someone paid for us to fly out to California to play their wedding, and that was like the first time when we were like, "Wow, if someone will do this, then we can really do something."

But like, you know we were, we were there for like four days, you know, just seeing the sights and all that stuff.

So, how can we go back and capitalize off of that?

How can we have a show out there, and who can we meet while we're out there?

>>You ever think about how much you really touched somebody who heard you, that they would fly you in to come and do their wedding?

That's pretty strong.

>>Yeah, I remember when, I remember when they sent the initial email, I was like, "Y'all are willing to bring us out to Cali?"

I was like, "Man, that's so much love."

>>Yeah, yeah, that's it.

So, upcoming project, right now?

Working on something that we can, that you can talk about and tell us about at this point?

>>Yeah, we got some, we got some new music that we're working on, new single coming really soon.

You know, people who are coming to see us perform, they're already hearing some of the new music.

But, uh, it'll be released for everyone to listen to, you know, really, really soon.

And, you know, we're just gonna keep moving from there.

>>All right.

We are here with DuPont Brass.

There's more music coming up here on DMV The Beat.

We'll be right back.

(audience cheering) (soulful jazz music) ♪ Yeah.

♪ >>Oh, no, you ain't gotta adjust your speakers.

You heard it correctly.

♪ This that eclectic soulful ♪ ♪ New new with that old school ♪ ♪ Me and all my people we about to go global ♪ ♪ Can you feel it ♪ ♪ Can you feel it ♪ ♪ Can you ♪ ♪ Can you feel it ♪ ♪ Can you feel it ♪ ♪ Can you ♪ ♪ This that soon as you hear it grab your girl ♪ ♪ And hit the dance floor ♪ ♪ You been waiting for the right song ♪ ♪ Here's your chance for it ♪ ♪ Can you feel it ♪ ♪ Can you feel it ♪ ♪ Can you ♪ ♪ Can you feel it ♪ ♪ Listen ♪ ♪ Ladies and gentlemen so glad to proceed ya ♪ ♪ I-Z-Z-Y rockin' with the beat boy ♪ ♪ Notice how the game want to defeat' ya ♪ ♪ All you want to do is be heard through the speakers ♪ ♪ Stackin' up paper,... ♪ ♪ ...let my words speak.

Consultation.

♪ ♪ Music in my heart, instead of pulsation ♪ ♪ My pulse got more with the waves of the bass ♪ ♪ And I got these hits.

♪ ♪ Who's countin'?

Three.

Maybe four ♪ ♪ They're tryna make me quit.

♪ ♪ I'm just tryna get my foot through the door.

♪ ♪ ...all night then gig in the mornin' ♪ ♪ Kill the stash to ya pad 'til ya still broke then ♪ ♪ Izzy reachin' for your goals in the unknown ♪ ♪ Low come your way but you're so blown ♪ ♪ God knows, what's a love like Ray J?

♪ ♪ Can't find a good sound.

Where's JJ?

♪ ♪ Goin' down like ♪ ♪ Kris Kreme A.J.

♪ ♪ Your high school hay day.

♪ ♪ Ran to your future in the sunshine.

Instead of looking ♪ ♪ Down look up G-O-D ♪ ♪ Now when people find out our passion- ♪ ♪ [Inaudible] ♪ ♪ One day I'm going scale like I'm super dawg ♪ ♪ It's fine if you refuse to believe me.

♪ ♪ I can see this whole jump off the ceiling ♪ ♪ This comes out of me like I'm bleeding.

♪ ♪ Bet ya all wanna be on my team.

♪ ♪ My flow y'all wanna be receiving.

♪ ♪ See these Grammys I be retrieving.

♪ ♪ Eclectic Soulful new new with that old school ♪ ♪ Me and all my people we about to go global.

♪ ♪ Can you feel it?

Can you feel it?

Can you?

♪ ♪ Can you feel it?

I know you feel it.

Can you?

♪ ♪ It's that soon as you hear it grab your girl ♪ ♪ And hit the dance floor.

♪ ♪ You've been waiting for the right song.

♪ ♪ Here's your chance, fool.

♪ ♪ Can you feel it?

Can you feel it?

Can you?

♪ ♪ I know you feel it.

Don't cha?

♪ ♪ - It's been your song since your homegirls put you on.

♪ ♪ You turn it up.

On and On.

Let you sing along ♪ ♪ Am I wrong to assume if she can't dance, she can't ♪ ♪ - [Both] Ooh.

♪ ♪ But belong as she move to the groove.

♪ ♪ When the bass hit she can feel it in her gut ♪ ♪ And when the drums hit she can feel it in her butt.

♪ ♪ She think to it.

Drink to it.

Feel it in the cup ♪ ♪ Even put it on a playlist to feel it when she ♪ ♪ - Ahhh!

♪ ♪ - It's that feel good remind you of that old Kanye ♪ ♪ And like school boys said to the fake we no hable.

♪ ♪ Powered by the ancestors yeah that old Ashe.

♪ ♪ Haters salty and they ashy like that old Pompeii.

♪ ♪ Ay, we hit the set then we get the check.

On to the next.

♪ ♪ Coming for the necks of the best.

In the deck.

♪ ♪ It's a bet.

No correct.

Say my name better put respect.

♪ ♪ Know the rules like a ref but we are not Colin Kaep- ♪ ♪ - It's that eclectic soulful new new with that old school ♪ ♪ Me and all my people we about to go global.

♪ ♪ Can you feel it?

Can you feel it?

Can you?

♪ ♪ Can you feel it?

Can you feel it?

Can you?

♪ ♪ It's that soon as you hear it grab your girl and hit ♪ ♪ the dance floor.

You've been waiting for the right ♪ ♪ song.

Here's your chance, for it.

♪ ♪ Can you feel it?

Can you feel it?

Can you?

♪ ♪ Can you feel it?

I know you feel it.

Can you?

Oh.

♪ (Jazz Music Ends) (Speakers whooshing) >>We're not quite there but this is "'Til the End" from DuPont Brass on DMV the Beat.

(audience cheering) (music starts) ♪ - Yeah.

♪ ♪ - Yeah.

♪ ♪ You're my shorty 'til the end.

♪ ♪ My lover and my best shorty, shorty, shorty.

♪ ♪ Sounds good, boy.

♪ ♪ I call you my green light girl 'cause you know ♪ ♪ you be on the go.

All your girls be on the dance floor ♪ ♪ You be layin' low.

Always working saving up them racks.

♪ ♪ 'Cause the LSAT and grad school cost another couple ♪ ♪ Stacks.

♪ ♪ You got my support.

Girl, you know I got your back.

♪ ♪ Matter of fact I just off work.

Tell me where you're at.

♪ ♪ Just send me your location.

Don't let them get up ♪ ♪ in your head about a situation.

♪ ♪ When it comes to your visitation, go and pull up.

♪ ♪ You don't need no invitation.

♪ ♪ I could be your music soul child.

You can be my sunny.

♪ ♪ And let's go half on a baby ♪ ♪ but you think I'm being funny.

♪ ♪ But you the only one who comes to mind ♪ ♪ that if you told me you might be pregnant, girl, ♪ ♪ I really wouldn't mind.

Even though we just friends, ♪ ♪ I know you're really mine.

♪ ♪ We got our whole lives ahead of us.

♪ ♪ There's plenty time, girl!

♪ ♪ - Girl you made me feel like fantasy is real.

♪ ♪ Life would be so right.

Future so bright.

♪ ♪ If you ever want just to be friends I don't mind ♪ ♪ as long I'll be there until the end.

♪ ♪ Shorty 'til the end.

♪ ♪ Hey, ♪ ♪ Shorty 'til the end, yeah.

♪ ♪ Shorty 'til the end, yeah.

♪ ♪ Shorty 'til the end, my lover and my friend.

♪ ♪ My Shorty 'til the end.

Yeah.

♪ ♪ Shorty 'til the end.

Yeah.

♪ ♪ Shorty 'til the end, yeah.

♪ ♪ Shorty 'til the- ♪ ♪ Lucky baby.

♪ ♪ Lady you're my four leaf clover.

♪ ♪ Hit me up.

I'll come on over.

♪ ♪ Ooh we could play red rover.

It's crazy but maybe ♪ ♪ We've been down forever.

♪ ♪ When I'm with you life is better.

♪ ♪ Come here.

We can be together forever.

♪ ♪ La Da Da Da Da.

♪ ♪ - Da Da Da Da Da ♪ ♪ - This is paradise.

♪ ♪ - This is paradise.

♪ ♪ When I'm on your mind, I see it in your eyes.

♪ ♪ If you ask me like Why?

Why?

Why?

Why?

Why?

♪ ♪ It's cause you're down to ride.

♪ ♪ - It's cause you're down to ride.

♪ ♪ - with me through my life.

I'm with you 'til the end ♪ ♪ of time.

♪ ♪ (vocalizing and instrumentals overlap) ♪ ♪ Until the end.

My shorty 'til the end, yeah.

♪ ♪ My shorty 'til the end, yeah.

♪ ♪ My shorty 'til the end, yeah.

♪ ♪ My shorty 'til the end.

My lover and my friend.

♪ ♪ My shorty 'til the end, yeah.

♪ ♪ My shorty 'til the end , yeah.

♪ ♪ My shorty' til the end, yeah.

♪ ♪ Shorty!

Hey!

♪ ♪ Shorty!

Shorty!

♪ ♪ Shorty!

♪ ♪ Shorty!

Yeah.

♪ ♪ Hey!

♪ (vocalizing continues) (music begins to fade.)

(Music ends) (speakers whooshing) (audience applauds) (upbeat music beings) >>Ladies and gentlemen, you've been a wonderful audience but now I'd like to introduce to you from Howard Morgan and Morehouse, DuPont Brass!

♪ - I love music.

♪ ♪ Yeah, yeah, I love it ,I love it.

I love it.

♪ ♪ Hey, I love music.

Yeah.

Yeah.

Yeah.

♪ ♪ Oh yeah, I love music!

♪ ♪ I love it.

I love it.

I love it.

I love it.

I love it.

♪ ♪ I love music.

♪ ♪ Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

♪ ♪ Listen, flash back 2004 where young soldier wanted more to ♪ ♪ unfold for his life was when he get into the older ♪ ♪ they put his fam on his shoulders.

♪ ♪ Cause where I'm from dreams fade.

♪ ♪ People living in the past cause the present cause pain.

♪ ♪ Many lyrics I'd write.

Got addicted to the mic.

♪ ♪ Yeah I said it, like a king I'd reign.

♪ ♪ Rest rule in the vibe.

If you think I ain't got it ♪ ♪ we gon go that sh- live.

♪ ♪ I do this rap on the side, play the horn ♪ ♪ and singing compose with pride.

♪ ♪ It's the tip of the iceberg.

You're Titanic talking big ♪ ♪ Now you all in a panic.

♪ ♪ Why they in the streets so manic.

♪ ♪ Well their music is lame so they probably don't ♪ ♪ understand it.

♪ ♪ Yeah, I love it.

I love it.

I love it.

I love it.

♪ ♪ I love it.

I love it.

♪ ♪ I love it.

Hey, I love music!

♪ ♪ - I love it.

I love it.

I love it.

I love it.

♪ ♪ - Hey, I love music yeah.

♪ ♪ - (Both) All my life all I've ever known was this music.

♪ ♪ - People come and go but one things for sho'.

This love ♪ ♪ - (Both) I will never lose it.

♪ ♪ - My daddy taught me if you're good or something, boy you ♪ ♪ better use it.

♪ ♪ Since we go way back, music is only right that I ♪ ♪ choose it.

♪ ♪ I grew up in church putting in that work on the choir.

♪ ♪ Not sure my biz- ♪ ♪ [Inaudible] ♪ ♪ Now later on in school buck being cool.

♪ ♪ I'm trying to learn these skills.

♪ ♪ Fast forward now you got paid to come see me play.

♪ ♪ I gotta tell you somethin' ♪ ♪ - (Both) I love music.

♪ ♪ - Ha, I love it.

I love it.

I love it.

I love it.

♪ ♪ I love it.

Yeah.

I love music.

Ha.

Yeah.

Yeah, ♪ ♪ (Repeats) ♪ ♪ Oh yeah, I love music.

♪ ♪ Whoo, I love it.

I love it.

♪ ♪ (repeats) ♪ ♪ Oh Yeah.

♪ ♪ (instrumental break) ♪ ♪ (jazz music fades) ♪ >>MK Zulu y'all.

(music ends) (music starts back up ) >>This our new record Summer Vibes y'all.

Coming out soon.

Real, real soon.

Talk to 'em.

♪ - I'm feeling good.

♪ ♪ I'm feeling great.

Way too fashionable to be late.

♪ ♪ Ain't much for guessing but don't for Pete's sake.

♪ ♪ The drippin is massive, I might leak a lake.

♪ ♪ I said, ooh finally I think the weather broke.

♪ ♪ Sun shining down on us feel incredible.

♪ ♪ I hit my brother up saying get the grill out.

♪ ♪ I was in gonna be still out, ♪ put my windows down, turn my music up loud ♪ Cause we finna show out today ♪ ♪ and when I hit the crowds they gon check my style ♪ ♪ if they compliment I'm gonna say, ♪ ♪ This is the summer vibes, summer vibes ♪ ♪ There ain't a time that I feel more alive ♪ ♪ This is the summer vibes, hey, summer vibes ♪ ♪ In parking place the folks all just drive ♪ ♪ Horns, give it to em now.

♪ ♪ (instrumental) ♪ It already feel like summer on this stage.

So let me tell ya how I've been feelin about it.

Okay?

Let's talk to the people.

♪ Go outside it's about 80 degrees.

♪ ♪ Gotta wear shorts, lotion up these knees.

♪ ♪ Don't know to compare to a summer breeze.

♪ ♪ Your sun dress we see dripped over booty.

♪ ♪ Meet me cutie, school's out for weeks.

♪ ♪ Vacation week immediately.

♪ ♪ Be like summer on my side when we texting, ♪ ♪ might not come back to this next spring.

♪ ♪ Working hard, so you're going see me.

♪ ♪ I'm getting to the money, I'm a young OG.

♪ ♪ Ain't nothing like summertime in DC.

♪ ♪ Streets high, we're the front seat against the breeze.

♪ ♪ Yeah.

Been inside for about two years.

♪ ♪ So listen up, we gon make this clear.

♪ ♪ We goin up, cause this stuff, when you with this tribe, ♪ ♪ feet up, kick back, feel the summer vibe.

♪ ♪ Windows down turn my music up loud, ♪ ♪ cause we finna show out today.

♪ ♪ When I hit the crowds they gon check my style ♪ ♪ If they compliment I'm gonna say, ♪ ♪ this is the summer vibes, hey!

♪ ♪ Summer vibes, yeah!

♪ ♪ Ain't a time that I feel more alive.

♪ ♪ This is the summer vibes, hey, summer vibes, ♪ ♪ We can park in place or just drive, ♪ Horns, come on y'all.

(scatting) (music ends) (audience applauding) (music resumes) Y'all ready to party?

I said, DMV the Beat, y'all ready to party?!

Talk to 'em man.

♪ I hope that you came to party.

♪ ♪ Cause you know, this here is my song.

♪ ♪ The DJ is just getting started, ♪ ♪ turnin up the whole night long.

♪ ♪ You say you're tipsy, I don't doubt it.

♪ ♪ - Everybody in the club, get tipsy.

♪ ♪ - The bartender made my drink too strong, too strong.

♪ ♪ Don't you see the dance floor getting crowded?

♪ ♪ - Getting crowded.

♪ ♪ - So I suggest we move along.

♪ ♪ - Here we go ♪ ♪ - Good vibrations to the left ♪ ♪ - To the left ♪ >>Good vibrations to the right.

>>To the right.

♪ - Not one hater or fake in sight.

♪ ♪ Oh what a night.

♪ ♪ We don't have time to fuss and fight.

♪ ♪ Cause my best friend said that this might, Hey, ♪ ♪ be the best dang night of my life.

♪ I could see the colors, flashing lights, >>Flashing lights >>A glimpse of heaven that is just my type.

She said I know exactly what you like, Come a little closer baby, I don't bite.

Baby, let's go.

>>Let's go.

>>If you want it you can get it, let me know.

♪ - Let me know.

♪ ♪ - Baby girl just say the word, let's go.

♪ ♪ - Let's go.

♪ >>If you want it you can get it, let me know.

>>Let me know.

♪ - Say baby girl, just say the word, let's go.

♪ ♪ There's a party over here tonight.

♪ ♪ I can feel it in the air, but I'm washed and my body hurt.

♪ ♪ Don't feel like going nowhere.

♪ ♪ But then you look into my eyes girl.

♪ ♪ I can see it in your smile.

♪ ♪ And if I don't hit the club with you ♪ you gonna block my profile.

Don't want be a lame, never go nowhere, work to blame.

The kids these days ain't the same.

Rhonda, bi--- I ain't even tryin to play.

You know, I don't want to do that.

Take my shorty to the club, but I throwing it back throwing it right, You know how fly I stay every day.

Ah wait, it's Saturday.

Let's go have a drink or three >>Or three >>Or four >>Or four >>Just pour >>Just pour >>some more >>some more >>Liquor.

>>Liquor.

>>We get movin so hot when we tearing up the dance floor.

Booty so big, got its own orbit.

Body lookin right, I got plans for it.

The club done closed at four, we all ready and it's bad goin out the door.

Let's go.

I could see the colors, flashing lights, >>Flashing lights >>A glimpse of heaven that is just my type.

>>My type.

>>She said I know exactly what you like.

>>You like.

>>Come a little closer baby, I don't bite.

>>Let's go.

>>Let's go.

>>If you want it, you can get it, let me know.

>>Let me know.

>>Baby girl, just say the word, let's go.

>>If you want it, you can get it, let me know.

>>Let me know.

>>Baby girl, yeah.

♪Let's go.

♪ ♪Let's go.

♪ ♪Let's go.

♪ ♪ Yeah.

♪ Let's go.

♪ Let's go ♪ ♪ Let's go ♪ ♪ Say Let's go ♪ ♪ Let's go ♪ ♪ Let's go ♪ Come on, come on.

Let's go.

Let's go.

Let's go.

Let's go check it out.

Say let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

♪ Let's go, yeah.

♪ Thank y'all, Thank y'all.

We are DuPont Brass, peace up.

We'll see Y'all next time >>For more information about DMV The Beat log going to w h u t .org.

>>This program was produced by W H U T and made possible by contributions from viewers like you.

For more information on this program or any other program, please visit our website@whut.org.

Thank you.